Emily Jan. Apologue 1: Anteater, 2016.
wool, reed, silicone, resin, hog gut, found greenery, faux flowers,
found furniture
Today's Document
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🪼
Aqua Utopia|海の底で記憶を紡ぐ
occasionally subtle

if i look back, i am lost
RMH

blake kathryn

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Stranger Things
The Bowery Presents
Mike Driver
Cosmic Funnies

Product Placement
2025 on Tumblr: Trends That Defined the Year

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official daine visual archive

❣ Chile in a Photography ❣
Cosimo Galluzzi

Discoholic 🪩
seen from France

seen from Laos

seen from United States
seen from Bangladesh

seen from United States

seen from United States
seen from United States

seen from Germany

seen from Türkiye
seen from Ukraine

seen from United States
seen from Bangladesh
seen from Bangladesh

seen from Canada
seen from United States

seen from United States

seen from Mexico
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seen from Türkiye

seen from France
@infinite-naps
Emily Jan. Apologue 1: Anteater, 2016.
wool, reed, silicone, resin, hog gut, found greenery, faux flowers,
found furniture
How to make shadow animals.
Glazed terracotta roundel of Prudence (Florence, circa 1475) by Andrea della Robbia (Italian, 1435–1525).
Images and text courtesy The Met.
Analemma. The sun’s position in the sky, photographed from the same location at the same time of day throughout a year, forms an analemma. This shows the sun’s apparent swinging from its northernmost position, at the analemma’s uppermost point, at summer solstice, to its southernmost position/lowest point, at winter solstice.
St Petersburg 1997 - A Russian Ballerina photographed by Deborah Turbeville
There is a failure with people. And that is why some people become so savage and tear at life and leave it in shreds and tatters. Because in gentleness there is failure so often.
Tennessee Williams, from Selected Stories; “Oriflamme,” c. January 1944 (via violentwavesofemotion)
Cicada
by Hosho McCreesh
Sick of his own face, sick of his skin, of the dark, he crawls outside himself to sing– a better poet than most.
Simone Rocha S/S 2019 details | Photographed by Charlotte O'Shea for Dazed
“Monster” is derived from the Latin noun monstrum, “divine portent,” itself formed on the root of the verb monere, “to warn.” It came to refer to living things of anomalous shape or structure, or to fabulous creatures like the sphinx who were composed of strikingly incongruous parts, because the ancients considered the appearance of such beings to be a sign of some impending supernatural event. Monsters, like angels, functioned as messengers and heralds of the extraordinary. They served to announce impending revelation, saying, in effect, “Pay attention; something of profound importance is happening.”
My Words to Victor Frankenstein: by Susan Stryker (via dostevsky)
Tatiana Maslany photographed by Caitlin Cronenberg for W Magazine (September 2018)
I am obsessed! I think about nothing else!