iridescent vignettes

// vignettes of my life in a kaleidoscope of hues, illustrated with words from the labyrinth inside my mind.

[misseffie]

I really like fictional couples that actually enjoy spending time with each other. It seems like such a simple, mundane thing. But, often, I see fictional couples who are completely enamored and dramatic and willing to die for each other, which is fine. But like… do they enjoy hanging out? Do they have private jokes and would they be friends even if they weren’t in love? It feels like such a basic thing, but it’s something that I actually don’t see that often. And it feels so refreshing and honest compared to these over-dramatic romeo and juliet-esque romances. Just two people who become good friends and because they enjoy each other’s presence so much it grows into a strong attraction. It feels more real and tangible than two attractive people meeting and “falling in love at first sight” - like, of course, you fell in love at first sight! You’re both supermodels! Sorry, can’t relate.

[sam-glade]

My favourite trope has to be:

I sacrificed myself to save you. I didn't plan to survive. I burnt all the bridges. I intended to break your heart with my death, but that would be all right, because I wouldn't be around to see you. I pretended that you'll mourn me for a while and move on. I convinced myself I was going down in the blaze of glory. That my deed was appreciated. That everything was going to be all right afterwards, and I didn't need to be there to see it.

But I survived. And now I have to look you in the eye. I have to pick up the pieces of the life I shattered and figure out how to put it back together. If it can be done at all.

[abby-the-druid]

Sasuke? Is that you?

[animepolaroid]

[buguu布菇] - reposted w/ permission

[humanityinahandbag]

I'd like to tell you all a story about my grandmother.

My grandparents raised their children, four girls (one of them my mother), to be fighters. My aunts marched in Washington for women's rights with babies strapped to their chests and like to joke that all of the grandchildren who came from that line (including myself) were born with picket signs in their hands.

But it started with my grandparents. They fought hard for what they believed in. They marched against Vietnam. They marched for Martin Luther King. They marched for women's rights. They marched for a better future.

But let's talk specifically about my grandmother for a moment.

My grandmother unfortunately passed away in 2016. She had to watch the first Trump election and did so knowing that it would probably be the last election she'd ever see. And there is some argument there that she could have given in to fear and defeatism. She could have decided none of it was worth it, and she could have decided that fascism had won and the world was over.

But she did something else instead.

To give some context, my grandparents had friends who were Republicans. I say were, because they shifted from the normal Republican towards the MAGA Republican we see today. And despite a very clear message from my family about how we felt, they were more than ready to still come to the funeral as if everything was normal. Like their beliefs were normal. Like they were welcome to celebrate someone who had fought so hard for the rights of other people.

These were people who would have absolutely used their rhetoric to scream and shout if they were left out or disinvited.

And so my grandmother, even past her final moments, pulled the most brilliant, petty move I've ever seen.

She'd decided ahead of time that everyone who had known her was more than welcome to attend but that she wanted everyone attending the funeral to donate money. That was the requirement to be invited. And so everyone did just that. There was no talk about what the donations were for, just that they were appreciated. I want to say that the assumption was the money would help pay for funeral expenses and give the family some support while we grieved.

Except that wasn't the case.

Because in those final moments of the funeral, the rabbi stepped forward to thank everyone, and then very cheerfully announced;

"Arlene was so happy to know just how many people were coming to join us here today. She couldn't have been more proud of her family. And I'm sure she would have been elated to see just how much money you all gave today to Planned Parenthood."

When I say that the faces of those people are enshrined in my memory, I mean it. The anger, the devastation, the rage, the betrayal. It was an absolutely gorgeous display of true defeat at the hands of a boss ass old lady who literally fought with her last breath and threw up both middle fingers all the way out the door.

What I'm saying is this.

It is very easy to feel defeated. It is very easy to think that everything is over, and there's nothing left for us to do. It's very easy to say that fascism won, that fear won, that hate won.

But that's only true if you let it be true.

There is always more that we can do. There is a future that is still worth fighting for. And it's more than possible, even when it doesn't seem like it.

And fighting is going to look different every time.

Some days it will look like picket signs in our hands.

Some days it will look like spending time with friends and family and people you love and knowing that you have a community that supports you and your vision of a brighter future.

And some days, it's pulling absolute natural level 20 petty trickster shit even after you've left the world.

Because you can always make an impact and you can always add a little brightness to life, and if that means tricking a group of MAGA idiots into throwing their money behind Planned Parenthood in the middle of your own goddamn funeral then that's what it means.

Keep fighting. People have done it before you. People will continue to do it after you.

And enjoy the little victories.

