what’s your of?
i don’t have one
🪼

Janaina Medeiros

PR's Tumblrdome
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DEAR READER
hello vonnie
NASA

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Product Placement
styofa doing anything
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blake kathryn

Kiana Khansmith
Today's Document
trying on a metaphor

titsay

No title available
taylor price
RMH

pixel skylines

seen from United States
seen from United States
seen from Italy
seen from United States

seen from Italy

seen from Japan
seen from Kenya

seen from United States

seen from Serbia

seen from Colombia

seen from Malaysia

seen from China

seen from United States
seen from Argentina

seen from Malaysia
seen from United Kingdom
seen from Romania

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seen from United Kingdom
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@hughjaynus
what’s your of?
i don’t have one
Lighter hair clips by Corrina Goutos
“She loves to PLAY with (not eat) cherries 🍒”
(Source)
resilience is not sustainable we are not supposed to endure life we are supposed to live it
i want to leave my current situation and i know how to do it i just choke up. i get overwhelmed about being so overwhelmed. i can’t stand being here; being with this person who hasn’t made me feel safe or happy in a long time. i want out so bad. i want my child to feel safe and happy and i feel like i’ve been neglecting her judgement for a while.
i just want to feel comfortable and i think i’m better off alone doing that. i’ve dug myself a deeper hole again because i never leave when i notice i should. i drag it out until i’ve lost control.
Matthew Simmonds, an art historian and architectural stone carver based in Italy, has created a collection of exceptionally beautiful miniature spaces carved from stone. Having worked on a number of restoration projects in the UK – from Westminster Abbey to Ely Cathedral - his skills have been transferred into work of a much smaller, if not more intricate, scale. Hewn from large stone blocks (some of marble), the level of intricacy Simmonds has achieved in the architectural detailing is almost incredible. Capitals, vaults and surfaces all distort and reflect light in a very beguiling way.
Staring at these gives me a longing I can’t quite explain
Postcolonial Love Poem, ‘Wolf OR-7′ by Natalie Diaz
[ID: I confuse instinct for desire - isn’t bite also touch?]
Akira / アキラ (1988), dir. Katsuhiro Otomo
.”Life, and Nothing More…” (Persian: زندگی و دیگر هیچ) directed by Abbas Kiarostami
Joe Rudko. 2012, found photograph, digital manipulation
Artists on Tumblr
Protagonist Syndrome (Porky’s Revenge)
digital collage (2021)
https://www.instagram.com/midi_wizard/
Klaus Rinke, Changing Location to Points in Time, 1970s