LOUIS FEUILLADE -( film still)Â Le Stygmate, 1924
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LOUIS FEUILLADE -( film still)Â Le Stygmate, 1924
Many things interested her, and nothing satisfied her entirely.
Ivan Turgenev, from Fathers and Sons, 1862
Cénotaphe à Newton
Architect: Ătienne-Louis BoullĂ©e / Date: 1748
BoullĂ©e promoted the idea of making architecture expressive of its purpose, a doctrine that his detractors termed architecture parlante (âtalking architectureâ), which was an essential element in Beaux-Arts architectural training in the later 19th century. His style was most notably exemplified in his proposal for a cenotaph for the English scientist Isaac Newton, which would have taken the form of a sphere 150 m (490 ft) high embedded in a circular base topped with cypress trees. Though the structure was never built, its design was engraved and circulated widely in professional circles. Boulleeâs Cenotaph for Issac Newton is a funerary monument celebrating a figure interred elsewhere; the hollow sphere foreshadows the death of Newtonian Physics. The Newton cenotaph, designed in 1748, for all its apparent originality, it actually derives from contemporary archaeology. The small sarcophagus for Newton is placed at the lower pole of the sphere. The design of the memorial creates the effect of day and night. The effect by night, when the sarcophagus is illuminated by the starlight coming through the holes in the vaulting. The effect by day is an armillary sphere hanging in the center that gives off a mysterious glow. For BoullĂ©e symmetry and variety were the golden rules of architecture.
(words from wikipedia)
Killing Eve (2018 - 22)
mke-budapest-a nagy zabĂĄlĂĄs kiĂĄllĂtĂĄs-2024
rewatching fleabag bec I canât kill myself
Szabó T. Anna: A mai nap (részlet)
1. KĂ©pzeld, mi törtĂ©nt. Kora dĂ©lelĆtt, amint utaztam Ășj lakĂĄst keresni, Ă©s azon tƱnĆdtem, hogyan tovĂĄbb, mĂg ĂŒres szemmel bĂĄmultam a boltok januĂĄri, kopott kirakatĂĄt, Ă©s annyi minden eszembe jutott â
hirtelen tĂ©nyleg csak a semmit lĂĄttam: a hĂĄzak közĂŒl Ă©pp kirobogott a villamos, a hĂdra rĂĄfutott, s a megszokott szĂ©p tĂĄgassĂĄg helyett köd vĂĄrt a lĂĄthatatlan vĂz felett â döbbenten ĂĄlltam.
Köd mindenĂŒtt: a szorongĂĄs maga ez a szƱk, hideg, fehĂ©r Ă©jszaka; Ă©reztem, hogy most ez az Ă©letem: hogy gyorsan megy, de nem Ă©n vezetem, hogy megtörtĂ©nik, de mĂ©gsem velem, hogy ott a lĂĄtvĂĄny, s mĂ©gsem lĂĄthatom, hogy sĂnen megyek, biztos jĂĄraton, de hĂdon: földön, vĂzen, levegĆben, Ă©s felhĆben is, mint a repĂŒlĆben, s a valĂłsĂĄgnak nincs egyĂ©b jele, mint kezemben a korlĂĄt hidege.
KĂ©t hosszĂș perc, mĂg Ășjra volt mit lĂĄtni. Ăs most Ășgy Ă©rzem, megtörtĂ©nhet bĂĄrmi.