"A woman's heart is a deep ocean of secrets."
~ Gloria Stuart

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@innervoiceartblog
"A woman's heart is a deep ocean of secrets."
~ Gloria Stuart
The Fortune Teller by Caravaggio. c.1595
[detail]
The Magic Ring All that is gold does not glitter, Not all those who wander are lost; The old that is strong does not wither, Deep roots are not reached by the frost. From the ashes a fire shall be woken, A light from the shadows shall spring; Renewed shall be blade that was broken, The crownless again shall be king. ~ From The Lord of the Rings by J.R.R. Tolkein. The Riddle of Strider, a poem contained in a letter from Gandalf which the innkeeper gives to Frodo, The Fellowship of the Ring Book 1, Chapter 'Strider'.
Artwork (c) by Raine @ Inner Voice Art
“Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.”
― Frida Kahlo
A door lock created in 1911 by the German locksmith Frank L. Koralewsky (1872-1941). It is made of iron, gold, silver and copper, and depicts the fairy tale "Snow White and the Seven Dwarfs".
Frank L. Koralewsky served as a traditional ironworker’s apprentice in his native north-German town of Stralsund. After obtaining journeyman status, he worked in various German shops before immigrating to Boston in the mid- 1890s. By 1906 he was a member of the Boston Society of Arts and Crafts, specializing in locksmithing and hardware.
This extremely intricate lock, which took seven years to complete, exemplifies the early 20th Century taste for sentimental medievalism and represents the pinnacle of the metalworking tradition at the turn of the 20th Century.
Exhibited at 1915 Panama-Pacific International Exposition, where it won a gold medal, the lock illustrates Jacob and Wilhelm Grimm’s fairy tale “Snow White and the Seven Dwarfs.”
© Art Institute Chicago
At times, we are asked to bear witness to a shattering. To the death of an old dream - me and my life and the way it was all supposed to turn out.
In mourning what has fallen away, a previously hidden threshold begins to appear.
Grief is not something we "make it through" and emerge from unchanged. We don't finish it, but stand in awe as it takes us apart and pieces us back together.
It is a faithful companion of the unknown, moving not by way of the straight line, but by circle and spiral.
It holds us through the darkness as well as the light, until another life begins to gather itself.
- Matt Licata
Detail from a painting by Belgian artist Gustave Léonard de Jonghe called 'In the artist's studio'
"When you focus with soul eyes, you will see home in many, many places."
~ Clarissa Pinkola Estes
Image: Coming Home ~ Mohem Veda
Woman Adorned by Walter Hugo (Millie Brown)
Love Sorrow
Love sorrow. She is yours now, and you must take care of what has been given. Brush her hair, help her into her little coat, hold her hand, especially when crossing a street. For, think, what if you should lose her? Then you would be sorrow yourself; her drawn face, her sleeplessness would be yours. Take care, touch her forehead that she feel herself not so utterly alone. And smile, that she does not altogether forget the world before the lesson. Have patience in abundance. And do not ever lie or ever leave her even for a moment by herself, which is to say, possibly, again, abandoned. She is strange, mute, difficult, sometimes unmanageable but, remember, she is a child. And amazing things can happen. And you may see, as the two of you go walking together in the morning light, how little by little she relaxes; she looks about her; she begins to grow.” ~ Mary Oliver, Red Bird Photo: Echo NittoLitto by Claudia Susana
On a hot summers day on top of the Big Biba Roofgardens, the Derry & Tom's building.....The way it was....Circa 1973
The unlived life does not always ask to be recovered. Sometimes it asks to be mourned.
There are ways we imagined our lives might unfold that never came to pass. Dreams that remained unopened. Forms of tenderness that were never welcomed. Capacities that stayed hidden because the conditions for their flowering were never there. Ways of speaking, creating, trusting, resting, loving, or belonging that could not fully emerge in the world we were given.
We often imagine healing as a return—as the recovery of what was lost, the reclaiming of what had to go underground. And sometimes it is. Sometimes something long exiled does begin to find its way home.
But not always.
