Our Beloved Summer

Andulka
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Alisa U Zemlji Chuda

祝日 / Permanent Vacation

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occasionally subtle
hello vonnie
Peter Solarz
$LAYYYTER

Janaina Medeiros
Cosmic Funnies

shark vs the universe
YOU ARE THE REASON

JBB: An Artblog!
PUT YOUR BEARD IN MY MOUTH
Lint Roller? I Barely Know Her

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taylor price

titsay

seen from Türkiye

seen from Türkiye

seen from France

seen from United States

seen from T1

seen from United Kingdom
seen from Canada

seen from Canada

seen from United Kingdom

seen from Netherlands
seen from United States

seen from United States
seen from United States

seen from United States
seen from Netherlands
seen from Germany
seen from United States
seen from United Kingdom

seen from United States

seen from Malaysia
@innfleurs
Our Beloved Summer
hair design by 999999999sx
are we not all camgirls in a mass surveillance state
Floating World, Kour Pour, 2015-17
Acrylic on canvas over panel 96 x 72 in. (243.84 x 182.88 cm)
“Something in the Air”, American Vogue. September 2016 issue. Style by Anna Schiffel.
Helmut Lang Archive book 1986-2005
i get this but also two men of color won for screenplay this year which i would argue is more important than a white woman winning for an adaptation of little women
another watermixable oils experiment / instagram
Verner Panton Visiona 2 1970
Aphrodite smiles like the enigma she is.
Nikita Gill, from “Great Goddesses: Life Lessons from Myths & Monsters,” (via violentwavesofemotion)
taken from the national enquirer
Destiny
by Brandon Hicks
JONATHAN HORWITZ
Malgosia Bela shot by Steven Meisel for Vogue Italia April 1999
This was the logo (as printed on a press kit found in storage ) for the short-lived Cardiff Centre for Visual Arts: a lottery-era funded contemporary art space in the centre of the Welsh capital, created in 1999/2000 at a cost of £9M that closed only a year after it opened. The logo highlighted the misguided populism behind the initiative - the awkward juxtaposition of ‘smiley’ rave/pop culture with ‘high art’ culture (represented by the Mona Lisa.) There’s an interesting article from the time by Jonathan Jones in The Guardian about this fiasco (that you can find online.)