Alfred Stieglitz in 1894
occasionally subtle
RMH

No title available
d e v o n
Phantogram Three
Cookie Run:Kingdom Official!

Product Placement
The Bowery Presents
Fieri Frames
let's talk about Bridgerton tea, my ask is open
The Stonewall Inn
Interview Vampire Daily
taylor price
Claire Keane

PR's Tumblrdome

Discoholic 🪩
todays bird
cherry valley forever
🪼
No title available

seen from Malaysia
seen from United States
seen from United States

seen from United Kingdom
seen from United States
seen from Canada

seen from Israel
seen from Italy
seen from Türkiye
seen from Canada

seen from United States
seen from China

seen from United States
seen from Switzerland
seen from United States

seen from Malaysia
seen from Canada

seen from Türkiye
seen from United States
seen from Italy
@instantbelieverwhispers2
Alfred Stieglitz in 1894
Self‑Portrait (oil on canvas) by Eugène Jansson, 1910. The Swedish painter Eugène Jansson (1862–1915) depicts himself here as an elegant dandy, surrounded by nude men posing at the naval bathhouse. The muscular, heroic body—shaped by ancient ideals—stood at the center of the turn‑of‑the‑century male aesthetic, an ideal pursued through physical training and sunbathing. The painting is conceived from a distinctly homoerotic perspective, created at a time when sexual acts between men were illegal. This transgressive subculture, though hidden, formed an important undercurrent in the development of the modern city.
Christ Carrying the Cross, (Detail), (1553), by Giorgio Vasari (Italian, 1511 – 1574), oil on panel, 71 × 90.8 cm (approximately 27.9 × 35.7 in), Private Collection
Simon de Vos
Ira Lupu
Annibale Carracci (1560–1609, (attribué à )
Tête de jeune homme, de trois quarts, les yeux baissés
Louvre
Annibale Carracci
Figure study, back view - late 16th century
Ashmolean Museum, Oxford
A Man with a Violin, Flanked by a Woman and a Man in a Turban, with a fourth figure in the background. mid 17th.century. Dutch School. oil/canvas. Sotheby's July 2026. http://hadrian6.tumblr.com
Portrait of a Young Woman, ca. 1490–1500 by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Italian, 1456/59–1536)
Drunken Silenus, 1626 - Jusepe de Ribera
Félix Nadar (1820-1910), Adrien Tournachon, 1854, gelatin-coated salted paper print. From the Visual Arts Legacy Collection (JSTOR)
'The photograph represents Adrien at about age thirty, when he was attempting to rival his brother. It shows a sensitive and curiously sly man--a poseur in an artist's sketching hat and smock. Disarming in its casualness, the portrait is also seductive, perhaps because the unforthcoming person who regards the viewer is simultaneously withholding and engaging--and consequently an enigmatic repository for reveries.' The Met.
Joy Division - Closer (US Cassette) 1989
Oedipus after he solves the riddle of the Sphinx (1864). Jean-Auguste-Dominique Ingres, Walters Art Museum
Massimo Stanzione, Study of a Boy in Profile, c. 1620
Title: The Dormition of the Virgin Artist: Priest Victor, aka Victor of Crete (Greek [Cretan], 1630-1697) Date: 2nd half of 17th century Genre: religious art (Orthodox Christianity) School: Cretan School Medium: tempera and gold leaf on panel Dimensions: 42 cm (16.5 in) high x 35.5 cm (14 in) wide Location: Benaki Museum, Athens, Greece
Victor of Crete, from Heraklion, was a prolific and popular icon painter during the period when his native island was ruled by the Venetian Republic. His style, influenced by the Venetian School, is marked by its simplicity and technical proficiency.
Meu filho Tobias, 1930, Eliseu Visconti