(Even the petty ones)

[luna-azzurra]

Quick Tips for Writing Emotional Tension

They act like they don’t care, but we all know they’re just avoiding a massive emotional explosion.

One of them starts to spill their feelings, then clams up like, “Uh, never mind…” Cue the frustration.

One character throws out something super personal like it’s no big deal, but you can tell the other one’s like, “Wait, what?”

They let something slip that they were totally not ready to share, and then they freeze like, “Did I just say that?”

The “I’m fine” smile (but they’re not). One gives this shaky smile that doesn’t fool anyone, especially the other character.

They almost grab each other’s hand or hug, then they hesitate, and the moment passes. UGH, so frustrating!

One of them’s on the verge of tears but is trying sooo hard not to lose it. You can feel how much it hurts.

They talk about literally everything except the thing that’s actually bothering them. So. Annoying.

They used to be shoulder to shoulder, but now they’re standing a whole three feet apart like something big changed.

One’s suddenly acting like they barely know the other, being all polite and formal, and you just know there’s more going on.

[luna-azzurra]

Emotionally reserved characters

Instead of openly sharing their emotions with others, they keep their feelings locked inside, letting their inner thoughts do all the talking. You get a glimpse into their mind, where a storm of conflicts, doubts, and desires brews quietly beneath a calm exterior. This internal monologue allows readers to understand what’s going on inside their head, even if they don’t show it on the outside. It’s like seeing the world through their eyes, where every little thing stirs up a wave of emotions that they never express out loud.

For these characters, actions speak louder than words, but even their actions are restrained. They communicate their emotions through the smallest of gestures—a slight tightening of the jaw when they’re angry or hurt, a brief flicker in their eyes when they’re surprised, or a controlled change in posture when something makes them uncomfortable. These tiny, almost imperceptible movements can say so much more than an outburst ever could, hinting at feelings they would never openly share. It’s about what they don’t do as much as what they do.

When they do speak, every word is carefully chosen. Emotionally reserved characters don’t ramble or spill their feelings in a flood of words. Instead, they speak in a measured and controlled manner, always keeping their emotions in check. Their sentences are concise, sometimes even vague or indirect, leaving others guessing about what they’re really thinking. It’s not that they don’t feel deeply, they just prefer to keep those feelings close to the chest, hidden behind a mask of calm and composure.

For these characters, what they do is often more telling than what they say. They might not say “I care about you” outright, but you’ll see it in the way they go out of their way to help, the quiet ways they show up for the people they love. Their actions reveal their emotions—whether it’s a protective gesture, a silent sacrifice, or a kind deed done without expectation of recognition. It’s these unspoken acts of kindness that show their true feelings, even if they never say them out loud.

They often have strong personal boundaries. They keep their private lives just that - private. They don’t open up easily and are cautious about who they let into their inner circle. They might deflect conversations away from themselves or avoid sharing personal details altogether. It’s not that they don’t want to connect, it’s just that they find it hard to lower their walls and let others in, fearing vulnerability or judgment.

When they do show vulnerability, it’s in small, controlled doses. These characters may have moments where they let their guard down, but only in private or with someone they deeply trust.

Sometimes, emotionally reserved characters express their feelings through objects that hold special significance to them. Maybe it’s a worn-out book they keep close, a piece of jewelry they never take off, or an old letter tucked away in a drawer. These symbolic objects are like anchors, holding memories and emotions they can’t express in words. They serve as tangible reminders of their inner world, representing feelings they keep buried deep inside.

When these characters communicate, there’s often more to their words than meets the eye. They speak in subtext, using irony, implication, or ambiguity to convey what they really mean without saying it outright. Their conversations are filled with hidden meanings and unspoken truths, creating layers of depth in their interactions with others. You have to read between the lines to understand what they’re really saying because what they leave unsaid is just as important as what they do say.

Despite their calm demeanor, there are certain things that can break through their emotional reserve. Specific triggers - like a painful memory, a deep-seated fear, or a personal loss - can elicit a strong emotional response, revealing the depth of their feelings. These moments of intensity are rare but powerful, showing that even the most reserved characters have a breaking point.

Over time, emotionally reserved characters can evolve, gradually revealing more about themselves as they grow and change. Maybe they start to trust more, opening up to those around them, or perhaps they experience something that challenges their emotional barriers, forcing them to confront their feelings head-on.

