No Singing Where You're Going
For the week leading up to Halloween, I’m writing a different scary short story every night, and posting it here. This is the fourth in the series.
The big breakthrough happened on Day 217. Roberta was the first to verbalize. “Here. Here.” Allie and Jamel stopped in their tracks, unsure that they’d heard what they thought they heard, and turned to the speakers at the end of the tank. There was some static and then an emphatic “Here! Here!” Digitized as it was through the computer’s interpretation, but clear as day. There was no mistaking it.
Allie turned to the observation deck and shouted “Peter, turn down the music and turn up the transmitters! Do we know who it was?” Earth Angel faded out mid-chorus and Peter replied on the intercom “That would be Roberta. She’s doing all the talking.”
Allie walked to the edge of the tank and found Roberta’s dorsal fin cutting across the surface alongside Kit’s -- both distinct. Jamel joined her side and watched the dolphins circle the tank. “C’mon say it again,” Allie whispered. And then she had an idea. “Peter, turn the music back up slowly.” As soon as Earth Angel creeped back onto the speakers, Roberta chimed in again “Here! Here! Here!” And another voice, marked with a distinctly different tenor, joined “Here!”
“And that’s Kit, of course.” Peter offered through the intercom.
“Man, they really love doo-wop don’t they,” Jamel laughed. “Okay, they’re talking. Away we go.”
The dolphins’ enthusiastic response to doo-wop music -- The Platters, The Capris, The Marcels -- was evident early on in the verbalization trials, and Allie had long suspected it would be the thing that sparked that big breakthrough. Some seven months later, it did.
There had been so many fits and starts, wrong turns, and detours. But through round-the-clock training and discipline -- studying the dolphins’ behavior and speech patterns, their interplay, analyzing decades of collected data -- they had built the systems and found their way here. They had successfully begun to translate the dolphins’ whistles, burst-pulsed sounds, and clicks into English in real time. Inter-species communication.
In a matter of days Doll and Huck joined in the “Here!” party. “Here!” in this case, the crew came to understand as positive affirmation. Here, as in, this moment, what’s happening right now in the present, is good. We want this to continue. ‘Here’ should keep happening. Keep playing the doo-wop music. Keep feeding us, keep playing with us. ‘Here’ was also the key to everything that came after. From there, Peter, Jamel, and Allie could begin mapping out a structure for more translation. More whistles, sounds, and clicks -- and the variations of each within -- to create more words: dive, glide, up, eat, more, stop, agree, push, go, we, you, I. And the more varied their vocabularies got -- or more accurately, the deeper the crew’s understanding of the dolphins’ already rich vocabularies grew -- the closer they came to constructing sentences. And then, ultimately, sentences to describe circumstances outside of whatever the dolphins were immediately observing or feeling. Sentences of representation. The holy grail.
“We go, we go, we go.” Kit was leading the group in short bursts and darts zigzagging the tank while Jamel took notes. It had been four months since the first “Here” and now they were openly conversing. “Keep going, keep going” Jamel cheered them on, and his words were processed by interceptors, transmitted in clicks and whistles beneath the surface. “And slower,” Jamel instructed, and the dolphins slowed down. “And separate,” and the 4 dolphins broke formation. Beneath the platform, Allie observed them through the glass. Doll glided by her, and that was when the very first question came.
Allie’s heart stopped, as she watched Doll swim laps around the tank’s diameter. Peter radioed to her, “Uhhh I think she’s talking to you, Allie.”
Allie cleared her throat and spoke into the small mic at her collar. “My name is Allie. I’m human. I’m a mammal like you.”
Doll circled the tank again, and approached her. “You are here.”
Allie puzzled over that momentarily, then responded, “Yes, I am here.”
The second question. Allie felt incredible pressure to give the correct answer, whatever the correct answer was. She could hear The Closer You Are by the Channels playing above her. “You stay here. Right here with me.”
The third question. Allie wasn’t sure how to respond. And that face, circling the tank, that perpetual dolphin smile, started to get to her. Before Allie could respond, Doll asked a fourth question.
“You keep me. When do you let me go?”
