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"Portrait of a young lady holding a cat", Francesco Ubertini, known as Il Bacchiacca, 1525.

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“Waratah”, Lucien Henry, 1887. Art Gallery of New South Wales.

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"Pots De Fleurs à Sèvres", Marie Bracquemond, 1880.

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"A schooner in Hyannis Harbor with the Point Gammon Light", Evelyn M. Bicknell, 1880.

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"Smyrne II", Jean Lurçat, 1926. Oil on canvas.

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“Landscape near Hulshorst”, Vilmos Huszár, 1924.

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"Spanish Peasants", Frances Hodgkins, 1934. Oil on plywood. Pallant House, Chichester, England. Wikimedia Commons.

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佐竹曙山「写生帖」

秋田市立千明美術館

内山淳一「動物奇想天外 江戸の動物百態」（青幻社）

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"Strada Reale, Valetta”, Gerald Festus Kelly.

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"Garden of the Grand Hotel, Cap d'Antibes”, Anne Estelle Rice, 1924.

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Untitled, Sigmar Polke, 1968. Watercolour on paper.

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A folio from the Gita Govinda: Radha drawing on a terrace. India, Deccan, Mewar Period, ca. 1650. Radha seated at the foot of a charpoy against a golden bolster and cradling a painter's slate in her hands, shielded by a canopy above, a wall of blue and red vessels behind and a brick wall with a door to the left, with birds in the sky above. Opaque pigments and gold on wasli (Christie's)

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Page from Francis Llewellyn Griffith’s “A Collection of Hieroglyphs: A Contribution to the History of Egyptian Writing” (1898) (photo by Vincent Brown, via Flickr)

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“Garden with Fountain”, Koloman Moser, 1911. Oil on canvas.

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"Dandelion", William Edward Greengrass, 1936. Colour linocut on oriental paper. (National Gallery of Victoria, Melbourne)

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Yama no sachi by Katsuma, Ryusui, 1697-1773; Shukoku, 1711-1796 Publication date 1765. Motozaimoku-chō 3-chōme [Edo]: Ōsakaya Heizaburō

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"Portrait of Edgard Tytgat", Ethel Walker, 1915. Oil on canvas.