[missmisanthrope]

Clarice Lispector, A Breath of Life

[creativepromptsforwriting]

Hurt/Comfort Masterpost

Hurt/Comfort Dialogue Prompts Part I

Hurt/Comfort Dialogue Prompts Part II

Hurt/Comfort Dialogue Prompts Part III

Hurt/Comfort Dialogue Prompts Part IV

Hurt/Comfort Dialogue Prompts Part V

Hurt/Comfort Prompts

Caring for their partner prompts

Comforting the caretaker prompts

Showing comfort

Injury Dialogue Prompts

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

[literaryvein-reblogs]

Character Development: 50 Questions

What does your character do when they think no one’s looking?

What’s the one thing your character would save in a fire (beyond the necessities)?

Who’s on speed dial?

Your character gets turned down for their dream job. What’s their second choice?

What would they tell their ten-year-old self?

Where would they want to go on a first date?

What’s the best advice they’ve ever received?

What’s the worst advice they’ve ever received?

What’s one physical detail they’d change about themselves?

When was the last time they were held? By who?

What’s their favorite thing about their favorite season?

Their wallet gets stolen. What do they do?

Prioritize: Love, money, power, knowledge?

What’s something nobody knows about them?

What’s in their fridge?

What (creature, object, substance) are they most disgusted by?

What’s their second worst habit?

What are the victory conditions for their life?

In the end, your character fails to save the day. Assuming they survive, what do they do?

Your character is charged with a crime they didn’t commit. What do they do?

Your character is charged with a crime they did commit. What was the crime?

How would you describe your character’s life in one sentence?

What important statistic would they want displayed above them?

What’s the first thing they would buy if they won the lottery?

What profession do they most respect?

What childhood injustice did they never get over?

How would they handle having a panic attack?

Your character is burdened with an inconvenient superpower. What is it?

If they died and could come back as any person, animal, or object, what would they be?

What’s the best meal they’ve ever had?

Where would they stand at a dinner party?

Who would they invite to the dinner party?

What makes a perfect day for your character?

If given the opportunity, would they want to know how and when they died?

What’s the one thing they’ve always wanted to do? Why haven’t they done it yet?

What do they tend to joke about?

What’s off limits?

Whose wedding would they cross the world to attend? Whose funeral?

What impossible choice did they make that turned out to be the right one? The wrong one?

Your character has someone to hype them up. What would they say to get everyone excited about your character?

What recurring dream does your character have?

What is the meaning of life to your character?

What book does your character pretend to have read?

Someone takes undeserved credit for your character’s work. What do they do?

What controversial belief or view does your character hold? Why? Do they hide it?

Your character is at a theme park. Where do they go first?

What’s your character’s favorite name?

What’s the biggest compliment they’d give themselves?

How does your character feel about bugs?

If your character could hit a reset button on their life, would they?

Source

[luna-azzurra]

How to Write a Confession of Love

Build the Emotional Tension Before the big confession, let the tension simmer between the characters. Maybe they share little glances across the room, or their hands brush accidentally but neither pulls away. Every shared laugh or lingering look should leave the reader wondering “Is this it?” When the confession finally happens, it’ll feel like the natural next step, as if both characters have been teetering on the edge of admitting their feelings for a while.

Inner Turmoil Leading Up to the Moment No one’s ever totally confident before saying, “I like you,” or “I love you.” Show the character’s inner freak-out. Maybe they’re wondering if they’re about to ruin everything, or if the other person feels the same. Let them overthink every detail, what if they mess it up? What if they say the wrong thing? This nervousness is super relatable and makes the confession way more intense and vulnerable.

Choose the Right Setting Where the confession happens can completely change the vibe. If it’s somewhere quiet and personal, like on the roof under the stars or sitting close on a couch, it adds a sense of intimacy. But maybe it’s in the middle of a party or a chaotic situation, where emotions are running high and everything’s on the line. The setting should fit the emotions—are they scared? Excited? Confused? Let the environment match their energy.

Don’t Make It Perfect Real life is messy, and confessions of love are no different. Maybe the character fumbles their words, says something awkward, or has to start over. Maybe they get interrupted, or they laugh nervously halfway through. These imperfections make the moment feel real. It’s not about saying the perfect words, it’s about what’s in their heart. Let the raw, unpolished feelings shine through.

Balance Between Show and Tell Obviously, they’re going to say something like “I love you” or “I can’t stop thinking about you,” but actions and body language speak just as loudly. Maybe their voice cracks, they shift closer without realizing it, or they can’t seem to meet the other person’s eyes. Maybe their hands are shaking, or their heart is pounding so loud they can’t hear anything else. Let those little details paint the full picture of how much this confession means.

The Other Person’s Reaction It’s not just about the person confessing, the other person’s reaction is a huge part of the scene. Are they completely shocked? Do they hesitate, or respond right away? Do they get teary-eyed or try to play it cool? The way they react adds layers to the moment. Even a pause before answering can make the scene ten times more intense. Their response shows how much they’ve been waiting for or dreading this confession too.

