Alfred Stieglitz in 1894
hello vonnie
ojovivo

bliss lane
$LAYYYTER

if i look back, i am lost
I'd rather be in outer space 🛸
RMH
Interview Vampire Daily

Origami Around
🩵 avery cochrane 🩵
Monterey Bay Aquarium

shark vs the universe
🪼
d e v o n
Keni
No title available
TMBGareOK. The Official They Might Be Giants tumblr

tannertan36
almost home

Game Changer & Make Some Noise
seen from Guinea-Bissau

seen from Australia
seen from Norway
seen from TĂĽrkiye
seen from Colombia
seen from United States
seen from TĂĽrkiye
seen from Germany

seen from Colombia
seen from United States

seen from Argentina
seen from Argentina

seen from United States

seen from Malaysia
seen from United Kingdom
seen from Pakistan

seen from Philippines
seen from France

seen from Chile
seen from United States
@instantbelieverwhispers2
Alfred Stieglitz in 1894
Self‑Portrait (oil on canvas) by Eugène Jansson, 1910. The Swedish painter Eugène Jansson (1862–1915) depicts himself here as an elegant dandy, surrounded by nude men posing at the naval bathhouse. The muscular, heroic body—shaped by ancient ideals—stood at the center of the turn‑of‑the‑century male aesthetic, an ideal pursued through physical training and sunbathing. The painting is conceived from a distinctly homoerotic perspective, created at a time when sexual acts between men were illegal. This transgressive subculture, though hidden, formed an important undercurrent in the development of the modern city.
Christ Carrying the Cross, (Detail), (1553), by Giorgio Vasari (Italian, 1511 – 1574), oil on panel, 71 × 90.8 cm (approximately 27.9 × 35.7 in), Private Collection
Simon de Vos
Ira Lupu
Annibale Carracci (1560–1609, (attribué à )
Tête de jeune homme, de trois quarts, les yeux baissés
Louvre
Annibale Carracci
Figure study, back view - late 16th century
Ashmolean Museum, Oxford
A Man with a Violin, Flanked by a Woman and a Man in a Turban, with a fourth figure in the background. mid 17th.century. Dutch School. oil/canvas. Sotheby's July 2026. http://hadrian6.tumblr.com
Portrait of a Young Woman, ca. 1490–1500 by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Italian, 1456/59–1536)
Drunken Silenus, 1626 - Jusepe de Ribera
Félix Nadar (1820-1910), Adrien Tournachon, 1854, gelatin-coated salted paper print. From the Visual Arts Legacy Collection (JSTOR)
'The photograph represents Adrien at about age thirty, when he was attempting to rival his brother. It shows a sensitive and curiously sly man--a poseur in an artist's sketching hat and smock. Disarming in its casualness, the portrait is also seductive, perhaps because the unforthcoming person who regards the viewer is simultaneously withholding and engaging--and consequently an enigmatic repository for reveries.' The Met.
Joy Division - Closer (US Cassette) 1989
Oedipus after he solves the riddle of the Sphinx (1864). Jean-Auguste-Dominique Ingres, Walters Art Museum
Massimo Stanzione, Study of a Boy in Profile, c. 1620
Title: The Dormition of the Virgin Artist: Priest Victor, aka Victor of Crete (Greek [Cretan], 1630-1697) Date: 2nd half of 17th century Genre: religious art (Orthodox Christianity) School: Cretan School Medium: tempera and gold leaf on panel Dimensions: 42 cm (16.5 in) high x 35.5 cm (14 in) wide Location: Benaki Museum, Athens, Greece
Victor of Crete, from Heraklion, was a prolific and popular icon painter during the period when his native island was ruled by the Venetian Republic. His style, influenced by the Venetian School, is marked by its simplicity and technical proficiency.
Meu filho Tobias, 1930, Eliseu Visconti