[195195119511951-deactivated2021]

“Despite popular theories, I believe people fall in love based not on good looks or fate but on knowledge. Either they are amazed by something a beloved knows that they themselves do not know; or they discover a common rare knowledge; or they can supply knowledge to someone who’s lacking. Hasn’t everyone found a strange ignorance in someone beguiling? …Nowadays, trendy librarians, wanting to be important, say, Knowledge is power. I know better. Knowledge is love.”

From The Giant’s House, Elizabeth McCracken

[weirdlandtv]

BREAKING OFF (1955) by Remedios Varo.

[halfsavages-deactivated20200621]

audre lorde, “uses of the erotic”, sister outsider: essays and speeches

[theegoist]

Hilma af Klint (Swedish, 1862-1944) - On the Viewing of Flowers and Trees, Untitled (Vid betraktande av blommor och träd), Watercolor on paper, 18 x 25 cm (1922)

[ididnotintendtobehere]

embarrassed always

[humansoflatecapitalism]

[ididnotintendtobehere]

[1010ll]

[ididnotintendtobehere]

lately

[motschoisis]

Lee Lozano, 1968.

[ididnotintendtobehere]

[artistsbooksandmultiples]

Jenny Holzer Die Fast and Quiet New York City, USA: Danspace Project, [c1985] 38 x 46 cm. Edition of 26

[theleoisallinthemind]

Brooke Didonato

[ididnotintendtobehere]

There were no new ways to understand the world, only new days to set our understandings against. Through the lanes came virgins in tennis shoes, their hair shining like videotape, singing us into a kind of sleep we hadn't tried yet. Each page was a new chance to understand the last. And somehow the sea was always there to make you feel stupid.

David Berman

[art-mysecondname]

Ken Price

[cuttyspot]

You find yourself already happening.

sam pink (via cuttyspot)

[uptownhags]

Julia Jacklin | Body

that’s when the sound came in I could finally see I felt the changing of the seasons all of my senses rushing back to me