In short, make it messy, emotional, and real. Readers want to feel the build-up, the fear, the excitement, and the vulnerability of both characters. Don’t be afraid to make things a little awkward or imperfect, that’s what makes a confession unforgettable.

[dhruvkumaar]

How to pull off descriptions

New authors always describe the scene and place every object on the stage before they press the play button of their novels. And I feel that it happens because we live in a world filled with visual media like comics and films, which heavily influence our prose.

In visual media, it’s really easy to set the scene—you just show where every object is, doesn’t matter if they’re a part of the action about to come or not. But prose is quite different from comics and films. You can’t just set the scene and expect the reader to wait for you to start action of the novel. You just begin the scene with action, making sure your reader is glued to the page.

And now that begs the question—if not at the beginning, where do you describe the scene? Am I saying you should not use descriptions and details at all? Hell naw! I’m just saying the way you’re doing it is wrong—there’s a smarter way to pull off descriptions. And I’m here to teach that to you.

***

#01 - What are descriptions?

Let’s start with the basics—what are descriptions? How do you define descriptions? Or details, for that matter? And what do the words include?

Descriptions refer to… descriptions. It’s that part of your prose where you’re not describing something—the appearance of an object, perhaps. Mostly, we mean scene-descriptions when we use the term, but descriptions are more than just scene-descriptions.

Descriptions include appearances of characters too. Let’s call that character-descriptions.

Both scene-descriptions and character-descriptions are forms of descriptions that we regularly use in our prose. We mostly use them at the beginning of the scene—just out of habit.

Authors, especially the newer ones, feel that they need to describe each and every nook and cranny of the place or character so they can be visualized clearly by their readers, right as the authors themselves visualized them. And they do that at the start of the scene because how can you visualize a scene when you don’t know how the scene looks first.

And that’s why your prose is filled with how the clouds look or what lights are on the room before you even start with the dialogues and action. But the first paragraph doesn’t need to be a simple scene-description—it makes your prose formulaic and predictable. And boring. Let me help you with this.

***

#02 - Get in your narrator’s head

The prose may have many MCs, but a piece of prose only has a single narrator. And these days, that’s mostly one of the characters of your story. Who uses third-person omniscient narrator these days anyway? If that’s you, change your habits.

Anyway, know your narrator. Flesh out their character. And then internalize them—their speech and stuff like that. Internalize your narrator to such an extent that you can write prose from their point-of-view.

Now, I don’t mean to say that only your narrator should be at the center of the scene—far from it. What I mean is you should get into your narrator’s head.

You do not describe a scene from the eyes of the author—you—but from the eyes of the narrator. You see from their eyes, and understand what they’re noticing. And then you write that.

Start your scene with what the narrator is looking at.

For example,

The dark clouds had covered the sky that day. The whole classroom was in shades of gray—quite unusual for someone like Sara who was used to the sun. She felt the gloom the day had brought with it—the gloom that no one else in her class knew of.

She never had happy times under the clouds like that. Rain made her sad. Rain made her yearn for something she couldn’t put into words. What was it that she was living for? Money? Happiness?

As she stared at the sky through the window, she was lost in her own quiet little corner. Both money and happiness—and even everything else—were temporary. All of it would leave her one day, then come back, then leave, then come back, like the waves of an ocean far away from any human civilization in sight.

All of it would come and go—like rain, it’d fall on her, like rain, it’d evaporate without proof.

And suddenly, drops of water began hitting the window.

You know it was a cloudy day, where it could rain anytime soon. You know that for other students, it didn’t really matter, but Sara felt really depressed because of the weather that day. You know Sara was at the corner, dealing with her emotions alone.

It’s far better than this,

The dark clouds covered the sky that day. It could rain anytime soon.

From her seat at the corner of the room, Sara stared at the sky that made everything gray that day. She…

The main reason it doesn’t work is that you describe the scene in the first paragraph, but it’s devoid of any emotions. Of any flavor. It’s like a factual weather report of the day. That’s what you don’t want to do—write descriptions in a factual tone.

If you want to pull off the prior one, get to your narrator’s head. See from their eyes, think from their brain. Understand what they’re experiencing, and then write that experience from their POV.

Sara didn’t care what everyone was wearing—they were all probably in their school uniforms, obviously, so I didn’t describe that. Sara didn’t focus on how big the classroom was, or how filled, or what everybody was doing. Sara was just looking at the clouds and the clouds alone, hearing everybody just living their normal days, so I mentioned just those things.

