Jules Joseph Lefebvre (1836-1911) "Psyché" (1833) Oil on panel Currently in a private collection

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Jules Joseph Lefebvre (1836-1911) "Psyché" (1833) Oil on panel Currently in a private collection
Marcel Breuer’s model 301 chair, designed and refined between 1932 and 1934 and produced by Embru-Werk A.G. Photo by Hans Finsler.
Actually The Bear is a really good case study on trauma being deemed as abhorrent when it’s not presented in a pretty or digestible way within media including how characters who struggle with it are seen as unlovable. Particularly within Carmen’s character and the audience’s response to his behavior in season 3. Let me start this off by saying I’m not trying excuse any of Carmy’s actions throughout s3, I’m just acknowledging that trauma and it’s effects on the traumatized individual as well the effects on people in their life are complex and unpredictable, furthermore, people who haven’t experienced trauma tend to be more judgmental than compassionate towards them. Carmy is no different; him exhibiting this behavior and a certain part of The Bear fanbase choosing to ignore his past or just plain forgetting it and acting he’s like the worst person to have ever existed for having trauma and experiencing many of it’s ugly side effects. I firmly believe that a big part of this reaction is because many people lack nuance in media and an understanding that nothing is ever truly black and white. There are many shades of grey within humanity and The Bear is one of the few pieces of media that does a wonderful job of showing that. It’s glaringly obvious that Carmy has a multitude of issues that need to be addressed before he can run a successful restaurant and maintain healthy relationships. But None of that makes him an irredeemable or horrible person. It makes him a flawed human being that needs help who is also deserving of love and support. Trauma is far from beautiful and I’m tired of people acting like it needs to be portrayed in media in a sanitized way that erases all the hardships that come with it because they feel uncomfortable when they’re shown the gritty, raw, vulnerable truth of what trauma really is; of what it really does to a person. Carmy is no exception, he is struggling with his mental health in a way that is not pretty and wrapped up in a bow and people can’t handle it because we’re being shown the reality of it. He is angry, lashing out, spiraling, handling his emotions the only way he knows how by throwing himself into his work. I won’t deny that he has treated the people in his life poorly and he will need to earn their forgiveness in his own time. Yet none of that makes him any less worthy of love and patience. He needs professional help but he will only reach out when he’s ready too and even then it won’t go away over night. It can take months, and possibly years to truly heal from every thing he’s been through and after all of that he will still have bad days and he will still be just as worthy of love on those days as he is on the good ones. Struggling with trauma will never make anybody underserving of being treated with kindness or compassion and it will never make anyone any less worthy of being loved.
Rihanna x Vogue Italia
Do it Yourself.
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Jorja & Kali backstage in LA | The Kali & Jorja Tour
There’s an art to never forcing anything ever because what’s meant for me will never miss me
Never forget
Ami et Pluie, 30/04/20.
I’ve seen a lot of curious people wanting to dive into classical music but don’t know where to start, so I have written out a list of pieces to listen to depending on mood. I’ve only put out a few, but please add more if you want to. hope this helps y’all out. :)
stereotypical delightful classical music:
battalia a 10 in d major (biber)
brandenburg concerto no. 5
brandenburg concerto no. 3
symphony no. 45 - “farewell” (haydn)
if you need to chill:
rondo alla turca
fur elise
anitra’s dance
in the steppes of central asia (borodin) (added by viola-ology)
if you need to sleep:
moonlight sonata
swan lake
corral nocturne
if you need to wake up:
morning mood
summer (from the four seasons)
buckaroo holiday (if you’ve played this in orch you might end up screaming instead of waking up joyfully)
if you are feeling very proud:
pomp and circumstance
symphony no. 9 (beethoven; this is where ode to joy came from)
1812 overture
symphony no. 5, finale (tchaikovsky) (added by viola-ology)
american (dvořák)
if you feel really excited:
hoedown (copland)
bacchanale
spring (from the four seasons) (be careful, if you listen to this too much you’ll start hating it)
la gazza ladra
death and the maiden (schubert)
if you are angry and you want to take a baseball bat and start hitting a bush:
dance of the knights (from the romeo and juliet suite by prokofiev)
winter, mvt. 1 (from the four seasons)
symphony no. 10 mvt. 2 (shostakovich)
symphony no. 5 (beethoven)
totentanz (liszt)
quartet no. 8, mvt. 2 (shostakovich) (added by viola-ology)
young person’s guide to the orchestra, fugue (britten) (added by iwillsavemyworld)
if you want to cry for a really long time:
fantasia based on russian themes (rimsky-korsakov)
adagio for strings (barber)
violin concerto in e minor (mendelssohn)
aase’s death
andante festivo
if you want to feel like you’re on an adventure:
an american in paris (gershwin)
if you want chills:
danse macabre
russian easter overture
if you want to study:
eine kleine nachtmusik
bolero (ravel)
serenade for strings (elgar)
scheherazade (rimsky-korsakov) (added by viola-ology)
pines of rome, mvt. 4 (resphigi) (added by viola-ology)
if you really want to dance:
capriccio espagnol (rimsky-korsakov)
blue danube
le cid (massenet) (added by viola-ology)
radetzky march
if you want to start bouncing in your chair:
hopak (mussorgsky)
les toreadors (from carmen suite no.1)
if you’re about to pass out and you need energy:
hungarian dance no. 1
hungarian dance no. 5
if you want to hear suspense within music:
firebird
in the hall of the mountain king
ride of the valkyries
night on bald mountain (mussorgsky) (added by viola-ology)
if you want a jazzy/classical feel:
rhapsody in blue
if you want to feel emotional with no explanation:
introduction and rondo capriccioso
unfinished symphony (schubert)
symphony no. 7, allegretto (beethoven) (added by viola-ology)
canon in d (pachelbel)
if you want to sit back and have a nice cup of tea:
st. paul’s suite
concerto for two violins (vivaldi)
l’arlésienne suite
pieces that don’t really have a valid explanation:
symphony no. 40 (mozart)
cello suite no. 1 (bach)
polovtsian dances
enigma variations (elgar) (added by viola-ology)
perpetuum mobile
pieces that just sound really cool:
scherzo tarantelle
dance of the goblins
caprice no. 24 (paganini)
new world symphony, allegro con fuoco (dvorak) (added by viola-ology)
if you feel like listening to concertos all day (I do not recommend doing that):
concerto for two violins (bach)
concerto for two violins (vivaldi)
violin concerto in a minor (vivaldi)
violin concerto (tchaikovsky) (added by iwillsavemyworld)
cello concerto in c (haydn)
piano concerto, mvt. 1 (pierne) (added by iwillsavemyworld)
harp concerto in E-flat major, mvt. 1 (added by iwillsavemyworld)
and if you really just hate classical music in general:
4′33″ (cage)
a lot of these pieces apply in multiple categories, but I sorted them by which I think they match the most. have fun exploring classical music!
also, thank you to viola-ology and iwillsavemyworld for adding on! if you would like to add on your own suggestions, please reblog and add on or message me so I can give you credit for the suggestion!
I love this list!
Don’t get them stuck in your head you’ll never find them again if you don’t have this post saved fair warning. “That one song with the really killer flute bit,” doesn’t work as a song search.
So important