Michael startled so immensely that he nearly fell, then pushed himself promptly to his feet from the desk upon which he'd sat, tainted, even when he'd known better, the muddy-water hazel his eyes had once been abruptly shifting and settling like the center of a mood ring being toyed with by conflicting temperatures, a little gaspy sound choked, wrung from his throat by the archivist who should not have been there but was, his sudden appearance gouging Shelley and making him feel this absolutely brutal mix of longing, yearning, loneliness, and crushing fear.
Self-hatred and the deepest shame lanced him, and his emotional upset seemed to destabilize him, a candle set to flame far too big for the wick, his features struggling to retain regular shapes and twist-squirming back and forth and in-between.
Michael tried to speak, and it sounded terribly strange, and he didn't like it, and it only made everything worse when he began to think, think, think about it. He'd always fallen victim to the ruminations, the cycle of eating his own tail, being caught in thoughts that were much better left un-thunk, lest he lose himself entirely to them and spend hours stuck in his very own head.
The chained-up outside dog of a person Michael had been made into found himself choked up, and he wished he wasn't.
He couldn't look into Jon's knowing, seeking eyes, and yet he did, and whether that was because of some subconscious compulsion on Jon's part tossed Shelley's way, the submitting, people-pleasing nervousness of a belly-up animal that's far more prone to letting itself be bitten than biting anyone, or a desire to appear unthreatening, to placate, he did not know.
"Helen? No," Michael tried again, struggling greatly to organize his thoughts, which was already a sisyphean task on its own, with how scrambled his brain was by the twisting, and then the half untwist half twist, which had honestly just mixed him up even more.
He ran his hands over his matted curls, grateful for the smallest mercy that his glasses hadn't fallen clean off his long nose. The sigh which forced itself raspily past his throat was barely there, trembling.
"I'm sorry, I didn't, I, I thought, I can go. I was going to go, I just got distracted,"
Shelley rambled, stammering, verbally tripping over himself awkwardly the way the naive boy who organized Gertrude's papers at her side had once, long ago, preserved only in tangled tape-ribbon and memories half-abandoned by time. He half ran, half stumbled to the door he'd made, fidgeting with the knob in a rush so clumsy he utterly failed to make proper use of his time.
He laughed a little, though it sounded so pathetically like a little wounded-creature cry that it could hardly qualify as a laugh. It was all sorts of nervous and insecure.
Let me out, get me out of here. I can only make it worse. I can only make it worse. I shouldn't be here right now. I should've stayed away. I don't know where else to go. I can't be here.
His thoughts were a muddled mess, conflicting and knotted in a way he couldn't sort out. He knew that, once he finally left, he'd be fighting to slow his racing heartbeat and trying not to panic.
The most unfortunate part, at least, what Michael himself found unfortunate, was that he was more afraid of himself, of his wrongness, his mistakes, how much of an inconvenience he was probably being, of what Jon must think of him for invading his life after he'd already suffered so much at the hands of the Fears, at the hands of the Distortion itself.