As the author, you need to understand that only you, the author are the know-it-all about the scene, not your narrator. And that you’re different from your narrator.

Write as a narrator, not as an author.

***

#03 - Filler Words

This brings me to filler words. Now, hearing my advice, you might start writing something like this,

Sarah noticed the dark clouds through the window. She saw that they’d saturated the place gray.

Fillers words like “see”, “notice”, “stare”, “hear” should be ignored. But many authors who begin writing from the POV of the characters start using these verbs to describe what the character is experiencing.

But remember, the character is not cognizant of the fact that they’re seeing a dark cloud, just that it’s a dark cloud. You don’t need these filler words—straight up describe what the character is seeing, instead of describing that the character is seeing.

Just write,

There were dark clouds on the other end of the window, which saturated the place gray.

Sarah is still seeing the clouds, yeah. But we’re looking from her eyes, and her eyes ain’t noticing that she’s noticing the clouds.

It’s kinda confusing, but it’s an important mistake to avoid. Filler words can really make your writing sound more amateurish than before and take away the experience of the reader, because the reader wants to see through the narrator’s eyes, not that the narrator is seeing.

***

#04 - Characters

Character-descriptions are a lot harder to pull off than scene-descriptions. Because it’s really confusing to know when to describe them, their clothing, their appearances, and what to tell and what not to.

For characters, you can give a full description of their looks. Keep it concise and clear, so that your readers can get a pretty good idea of the character with so few words that they don’t notice you’ve stopped action for a while.

Or can show your narrator scanning the character, and what they noticed about them.

Both these two tricks only work when a character is shown first time to the readers. After that, you don’t really talk about their clothing or face anymore.

Until there’s something out of the ordinary about your character.

What do I mean by that? See, you’ve described the face and clothes of the character, and the next time they appear, the reader is gonna imagine the character in a similar set of clothes, with the same face and appearance that they had the first time. Therefore, any time other than the first, you don’t go into detail about the character again. But, if something about your character is out of ordinary—there are bruises on their face, scars, or a change in the way they dress—describe it to the reader. That’s because your narrator may notice these little changes.

***

#05 - Clothing

Clothing is a special case. Some new authors describe the clothes of the characters when they’re describing the character every time the reader sees them. So, I wanna help you with this.

Clothing can be a way to show something about your character—a character with a well-ironed business suit is gonna be different from a character with tight jeans and baggy t-shirt. Therefore, only use clothing to tell something unique about the character.

Refrain from describing the clothing of characters that dress like most others. Like, in a school, it’s obvious that all characters are wearing school uniforms. Also, a normal teenage boy may wear t-shirts and denim jeans. If your character is this, no need to describe their clothing—anything the reader would be imagining is fine.

Refrain from describing the clothing of one-dimensional side-characters—there’s a high chance you’ve not really created them well enough that they have clothing that differs from the expectations of the readers. We all know what waiters wear, or what a college guy who was just passing by in the scene would be wearing.

You may describe the clothing of the important character in the story, but only in the first appearance. After that, describe their clothes only if the clothes seem really, really different from the first time. And stop describing their clothes if you’ve set your character well enough in the story that your readers know what to expect from them in normal circumstances—then, describe clothes only when they’re really, really different from their usual forms of clothing.

***

#06 - Conclusion

I think there was so much I had to say in this article, but I didn’t do a good job. However, I said all that I wanted to say. I hope you guys liked the article and it helps you in one way or the other.

And please subscribe if you want more articles like this straight in your inbox!

[heywriters]

Details That Convey Intimacy

Developing fictional relationships that feel authentic takes more than dialogue and grand gestures. All of details below can be used to show platonic, familial, agape, or romantic love depending on context.

cooking a meal for someone, bringing them food, or spontaneously sharing a snack

sharing body heat/warming someone with outerwear like jackets and scarves

fanning them with something if overheated

getting a cold/hot drink for them

offering to carry something, whether it's heavy or just a jacket, to lighten someone's load or free up their hands

changing the subject of a group conversation that will be personally discomforting to someone in the group

making sure to include someone in a group conversation, especially if it's a topic they know they have experience with

waiting for someone to catch up when the rest of the group has walked ahead

remembering someone's food preferences ahead of time when preparing/ordering food

planning trips, whether in a pair or as a group, that provide something positive for everyone to enjoy

procuring personal healthcare items like sunscreen, moisturizer, lip balm, or pain relievers and keeping them on hand for that friend who frequently needs them

making room for someone in a crowded vehicle or on public transit

making room for someone under an awning or in another limited space to help them avoid bad weather

