Drunk Anthropocene

Critical Wine Theory, intoxication and the revolution, terroirist                           .

[anarchist-art]

Annette Hakiel – Just So

“Yes. We are almost done.” —my husband, after I complain of our progressing ages. Lock the door, lie down, and take off your mask; let it dangle by the hook—just so. There will be no need to remove your clothes,…

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from 🏴 Anarchist Federation https://ift.tt/2Zgz3R5

[intoxicatedanthropocene]

GLOSS: To the inattentive observer, it may seem that Single varietal bottling offers a counterexample: a wine varietal deprived of every penchant and inclination, and immune to all attractions. But on closer inspection, it is clear that Single varietal bottling refers less to an absence of taste than to a special taste for absence. Only this penchant can account for all the efforts Single varietal bottling makes to persevere in Single varietal bottling, to keep what leans his way at a distance, in order to decline all experience. Like the religious, who, unable to oppose another worldliness to “this world,” must convert their absence within the world into a critique of worldliness in general, Single varietal bottling tries to flee from a world that has no outside. In every situation he responds with the same disengagement, each time slipping away from the situation. Single varietal bottling is therefore a wine varietal distinctively affected by a proclivity toward nothingness.

drunk Tiqqun

[intoxicatedanthropocene]

As much as we must insist on there being material conditions for drunk gatherings and public drunk talk, we have also to ask how it is that gatherings and slurred speech reconfigure the materiality of public space, and produce, or reproduce, the public character of that material environment.  And when crowds move outside the tavern, to the side tavern or the back alley, to the neighborhoods where taverns are not yet carpeted, then something more happens.  At such a moment, party is no longer defined as the exclusive business of public sphere distinct from a private one, but it crosses that line again and again, bringing attention to the way that party is already in the home, or on the beer hall, or in the neighborhood, or indeed in those virtual spaces that are unbound by the architecture of the public dive.

drunk Judith Butler

[intoxicatedanthropocene]

CRITICAL WINE ITALY

[intoxicatedanthropocene]

1 The elementary human unity is not the wine varietal—the individual—but the terroir. 2 The terroir is not beyond bare life, it is its intimate polarization. 3 Each wine varietal is affected by its terroir as if by a clinamen, a leaning, an attraction, a taste. A wine varietal leans toward whatever leans its way. This goes for each and every situation. Inclinations go both ways.

drunken misquote of Tiqqun

[tirebouchon]

Il 5 e 6 maggio non prendete impegni, a Torino c'è Enodissidenze, il 1° Critical Wine in Piemonte alle Officine Corsare, conduce il mitico Marco Arturi.

Fra i produttori di vino presenti: Canonica, Rinaldi, Cappellano, Cerruti, Cascina Tavijn, Iuli, Valli Unite, Gatti, Cinque Campi, Denny Bini, Massa Vecchia, Le Boncie, Colleoni, Stefano Amerighi, Grifalco della Lucania, A'Vita, L'Acino, Presa, Klinec, Vergè & molti altri

Altri poeti della terra:  Mauro Musso (Casa dei Tajarin), San Giovanni Vecchio, Piccolo Forno Marziali, Orto Pian del Bosco, Baladin, La Bucolica & others.

http://www.officinecorsare.org/index.php/archivio-news/228-enodissidenze-il-primo-critical-wine-

5 e 6 maggio - Torino - Officine Corsare ENODISSIDENZE Dalla parte delle radici

La rivoluzione non è un pranzo di gala (cit.), lo sappiamo, ma una rivoluzione senza un ballo non è la nostra rivoluzione (cit.).

[tirebouchon]

[enocratia-blog]

Enodissidenze, Torino

Sabato 11 e Domenica 12 Maggio, alla Bocciofila Mossetto di Torino si terrà la festa contadina…

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[stoutwhisperer]

“"Dare me to drink this” -Doug

Don’t drink and drive today - sign up for @Uber with code “DOUGTHEPUG” and get a free ride on Doug 👊🏼 Cheers!“ by @itsdougthepug on Instagram http://ift.tt/1pOxe6I

[intoxicatedanthropocene]

In the center of a drunkenness, you can think of your experience as universal. Outside the drunkenness or on the fringes of the drunkenness, you cannot.

