
@theartofmadeline

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YOU ARE THE REASON
he wasn't even looking at me and he found me

Kaledo Art
cherry valley forever

Love Begins
todays bird

oozey mess
hello vonnie
Misplaced Lens Cap

blake kathryn
DEAR READER
Stranger Things

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Origami Around

祝日 / Permanent Vacation
ojovivo
dirt enthusiast
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seen from United States
seen from United States

seen from Germany
seen from United States
seen from T1

seen from Russia
seen from United States
seen from T1

seen from T1
seen from United States
seen from Türkiye
seen from United States
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seen from United States

seen from United States

seen from Singapore

seen from United States

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seen from Belgium

seen from Saudi Arabia
@in2thedeath
Dystopie #10 Chromance
Acrylic panting
Night City, 2077.
Al Pacino, Robert De Niro, and Michael Mann on the set of Heat (1995)
Japanese market novel covers for vintage cyberpunk by Bruce Sterling, Neal Stephenson and George Alex Effinger.
See more: Japanese Cyberpunk and SciFi Novel Covers at SHELLZINE.NET
Early Fury Road concept art by Brendan McCarthy
Japanese market novel covers for Schismatrix and Cicada Queen by Bruce Sterling
See more: Japanese Cyberpunk and SciFi Novel Covers at SHELLZINE.NET
Japanese market novel covers for Schismatrix and Cicada Queen by Bruce Sterling
See more: Japanese Cyberpunk and SciFi Novel Covers at SHELLZINE.NET
told u guys i was rlly a dog
my ass is fat so i really don’t care about anything else
Mad Max: Fury Road concept art of the three main villains
Art by Brendan McCarthy
Early concept art circa 1997 for characters that didn't make it into Mad Max: Fury Road. Art by Brendan McCarthy
cyberpunk gifs - 20/?, kabuki central, allen st.
my ass is fat so i really don’t care about anything else
''Cinefantastique'' Vol. 12, #5 & 6, July & August, 1982 This entry into the production design for 'Blade Runner' crafted by the artist Tom Southwell is the kind of thing I've always loved. It's all about the background minutia that makes a fictional world feel grounded and lived in but often goes overlooked and underappreciated. It's also a reminder of just how much work goes into making a movie and how much of that effort is just passed by from scene to scene. There's also the little fact mentioned here that there was $10,000 worth of neon used which sounds crazy to me. "Southwell's most interesting assignment—certainly the one that gets the most attention—was designing 2019's magazine covers—a last minute job that produced some of the most humorous examples of what life might be life in 2019. Given just four days to come up with covers suitable for a Ridleyville newsstand, Southwell created a number of startling titles (going for $29 a copy); Moni, with a cover story about "illegal aliens'' by R. Scott; Kill, whose motto is "All the News That's Fit to Kill"; Fash, a large-format fashion magazine featuring an article on "Spray-on Swimwear"; Creative Evolution; and Horn, the skin mag of the future, with an article "Hot Lust in Space." Southwell's original designs were reproduced with a Xerox color copier, cut to size and glued directly to the covers of existing magazines, such as OMNI and Playboy. Although the Xerox process was relatively crude, it was the only reproduction method fast enough to meet the deadline. Delivered to the set, the 2019 magazines were mixed in with a number of contemporary magazines titles, including Scott's favorite Heavy Metal, and the punkish Wet-The Magazine for Gourmet Bathers. Like most of his other work, the magazines can barely be glimpsed on camera, becoming just another component of in Scott's so-called "700-layer cake." "I was always aware that my designs were a small tile in the overall mosaic," Southwell said. "In the case of the magazine covers—which were intentionally raw and unfinished—Ridley had simply wanted a fuzzy visual backdrop for the newsstand. It might have been nice to have gotten a closer view of those magazines, though. I'd put the names of all the top production crew right there on the covers."
Sean Young in BLADE RUNNER 1982 | Ridley Scott