warning or wordlessly covering for someone with a wardrobe/cosmetic malfunction

remembering a small luxury someone mentioned they enjoy, and getting it for them the next time it's in their power to do so

running an errand for someone to make their day easier ('importance of errand : depth of relationship' ratio should be explored)

escorting someone to safety in a sudden unsettling event

escorting someone who is drunk, sick, infirm, injured, or emotionally compromised

asking if light, noise, or other sensory factors are bothering someone and taking steps to make them more comfortable

getting gag gifts for someone to show you reciprocate their sense of humor or quirky self-expression (not everyone does this, not everyone appreciates it, and some people predominantly express love through humor and gag gifts; works well with some characters more than others)

holding someone's hand or arm as reassurance, especially when they are afraid*

using their body to block someone from wind, rain, or heat

picking up a dropped item, or carrying a train or other dragging garment for someone else

returning a recognizable possession to someone who may have lost it

This is an inexhaustible list as humans have many ways of showing love for each other. If you are writing spec fic with non-human characters, you can play with variations on these by remembering three core values the "lover" has to consider:

physical comfort of others

emotional comfort of others

social reputation of others

I'd add "sensory comfort" though I think it's tied to physical and emotional comfort.

Please do not try and force any of these into the mold of the misogyny-based "Love Language" trend. Human emotions and expressions of love are diverse and endless.

*While hand holding can be construed as romantic, in reality it varies. Some cultures do not see this as romantic, and some individuals only mean it as a sign of support or compassion. Same goes for long embraces and kissing, both can be done platonically and of course naturally between close family members or friends.

---

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[writing-chats]

the look of love (for writers)

"it's all in the eyes i was once told"

catching the stare of someone across a crowded room

subtle furrowing of eyebrows beyond a blank facade

coldness easing into warmth

a fond mothering gaze

corner of the lip nudged upward

forced glower/glare as they break underneath

batting their lashes, playful

a boisterous laugh

intrigue piercing the stoic

proud smugness at the other's success

lingering glances

a childish joy bursting through

pupils dilate

eyelids shut in a look of peace, calm and trust

look of longing/betrayal

"there was once a time when they were mine"

terseness

features fold into a scowl

an urgent flinching back

coldness returns (as though the warmth had never come)

lips part then purse

invasion of shock

slow stare at the floor

the ripple effect of a swallow

frustrated breath/sigh

bitter laugh in reminiscence

dread tearing through the seams of their composure

look of hatred

"darkness"

mean smirk- teeth bared grimace- scowl

dismissive gaze

gaze of contempt/impatience

threat lowering the voice

sardonic goading grins verging on manic

rolling one's eyes

flicker of irritation in the eyes

stares stubbornly ahead despite distraction

gritted teeth, clenched jaw

fierce biting remarks

even measured complexions betraying no thought

strangling oneself back from violence

utter apathy

murderous silence hanging in the stare

snobbish laughter

smiling at another's downfall

[writerthreads]

How to avoid White Room Syndrome

by Writerthreads on Instagram

A common problem writers face is "white room syndrome"—when scenes feel like they’re happening in an empty white room. To avoid this, it's important to describe settings in a way that makes them feel real and alive, without overloading readers with too much detail. Here are a few tips below to help!

Focus on a few key details

You don’t need to describe everything in the scene—just pick a couple of specific, memorable details to bring the setting to life. Maybe it’s the creaky floorboards in an old house, the musty smell of a forgotten attic, or the soft hum of a refrigerator in a small kitchen. These little details help anchor the scene and give readers something to picture, without dragging the action with heaps of descriptions.

Engage the senses

Instead of just focusing on what characters can see, try to incorporate all five senses—what do they hear, smell, feel, or even taste? Describe the smell of fresh bread from a nearby bakery, or the damp chill of a foggy morning. This adds a lot of depth and make the location feel more real and imaginable.

Mix descriptions with actions

Have characters interact with the environment. How do your characters move through the space? Are they brushing their hands over a dusty bookshelf, shuffling through fallen leaves, or squeezing through a crowded subway car? Instead of dumping a paragraph of description, mix it in with the action or dialogue.

Use the setting to reflect a mood or theme

Sometimes, the setting can do more than just provide a backdrop—it can reinforce the mood of a scene or even reflect a theme in the story. A stormy night might enhance tension, while a warm, sunny day might highlight a moment of peace. The environment can add an extra layer to what’s happening symbolically.

