Credit : Rakesh Pulapa

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Credit : Rakesh Pulapa
Standing dog with spouted tail,
Colima, Protoclassic, c. 100 BCE-250 CE,
Earthenware,
7 h × 6 w × 12½ d in (18 × 15 × 32 cm)
Uffington White Horse, Berkshire Downs, Oxfordshire, England,
Late Bronze Age or early Iron Age (c. 1380–550 BC)
It is a highly stylized prehistoric hill figure stretching approximately 110 metres (360 feet) long.
Carved into the upper slopes of White Horse Hill, it is the oldest chalk-cut figure in Britain.
It was created by digging deep trenches into the hillside and filling them with crushed white chalk.
Rock Crystal Jar from the Galloway Hoard,
The Galloway Hoard was buried around 900 A.D., and contains an unprecedented assemblage of precious artifacts and materials from Ireland, Anglo-Saxon England, Persia and even as far as Central Asia.
The gold filigree-mounted rock crystal jar was of Anglo-Saxon manufacture, and the quality of materials and craftsmanship places among the greatest examples of Anglo-Saxon metal work. A Latin inscription on the base reading H Y G V A L D E P : F A C : I U S S (“Bishop Hyguald had me made”) identifies it as having come from a Northumbrian cathedral treasury, although no bishop named Hyguald has been found in the patchy surviving church records of the 9th century.
The rock crystal itself, however, long predates the gold mount. It was carved with lobes that when viewed upside down look like the acanthus leave layers of Corinthian column. The wear on the hard material and the great skill needed to carve it point to it having been made in the Roman Empire. It was the capital of miniature column — several of these objects are in the collection of the Vatican Museums — and bears a central drilled hole originally used to hold the column parts together.
It seems the carved crystal top, long separated from the rest of the column, was treasured as an heirloom for centuries. Hundreds of years later, it was flipped upside down and ornamented with gold in a unique filigree technique using spirals of twisted and plaited wire and granulation. The drilled hole was alighted with a gold spout. It was probably used to hold a small amount of liquid, a precious substance, perhaps a relic.
When it was placed in the fine silver pot with the other objects in the Galloway Hoard, the rock crystal jar was wrapped in linen, then placed inside a leather pouch lined with a layer of opulent samite (a decorated silk that originated in Asia or Byzantium).
Measuring roughly 5 cm (2 inches) tall, it is composed of an ancient carved rock crystal body repurposed into a jar with a gold-mounted spout and base.
Greek gold bee, Ca: 3rd or 2nd century BC,
This tiny sculpture, measuring only about 1.5 cm in length, likely served as a decorative ornament or pendant.
In Ancient Greece, honey was a vital sweetener and was often used in religious offerings to the gods, making bees highly regarded and frequently depicted in their art.
Yale University Art Gallery
Greek bronze mirror with Pan
4th century BCE
Metropolitan Museum of Art 25.78.44a–d
Chateau in Saint-Emilion, France
Gironde • Nouvelle-Aquitaine
"Captain Nemo" by Clara Scintilla
looking. at you
“Storm at Sea off the Norwegian Coast” (details, 1837) by Andreas Achenbach
Sansone e il leone (Samson and the Lion) (1842) by Francesco Hayez (Italian, 1791 – 1882), oil on canvas, 210 cm × 162 cm (83 in × 64 in), Palazzo Pitti, Florence
Artist: Wakyosai Title: A White Horse with Raised Head Date: 1940–1950 Medium: Color woodblock print Dimensions: 27.7 x 39.7 cm Credit Line: Bruce Goff Archive, gift of Shin'enkan, Inc.
Fired clay statuette of Europa riding the bull-figure of Zeus. Attributed 3rd-2nd century BC Seleucid date by Karvonen-Kannas, the British Museum
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The Garden of Earthly Delights by Hieronymus Bosch
Le Sphinx mystérieux / The Mysterious Sphinx – Charles Van der Stappen (1897)
Musée Royaux d'Art et d'Histoire, Bruxelles.