
izzy's playlists!
sheepfilms
cherry valley forever
Three Goblin Art
I'd rather be in outer space đž
Stranger Things

pixel skylines

JVL

#extradirty
Claire Keane
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
Not today Justin
PUT YOUR BEARD IN MY MOUTH

Andulka

ellievsbear

ç„æ„ / Permanent Vacation
we're not kids anymore.
will byers stan first human second

tannertan36
i don't do bad sauce passes

seen from Australia

seen from United Kingdom
seen from United Kingdom

seen from Singapore
seen from Bahrain
seen from Nicaragua
seen from United States
seen from Brazil
seen from Brazil
seen from United States
seen from United States
seen from United States

seen from Argentina
seen from United States
seen from United States

seen from United States
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seen from United States
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@hunterhenderson
@averygayeâ
Five minutes or two years may have passed. Everything as always looks the same and feels different. Hunterâs cheek rests against a cushion and he looks out onto Glitchâs apartment. Thereâs Glitchâs knees slotting into the back of Hunterâs, thereâs a chance neither of them will have been truly asleep. He woke himself up with the sensation of falling and finds heâs on the very edge of the couch, there was no real danger. One of Glitchâs hands rests under his shirt, rests over the scar that remains across his stomach.
Hunter was out for a little while, as the flickering colour behind his closed eyelids subsided. Ever so carefully, he shifts to lay on his back, looking over at Glitch and catching him just as his eyes open.Â
Koyaanisqatsi. Dir. Godfrey Reggio. 1983.
Made of stone, eternal and animalistic, beautiful and cold, soulless, and yet filled with a hidden, terrifying life. He was surrounded by the aura of a tranquil emptiness, with air and stars, with this desolate death.
Hermann Hesse, from âDemianâ (via sempiternele)
If Saint Pepsi was a saint, Iâd definitely pay my respects to him. Thankfully, I can do that anyway, by listening to this track constantly. âPrivate Callerâ has a distinctly â80s touch to it, reformed through the genre of vaporwave. The plodding beat is something you can groove to, and the vocals are cheery enough to sing along with.Â
Recommendation: Pick out your cutest shower cap, prepare a warm, luxurious bath for yourself, and grab your phone. Then *67 your lover and leave a sexy, mysterious message.
Ryan Gosling in La La Land (2016) dir. Damien Chazelle
Itâs okay if you donât wanna talk, you know. I donât wanna talk either sometimes. I just like to stay silent. â Paris, Texas (1984, dir. Wim Wenders)
Louis Fratino - painting - â Nightdriver â
foulmouthpieceâ:
   with no pomp or flourish, millie sets up a line of three shot glasses in front of him, each filled with a dollop of guava mousse. from the middle glass, an orange ( and almost definitely twice used ) candle sticks out.
   she pulls a lighter with the wrong zodiac on it from her apron pocket and ignites the wick.
   â if theyâre gross, just remember i didnât make them. â
He intends not to drink them, a little cream transfers onto his thumb and he has to put his mouth on it. He watches the flame and her hands, didnât make them, and wonders how she knows and if he showed her his license one time. What could that have said?
It would be impossible to forget Millie, heâd recognise her first if she was lost in a crowd.
Itâs his birthday. It was. Itâs after midnight now and the candle is burning low quickly. He smiles his thanks and gestures for her to take what she wants.
Crossing the line from romance to violence, the scene starts off with the Driver and Irene tenderly kissing. What they share is really a goodbye kiss, as he then becomes a âwerewolf,â violently stomping the hitmanâs head in. Subsequently, Irene sees the Driver in a new light. âEvery movie has to have a heartâa place where it defines itselfâand in every movie Iâve made thereâs always a scene that does that. On Drive, it was hard for me to wrap my head around it. I realized I needed to show in one situation that driver is the hopelessly romantic knight, but heâs also completely psychotic and is willing to use any kind of violence to protect innocence.â â Drive (2011) directed by Nicolas Winding Refn
averygayeâ:
Whyâd he pat himself like fucking Tarzan? She wants to point at herself and say âme janeâ if it wouldnât be such a dick move, but itâs funny in her head at least. River draws in her lips and nods. âRiver. Iâd take Bonnie.â
âYou an outlaw?â Thatâs what Bonnie was, wasnât she? It wouldnât be surprising or unusual if River was, she certainly wouldnât be the first of them in Hunterâs car.
I thought I recognized your voice for a minute. â Paris, Texas (1984, dir. Wim Wenders)
Drive (2011) dir. Nicolas Winding Refn