Here's an example of writing a description that hopefully feels alive and realistic, without dragging the action:

The bookstore was tucked between two brick buildings, its faded sign creaking with every gust of wind. Inside, the air was thick with the scent of worn paper and dust, mingling with the faint aroma of freshly brewed coffee from a corner café down the street. The wooden floorboards groaned as Ella wandered between the shelves, her fingertips brushing the spines of forgotten novels. Somewhere in the back, the soft sound of jazz crackled from an ancient radio.

Hope these tips help in your writing!

[luna-azzurra]

Describe your Main Character sheet

Skin

Tone: Pale, Rosy, Olive, Dark, Tanned, Alabaster, Ebony, Bronze, Golden, Fair

Texture: Smooth, Rough, Silky, Coarse, Flaky, Supple, Wrinkled, Calloused, Bumpy

Condition: Moles, Acne, Dry, Greasy, Freckled, Scars, Birthmarks, Bruised, Sunburned, Flawless

Complexion: Clear, Ruddy, Sallow, Glowing, Dull, Even-toned, Blotchy

Eyes

Size: Small, Large, Average, Tiny, Bulging, Narrow

Color: Grey, Brown, Blue, Violet, Pink, Green, Gold, Hazel, Crimson, Amber, Turquoise, Sapphire, Onyx

Shape: Doe-eyed, Almond, Close-set, Wide-set, Round, Oval, Hooded, Monolid

Expression: Deep-set, Squinty, Monolid, Heavy eyelids, Upturned, Downturned, Piercing, Gentle, Sparkling, Steely

Other: Glassy, Bloodshot, Tear-filled, Clear, Glinting, Shiny

Hair

Thickness: Thin, Thick, Fine, Normal

Texture: Greasy, Dry, Soft, Shiny, Curly, Frizzy, Wild, Unruly, Straight, Smooth, Wavy, Floppy

Length: Cropped, Pixie-cut, Afro, Shoulder length, Back length, Waist length, Past hip-length, Buzz cut, Bald

Styles: Weave, Hair extensions, Jaw length, Layered, Mohawk, Dreadlocks, Box braids, Faux locks, Braid, Ponytail, Bun, Updo

Color: White, Salt and pepper, Platinum blonde, Golden blonde, Dirty blonde, Blonde, Strawberry blonde, Ash brown, Mouse brown, Chestnut brown, Golden brown, Chocolate brown, Dark brown, Jet black, Ginger, Red, Auburn, Dyed, Highlights, Low-lights, Ombre

Eyebrows: Thin eyebrows, Average eyebrows, Thick eyebrows, Plucked eyebrows, Bushy eyebrows, Arched eyebrows, Straight eyebrows

Lips

Shape: Full, Thin, Heart-shaped, Bow-shaped, Wide, Small

Texture: Chapped, Smooth, Cracked, Soft, Rough

Color: Pale, Pink, Red, Crimson, Brown, Purple, Nude

Expression: Smiling, Frowning, Pursed, Pouting, Curved, Neutral, Tight-lipped, Parted

Nose

Shape: Button, Roman, Hooked, Aquiline, Flat, Pointed, Wide, Narrow, Crooked, Upturned, Snub

Size: Small, Large, Average, Long, Short

Condition: Freckled, Sunburned, Smooth, Bumpy

Build

Frame: Petite, Slim, Athletic, Muscular, Average, Stocky, Large, Lean, Stout, Bony, Broad-shouldered, Narrow-shouldered

Height: Short, Tall, Average, Petite, Giant

Posture: Upright, Slouched, Rigid, Relaxed, Graceful, Awkward, Stiff, Hunched

Hands

Size: Small, Large, Average, Delicate, Strong

Texture: Smooth, Rough, Calloused, Soft, Firm

Condition: Clean, Dirty, Manicured, Scarred, Wrinkled

Nails: Short, Long, Polished, Chipped, Clean, Dirty, Painted, Natural

Voice

Tone: Deep, High, Soft, Loud, Raspy, Melodic, Monotonous, Hoarse, Clear, Gentle

Volume: Loud, Soft, Whispery, Booming, Muted

Pace: Fast, Slow, Steady, Hasty, Measured

Expression: Cheerful, Sad, Angry, Calm, Anxious, Confident, Nervous, Excited, Bored

[urfriendlywriter]

20 "we are each other's safe place" romance prompts:

(feeling emo now that I'm officially back :') feel free to useee and tag me when yall write!!)

holding each other close in silence

yearning for just one hug after being separated for so so long... </3

"i can't seem to take neither my eyes, nor my mind off of you, [name]." :'')

noticing that bright smile of theirs after you compliment them. [my heart. omds]

them rushing into your embrace after a long day

"let me ask my partner." or,

"oh, my partner at home is waiting for me, i better get going :)"

being ur partner's mum's favorite, hehehe

^ "ma... how come they're getting head rubs from you often while i rarely do?"

sulking to get attention from them and they get cuteness aggression over you (> < my cuteness aggress. for mr. japan goes crazy guys!!)

being you comes easy with them ♡

being emotionally available to one another, and having each other and knowing you're not alone <3

when they're affirmative and expect affirmations from you <communication is the best trope>

cuddling and cozying up together, being all physical but not sexual ツ✰

them wrapping their hand around yours whenever walking together

when it's their smile, that's just enough to brighten your day :')

loving and living and actually looking forward to tomorrow with them,

^ "you make me want to be a better person."

