Noriko Ambe is an artist who draws/cuts on paper, atlas and sketch book which has many layers. The works are named Linear-Actions to express the time and another geography.
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Noriko Ambe is an artist who draws/cuts on paper, atlas and sketch book which has many layers. The works are named Linear-Actions to express the time and another geography.
Rafaël Herman’s strange photos of the Judean Mountains and the Mediterranean were taken at night without the aid of a flash or digital manipulation.
Mario Merz, Le case girano intorno a noi o noi giriamo intorno alle case? “Arte Povera 2011,” Triennale, Milan
Richard Tuttle. Separation (Group 4, Number 5), 2015. Canvas acrylic, pushpins, nail, birch panel, pine 1x2’s, birch panel, steering wheel cover, synthetic fabric, 213.4 x 86.4 x 130.2 cm (84 x 34 x 51 1/4 in).
Aluminium, coated with polyurethane 594.4 x 335 x 125.7 cm
Ellsworth Kelly's “Curve XXI” (1978-80)
These little critters will be on display at Maryland Art Place for their 35th Anniversary Exhibition. Please join me Thursday, October 6 from 6–8 p.m. for the opening reception.
Great work!
Vacaciones - Partie 1
〔trip〕1週間ほど旅に出ます。台湾に行ってきます。
Helen O’Leary Delicate Negotiations, 2015 egg tempera and oil emulsion on constructed wood 68 x 48 x 10 inches
Women in the United States have historically been subjected to coordinated efforts to control their fertility, including forced sterilization.
Nathalie Miebach 1. Musical Buoy in Search Towards a New Shore (2009) 2. Hurricane Noel (2011) 3. And the Winds Kept Roaring Through the Night (2011)
Nathalie Miebach's colorful sculptures look like children’s toys gone awry, as if the designer inlcuded far too many twists and turns for a child to possibly follow. It would make sense that these twisted routes would throw one off course, as they are modeled from scientific data pulled from wind patterns, often from storms, gales or blizzards. Miebach translates this quantified data into physical forms that mimic the twirling motions of the invisible weather they aim to imitate.
“The method that I use is basket weaving because basket weaving is a very simple three dimensional grid that I can use to translate data with,” said Miebach. “Everything in the sculpture, whether it is a colorful bead, a string, whether it’s a dowel or reed, represents a different data point. Nothing is put on there for purely aesthetic reasons.”
The Boston artist discovered this process while simultaneously taking an astronomy class at Harvard and learning basket weaving as an extracurricular activity. She yearned for a way to physically display the data she was learning about in class, and thus her 3D scientific models were born. In a field where one is not able to see the data they collect, her sculptures give a form to that which was previously only able to be felt, tasted, and smelled.
Not only do her pieces serve as aesthetic objects, but readable sources of concrete data. “It is important for me that these pieces are actually very accurate because I want them to live in the science world as much as in the sculpture or craft world,” said Miebach. “I still want you to be able to read the weather off of these sculptures.”
http://www.thisiscolossal.com/2016/03/nathalie-miebach-weather-sculptures/
Jesus Rafael Soto
Between 1975 and 1976, Nauman produced a series of sculptural installations consisting of carved stone and metal slabs placed around the floors of large rooms. In 'Enforced Perspective' steel rhomboids form a geometric design, creating the illusion of subtle shifts in the gallery floor as the viewer moves about them. Although the overall pattern that the visitor encounters appears relatively simple, the grouping of the thirty-six slabs has many possible arrangements. By creating a sculptural field that could be altered, this installation allowed Nauman to test the effects of different spaces on his audience’s behaviour.
http://www.tate.org.uk/art/artworks/nauman-enforced-perspective-allegory-and-symbolism-ar00180
Jesus Rafael Soto Pénétrable BBL bleu 1999 PVC tubes suspended from a garage-sized metal frame.
Carlos Cruz-Diez Chromosaturation