Fai_Ryy

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Xuebing Du
2025 on Tumblr: Trends That Defined the Year
we're not kids anymore.
đ©” avery cochrane đ©”
icyghini twinkie
Lint Roller? I Barely Know Her

if i look back, i am lost
I'd rather be in outer space đž

⣠Chile in a Photography âŁ

bliss lane

Origami Around
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Keni
Today's Document

Andulka

Discoholic đȘ©
đȘŒ
"I'm Dorothy Gale from Kansas"

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@imzweifel
HĂ€user am Abend, Uwe Pfeifer, 1972
Programmheft Deutsches Theater Ost-Berlin, 1964/65
https://www.zvab.com/Programmheft-Deutsches-Theater-Berlin-196465-UNTERWEGS/15444178731/bd
Nostalgic post. Iâm usually not against changes, but somehow this color has now become a souvenir of what Tumblr had been before it betrayed its community for making more money.
Portrait dâĂmile Zola, Ădouard Manet, 1868. Oil on canvas, 165 Ă 114 cm, MusĂ©e dâOrsay.
âTwo former Tumblr employees said they were alarmed when Khalaf chose Black Lives Matter as an example of a community that the company should focus on converting into Yahoo media consumers. One told The Verge, âSimon [Khalaf] explicitly said that Black Lives Matter was an opportunity to [make] a ton of money.â ⊠Khalaf did not respond to a request for comment, but a source close to him wanted it noted that Black Lives Matter was only one âcommunityâ that Khalaf referenced: he also discussed Game of Thrones and Manchester United fans.â
âPorn on Tumblr is something Verizon needs to wipe out if itâs going to make any money off what it thinks is actually valuable about the platform â enormous fandom and social justice communities that, just before the Verizon acquisition, Khalaf was insisting the staff figure out how to better monetize.
Tumblr currently has 10 million daily users, the former engineer says, and Verizon expressed a hope last summer that this number would âat leastâ double by the middle of 2019. (âI donât remember the exact timeline ⊠mostly because it was so ridiculous no one really paid too much attention to it.â) This is why the engineer quit, or as they put it, âjumped ship.ââ
https://www.vox.com/the-goods/2018/12/4/18126112/tumblr-porn-ban-verizon-ad-goals-sex-work-fandom
Wolfgang Tillmans,âBetween bridgesâ , 1999
http://tillmans.co.uk/
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âThe fragmentation of societies has caused a longing for cohesion ripe for exploitation by rightwing populists and nationalists. Maybe most surprising to me was the role of social isolation which, Lewandowsky says, makes the internet such a powerful tool for post-truth, since adherents of fringe ideas can imagine themselves as part of a huge movement when online: âThe vast discrepancy between the actual prevalence of a belief and what these people think others are thinking makes their belief resistant to change.â"
Melvil Poupaud in A Summerâs Tale (1996) by Ăric Rohmer.
skinny white girlÂ
Sonja Lekovic
You Donât Know Me, Armand van Helden (feat. Duane Harden). 1998.
Carts and Carts by Josh Sinn on Flickr.