Sometimes healing begins not with retrieval, but with grief. With allowing ourselves to feel the sorrow of what could not happen, what was interrupted, what had to be left behind in order to survive, remain connected, or make it through.
This grief is not a failure of healing. It is not resignation, and it is not collapse. It is a form of love. Because what is mourned is no longer abandoned. What is grieved is no longer left wandering at the edge of the psyche, carrying its loneliness in silence. It is brought into the heart and given a place among the things that mattered.
Perhaps this is one of grief’s quiet mercies: not that it restores the unlived life, but that it refuses to exile it any longer. It allows us to turn toward what mattered, even if it can no longer unfold in the way we once hoped. And in that turning, something sacred happens. The lost life is no longer asked to disappear without witness. It is met, blessed, and carried differently.
Perhaps grief is one of the ways love keeps faith with what could not be lived.
- Matt Licata
"Everything that is visible hides something that is invisible"
~ Rene Magritte
Artwork: "Le seize Septembre" by Rene Magritte
What we see and what we seem are but a dream, a dream within a dream.
PICNIC AT HANGING ROCK 1975, dir. Peter Weir
Not all grief seeks the light. Some grief seeks the Earth.
There are forms of grief that do not come to lift us, clarify us, or return us quickly to ourselves. They do not arrive as insight, catharsis, or even consolation. They come to take us downward. Into soil. Into mud. Into the dark, fertile places where something unfinished has been waiting beneath the surface of the life we’ve been trying to live.
The older traditions understood that not all healing begins in illumination. Some of it begins in descent. In laying the body down on the ground. In relinquishing, for a time, the demand to rise above, make sense of, or transcend what is happening. In allowing sorrow to take us where it wants to take us—beneath the polished spiritual self, beneath the strategies of productivity and explanation, beneath the identities we’ve built in order to avoid the terrible vulnerability of being human.
There are griefs that belong not only to what has been lost outside us, but to what had to go underground within us in order to survive. The joy that was too much for the room. The anger that threatened connection. The tenderness that found no safe place to land. The instinctive, alive, untamed parts of us that were exiled so that some version of belonging could be preserved.
When those griefs begin to stir, the movement is often not upward but downward. The psyche, and sometimes the body itself, begins to turn toward the underworld. Toward the places where the unlived life has been buried. Toward the sorrow that was postponed because it could not yet be borne. Toward the old altars where something in us has been waiting, patiently and wordlessly, for permission to be mourned.
This is why grief can feel so disorienting. It does not always ask us to understand. Sometimes it asks us to kneel. To stop. To lie down on the earth for a while and let ourselves be touched by a different order of intelligence—one that does not move according to the timelines of the mind, the demands of the world, or the spiritual ego’s longing to remain clear, spacious, and in control.
In the ancient world, there were practices of incubation: lying down in sacred places, surrendering to darkness, dream, symptom, image, and the mysterious movements of the soul. The point was not self-improvement. It was contact. It was to remain close enough to the underworld that another kind of knowing could emerge—one not built from mastery, but from surrender; not from transcendence, but from intimacy with what had been cast out.
Grief can be one of the great purifiers because it dismantles false altitude. It interrupts the tendency to turn awakening into a performance of distance from the body, distance from attachment, distance from need, distance from the ordinary heartbreak of being here. It lowers us back into the human field. Back into the trembling, unfinished, relational body. Back into the place where love is no longer an idea, but a force that must make contact with sorrow, longing, memory, and the life we were not allowed to live.
Not all grief seeks the light. Some grief seeks the Earth because the Earth knows how to receive what the world could not. The Earth knows what to do with what has been buried alive. It knows how to hold what has been exiled, broken open, or brought to its knees. It knows something about death, yes—but also about gestation. About incubation. About what becomes possible when we stop trying to rise too quickly and allow ourselves to be lowered into a more ancient rhythm of undoing and becoming.
Sometimes grief is not a detour from the path. Sometimes it is the path—the dark sacrament through which the body is humbled, the heart is broken open, and the soul is returned to the ground of its own life.
- Matt Licata