lanky kong supremacy

29 she/her

[cobythinks]

Dead wife montage but it's all slow motion shots of your dead wife throwing grenades and doing backflips and oneshotting the enemy with their long range weapons

[bodyofdeath]

crossfaded on what no longer is and what remains to be seen

[maezanilla]

Mild heavy lifting

[piendish]

[castration-faq]

Lets see how many fingers Paul Allen can take

[kabaks]

no light, no light (x)

[thesituation]

i don’t get ppl who are fine w period pussy. smelling like wet parking lot pennies

[thesituation]

you’re scaring me

[sharigax]

My toxic fandom take is that I think that it's awful how much we can talk to creators and get answers from them word of god style. We should be out here in a godless place rooting for scraps of lore in the media like truffle pigs out in the fields

[rukafais]

[bevsi]

this is the core of why some women defend beauty standards - if they’re deconstructed even a little they have to face how much money/time they’ve sunk into them. it also exposes how untrue “i did it for myself” really is - if that was true, you wouldn’t be upset that other bodies are being uplifted

[eroscestlavie]

Available now for preorder until Sunday with Night Gallery: My graphic exploration of the Twin Peaks the Return Episode 8 performance of the song She’s Gone Away by "The" Nine Inch Nails.

Some full notes on the design under the cut below, as I think it deserves it:

The addition of the word the when the band is announced in the episode adds such an incredible, weird angle to the performance's story: is this an alternative universe where Nine Inch Nails have a “the” in their name? Was it a mistake? Who are they, really? The performance is followed by the explosive nuclear imagery and stark black and white of the rest of the episode, a strange narrative oubliette in an already untraditional series. NIN have always riffed on their logo by era, and this design started with me trying to solve for the “T” in the, splitting the top bar in their classic logo to imply an “I” and a “T” at once, and sinking the “N”s into the floor, finding maybe a bit of the Black Lodge’s tile chevron in there. And then, on the back, that nuclear blast–not the one you see in the following scenes, but the one hanging on the back of Gordon Cole’s office, a character played by the late & great Lynch himself. That blast, and the scream from Laura I’ve added into Trent’s glasses there, are twin images that stretch a story of trauma and cyclical violence between them–pun intended.

[uhmuhummmuhhh]

thanks man

[nojillnolife]

[insidiousclouds]

my partner is obsessed with this guy. I do not go here, but i am frequently shown images. I shall contribute my own image.

[berlogauwu]

Prove to me I’m not gonna die alone. Put your arm around my collarbone, And open the door.

[mismedleym]

visitation by an angel (revisited)

[finalfantasyvii]

[magiiheim]

“Need a Hand?”

If Sora gets to have a keyblade wielder of eld then Riku needs to have one too. Also an excuse to finally draw my older Skuld design again.

Let Riku and Sora be guided through this mysterious world by two equally mysterious girls. Are they both telling the truth? Does one speak in lies?

I like the idea of Strelitzia being an unreliable narrator in kh4.