They were off script now, and Allie chose her words carefully. “You and Kit and Roberta and Huck stay here with me, Jamel, and Peter. We all stay here together. Here.” Doll did 3 more laps without speaking, locking eyes with Allie each time she passed her, and then she joined Huck at the opposite end. Question and answer time was over.
Over the following weeks, there were other incidents like this. The usual childlike banter between the crew and the dolphins were peppered with odd, and only vaguely coherent phrases and sentences that could be interpreted any number of ways. The most notable of these happened when Kit and Huck took to mimicking lyrics from I Only Have Eyes For You -- one of the dolphins’ longtime favorites.
“What is the sound?” Kit asked Jamel.
“This is a song,” Jamel told him. “This is when humans sing.”
“Do you sing?” Huck asked.
“You are here and so am I.” Huck replied, and Kit parroted. “You are here and so am I. I only have eyes. I only have eyes.”
“You like this song.” Jamel noted. “I like this song, too.”
“Where are you going?” Kit asked.
“Nowhere. I’m here with you. Or as you and The Flamingos would say, ‘You are here and so am I.’”
“I only have eyes. There’s no singing where you’re going. I only have eyes.” Kit replied.
Jamel stopped and watched Kit’s dorsal fin cut waves through the water. The speakers behind him announced once more, “I only have eyes. There’s no singing where you’re going. No singing where you’re going.”
“Where am I going?” Jamel asked.
“You are here and so am I,” Huck replied.
“Where are we going?” Allie asked from below.
“Here. Here. Here. Here. Here.” Doll replied.
The next morning, Allie arrived at the lab to find several police cars and ambulances. Jamel intercepted her as she stepped out of her car. He had found Peter when he got in that morning. They wouldn’t know the cause of death for at least a few days, but it was clear Peter had suffered some sort of aneurysm during his night shift. When Jamel found him, he was wearing headphones, slumped over on his desk in the observation deck in a pool of blood. Allie started to feel sick. Jamel urged her to go home, but she insisted on reviewing the tapes from the night before. She had to.
They spent hours reviewing the audio tapes. For the most part they were perfectly benign. At some point during the night, coinciding with Peter playing ‘Devil or Angel’ by Bobby Vee, there had been a particularly frenzied round of “Here, here, here” chants, lasting about 20 minutes. In and of itself, that was nothing unusual. But when they separated the audio by channels, they noticed Roberta had been entirely silent during all of it. She didn’t emit a single “Here.” So they watched the video coinciding with this chunk of time. Roberta could be seen near the bottom of the tank, distant from the other three who were frantically splashing and here-ing. She moved very little, tossing back and forth in strange and unpredictable rhythms. Neither Allie or Jamel could remember ever seeing her behave that way.
As they were walking out, Doll’s voice came over the speakers. “Why is Peter so sad?”
Jamel walked over to the tank. “Peter’s gone. He left us. He’s not here anymore.”
Doll flapped her tail, dove, and rose again. “Where?”
“He’s just gone. I’m sorry.”
“When do we go?” This voice was Roberta’s. “You keep us. When do we go?”
And with that Allie lost it. “You stay here. HERE! I told you. You’re staying here. Stop fucking asking me that. You’re staying here.”
There was silence for a little while, and then Roberta’s voice again, “There’s no singing where Peter is. I only have eyes for you. I only have eyes. There’s no singing where you’re going.”
At some point Allie managed to fall asleep that night, and when she did she dreamt. In her dream she was adrift at sea, all alone, naked, swimming through the waves. She looked up at the sun and the clouds melting in wisps around it and then something pulled her under the surface. Down, down, pulling her, digging its claws into the flesh of her legs, pulling her toward something ancient, primitive, prehistoric. Something that had been waiting for her, for everyone, for a very long time. And Peter was there, of course, and so were many others, and she understood in that moment, in the darkness and the depth, that she had gotten something very wrong. She had severely miscalculated something important. Something simple. Something that would elude her from the second she woke up, but would always be there, nagging, pulling her closer toward itself, taunting her, punishing her for something she’d never understand.
And then she woke up. Here.