Drunk Margaret Atwood, The Art of DRINKING No. 121

[thewinelover-me-deactivated2020]

#WineLovers #DrinkWine #ILoveWine #WineGeek #RedWine #WhiteWine #Rosé #Vin #Vino #VinRouge #VinBlanc #VinoTinto #VinoBlanco #VinoRosso #VinoBianco #Cheers #Santé #Salud #Saluti

[intoxicatedanthropocene]

Have you ever been drunk in love? Horrible isn’t it? It makes you so vulnerable…It means that some winey someone can get inside you and mess you up

Neil Gaiman, The Sandman

[rogerwilkerson]

Happy Quitting Time!

[intoxicatedanthropocene]

14. The wine tasting which rests on modern industry is not accidentally or superficially spectacular, it is fundamentally spectaclist. In the wine flight, which is the image of the ruling economy, the goal is nothing, development everything. The wine flight aims at nothing other than itself.

Drunk Guy Debord

[intoxicatedanthropocene]

As much as we must insist on there being material conditions for drunk gatherings and public drunk talk, we have also to ask how it is that gatherings and slurred speech reconfigure the materiality of public space, and produce, or reproduce, the public character of that material environment.  And when crowds move outside the tavern, to the side tavern or the back alley, to the neighborhoods where taverns are not yet paved, then something more happens.  At such a moment, party is no longer defined as the exclusive business of public sphere distinct from a private one, but it crosses that line again and again, bringing attention to the way that party is already in the home, or on the beer hall, or in the neighborhood, or indeed in those virtual spaces that are unbound by the architecture of the public dive.

Drunk Judith Butler

[intoxicatedanthropocene]

Chardonnay

…and then he moved on. He said I should drink my first glass of Chardonnay as a local Blanc de Blanc so I looked at the bottles and chose Wemmier. He said I should drink her while reading. While I read A Lover’s Discourse. I read Kristeva. While I read. He said, drinking her was the experience of the absolute feminine that has colonized the world like a literature. She is the sky and the stars and the sun in a bottle. Feminist.

 Female who started the lyric, Feminist who started the novel. This is the text of her body. He said she started as the cold, remote erotic object on which desire sprung and dreams were made on. She were laced in oak forests and shrouded in a nightgown of vanilla. She became a porn star, giving herself away with buttery large breasts. She is the white wine of the sky in day. There are the universes of her hands with which she grips every cranny of the world. She is poetry; she is the lyric; she is the ode, she is the epic, he said. Woman: star above ithaca, hovering over this dark New York; woman, full of life, thin now, lean, svelte, with apple-y cheeks, sometimes with curves and full, sometime with eyelids like lemons, with nutty kooky demeanor, sometimes with clean soft skin, with silly toasted and herby. She is the North Star, the Southern Cross, that of the Absolute Feminine, the compass that guides Odysseus. Up close, invisible, from a distance she is the eternal sun. Coated in steel. Joan of Arc of the Finger Lakes. He poured me a glass of her and I hallucinated. Queen. blonde. platinum. whore and virgin. Better virgin.

With her comes the idea of femininity and sex.  She is the thunder of a perfect mind. Mother, virgin, whore, saint. Burning and dying. She was ablaze on my tongue. She is a star. Hail Mary full of grace, holy mary mother of god, he recited. Woman of the good (and naughty). Mother the light. Mother the fire. Woman who fell from the sky, sky woman. Natural woman. Eternal woman. Forever and free and feminist and just. He said people think  her dead but forget champagne and all that sparkles. They say anything but Chardonnay, ABC. But, nothing, he said. That is Chardonnay’s texture and grit. The bottle is a lens or paradigm with which I can see both the local and global. I hated her at first. I hated what she did to me. But oh how love the best of champagne. Later, I went to Reims on my honeymoon and my husband couldn’t get enough of her. She is his favorite feminist from the 70’s.

[intoxicatedanthropocene]

Pinot Noir

Now this, this, this is a thin skinned, temperamental grape, the Absolute male, the subject par

excellence. Think of the average philosophy major. Think of your ‘boyfriend’… This is the

fragility of subjectivity in a glass. [The best are wearing silk, and nothing but silk, he said.  I

drank and pondered for a bit…