1971 (Rare on Set Pictures)
Non si Sevizia un Paperino
Direct by LUCIO FULCI
#non si sevizia un paperino #don't torture a
DEAR READER

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blake kathryn
Cosmic Funnies
"I'm Dorothy Gale from Kansas"

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JVL

@theartofmadeline
Not today Justin
Stranger Things
Today's Document
Xuebing Du

oozey mess
Lint Roller? I Barely Know Her

Love Begins
KIROKAZE
dirt enthusiast
RMH
Alisa U Zemlji Chuda

Product Placement

seen from Malaysia

seen from United States

seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from Indonesia

seen from United States

seen from Canada

seen from United States

seen from Indonesia

seen from Maldives

seen from United States

seen from Canada

seen from North Macedonia
seen from United States

seen from United States
seen from United States

seen from Indonesia
@imageinsanity
1971 (Rare on Set Pictures)
Non si Sevizia un Paperino
Direct by LUCIO FULCI
#non si sevizia un paperino #don't torture a
1971 (Rare on Set Pictures)
Non si Sevizia un Paperino
Direct by LUCIO FULCI
#non si sevizia un paperino #don't torture a
1971 (Rare on Set Pictures)
Non si Sevizia un Paperino
Direct by LUCIO FULCI
Newly released photographs of Sharon Tate in character as Jennifer North for Valley of the Dolls.
These images were taken to promote Jennifer’s “nudies”, others from this shoot visible in the film when Neely sees the promotional billboards at the theatre where the fictional ‘The Flame of Montmartre’ was playing.
Silk painting of flowers - Okamoto Shūki
Japanese, 1807-1862
Guillaume Sorel
Jean-Michel Basquiat
Bruce Timm
Photographed by Annie Leibovitz for the October 1995 issue of Vanity Fair, this portrait of Julie Andrews celebrated her return to Broadway in Victor/Victoria, the stage adaptation of her acclaimed 1982 film. The musical featured a book by Blake Edwards, music by Henry Mancini (completed after his death with additional material by Frank Wildhorn), and lyrics by Leslie Bricusse. Directed by Edwards and choreographed by Rob Marshall, the production opened at Broadway’s Marquis Theatre on October 25, 1995, and ran for 734 performances and 25 previews before closing in July 1997. Critics praised Andrews’ star performance, Rob Marshall’s energetic staging, and showstoppers such as “Le Jazz Hot!”, though some reviewers found the score and book less consistently successful than the original film. The production became especially famous when Andrews declined its sole Tony Award nomination, arguing that the rest of the company had been unfairly overlooked—a gesture that generated national headlines and helped boost ticket sales.
cellsdividing - Jennifer O'Toole