Shoes in Vogue (1981) by Arthur Elgort
Show & Tell
untitled
I'd rather be in outer space 🛸
🪼

Love Begins
almost home
occasionally subtle

tannertan36
todays bird
Claire Keane

❣ Chile in a Photography ❣

#extradirty
Aqua Utopia|海の底で記憶を紡ぐ
$LAYYYTER
EXPECTATIONS

Kaledo Art
"I'm Dorothy Gale from Kansas"
KIROKAZE

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art blog(derogatory)
seen from Poland

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@idobelieveinspooks
Shoes in Vogue (1981) by Arthur Elgort
How convenient it is to attach small, useful objects to your clothes at waist level
Ahhh love this!!
Also, petition to bring back chatelaines.
No one can stop you! This is where my friend who is head of costuming for the museum I used to work at buys theirs for the site. (I am not sponsored by or affiliated with that shop, I've just worn their products in work contexts & also advocate for bringing chatelaines back).
tweet
Something like this would be so colossally helpful. I'm sick and tired of trying to research specific clothing from any given culture and being met with either racist stereotypical costumes worn by yt people or ai generated garbage nonsense, and trying to be hyper specific with searches yields fuck all. Like I generally just cannot trust the legitimacy of most search results at this point. It's extremely frustrating. If there are good resources for this then they're buried deep under all the other bullshit, and idk where to start looking.
>:)c
May I present to you, nationalclothing.org?
It doesn't have everything, but it's still my first source when researching traditional clothing from other cultures.
There's also this resource on historical fashion: Claire’s Historical Fashion Reference & Resources
another addition as far as physical media goes there is the encyclopedia of national dress (that i still need to buy myself bc this kind of thing is super important to my sort of fantasy designing) but yes i do agree i wish there was EVEN MORE documentation on this
Reblogging to spread awareness
the goldmine folks
—«It is the spectator, and not life, that art really mirrors. »
When it comes to sex scenes, the rules say things like: Don’t write them at all, and if you do, don’t use these words. Don’t write them silly, porny, dramatic, tragic, pathological, grim, or ridiculous.
My whole practical thesis around the craft of writing a sex scene is this: it is exactly the same as any other scene. Our isolation of sex from other kinds of scenes is not indicative of sex’s difference, but the difference in our relationship to sex. It is our reluctance to name things, the shame we’ve been taught, our fraught compulsion to an act a theatre of types. It is indicative of the lack of imagination that centuries of patriarchy and white supremacy has wrought on us.
To teach sex scenes is to talk about plot, dialogue, pacing, description and characterisation: all those elements that make a captivating scene. A sex scene should advance the story and occur in a chain of causality that springs from your characters’ choices. It should employ sensory detail that concretises and also speaks symbolically to the deeper content of the story. Or if not, it should service your work of art in whatever ways you want from your scenes.
“Mind Fuck: Writing Better Sex” in Body Work by Melissa Febos
Undergarments of The Edwardian Era
Evening Dress
c. 1902
American
Kent State University Museum
The Rose and Butterfly ~ by Jacques Leclerc for La Vie Parisienne c.1929
Stylist Andrew Richardson caressed by a Russian circus performer, photographed by Steven Meisel as part of the Madonna photo essay ‘Flesh + Fantasy’ for Rolling Stone magazine, 1991.
Chitons, Peploi, Pallas, Tunics and Himations: Patterns
A Devout Nun by Joyce Lee
The Grotto of the Nymphs, from Pierre Louÿs’ The Songs of Bilitis by Willy Pogany (1926).
A dress made of cotton muslin, gilded metal thread and Indian jewel beetles (sternocera aeqisignata), Britain, 1868-1869 CE. Over 5000 beetle wings or parts of wings were used to decorate this dress.
Now housed at the Victoria and Albert Museum in London.
Phillip Light
Detail of The Eve of St. Agnes (1863)
by John Everett Millais
Dress
c. 1879
Satin, trimmed with applied beading, chenille tassels, needle lace, lined with cotton, whaleboned
England
Victoria and Albert Museum