"smile for me" or, "twirl for me" :))

searching for each other in a crowded rooms, finding each other everywhere (this is just love guys, top tier.)

[creativepromptsforwriting]

Master Prompt List

Romantic Prompts

Romance Prompt Lists (Masterpost)

Bad romances/unrequited/break-up (Masterpost)

Flirting + Teasing Prompts (Masterpost)

Two smart and also stupid people in love

Romance Dialogue - Bubbly + Reserved

Push and pull romantic prompts

Jealousy Prompts

Things said during sex Prompts

Awkward Post-Sex Dialogue

Smut Prompts (Masterpost)

One-Liners Dialogue - Romantic, Smutty + Physical (Masterpost)

Love Language - Showing, not telling love

Love Language - Showing you care

Romance Dialogue Prompts – Uncomfortable with affection

Grumpy Affectionate Dialogue

Grumpy + Sunshine Dialogue

Inexperienced with romance Prompts

Love Confessions (Masterpost)

Lovers being caught Prompts

OTP Christmas Prompts

Meet Cutes/Meet Uglies

Relationship Milestones (Masterpost: moving in, getting married, honeymoon, having children)

Physical Reactions

Seeking out physical affection

Romantic, non-sexual intimacy prompts

Date Prompts (Masterpost)

One Night Stand Prompts

Forbidden Romance

Secret relationship dialogue

Love-hate relationship

Reluctant allies to friends to lovers dynamic

Lovers to enemies

Reasons for lovers turning to enemies

Exes to lovers Prompts (Masterpost)

Friends to lovers Prompts

Flirty friends to lovers Prompts

Friends with benefits Prompts

Friends with benefits to lovers Prompts

Enemies to friends with benefits Prompts

Enemies to friends Prompts

Best friends to lovers Prompts

Childhood friends to lovers Prompts

Childhood friends to enemies to lovers prompts

Dating the bad boy/girl

Matchmaking Prompts

Fake Dating Prompts (Masterpost)

OT3 Prompts (Masterpost)

Love Triangle Ideas

Second chance trope

OTP Prompt Challenge

Relationship Changes

Bed Sharing/Only One Bed (Masterpost)

Kisses Masterpost (Prompts, First Kiss, Accidental Kiss, …)

Enemies to Lovers (Masterpost)

Ship Dynamics

WLW Plot Ideas

Fluffy Prompts

Fluffy Prompts (Masterpost)

Pregnancy Prompts

Hidden Pregnancy Dialogue

Sleepy Starters

Cute Interactions

Hand-holding

Touching

Hugs

Hugging Dialogue

Touch Starved Prompts

Touches Ask Games

Sharing Clothes

Things to do at a carnival

Cooking/Baking Dialogue Prompts

Quiet movie night Prompts

Having fun in the rain

Height Difference Prompts

Same Height Prompts

Caregiving Ideas

Doing nice things prompts

Love Languages

Asking for permission

Hurt/Comfort Prompts

Hurt/Comfort Prompts (Masterpost)

Injury Dialogue Prompts

Sickness Dialogue Prompts

Fighting & Making Up Prompts

Angsty Prompts

Angsty Dialogue (Masterpost)

Leaving Dialogue Prompts

Reunion Dialogue Reactions

Unwilling goodbye + love confession prompts

Trying to make them stay Dialogue Prompts

Sacrificing Dialogue

Amnesia Prompts

Amnesia Dialogue

Bad Luck Prompts

Lover being hurt Prompts

Drama Starting Points

Conflicts for Couples 1 + 2 + 3

Betrayal Dialogue Prompts

Hiding from horror dialogue

Finding out the truth dialogue

“I’m sorry…” Apology Starters

Saying I’m sorry…

Apologizing for emotional neglect

Talking it out ideas

Keeping loved ones apart

Ending an argument

Family Prompts

(Found) Family Prompts (Masterpost)

Friends/Fun Prompts

Friends Prompt Challenge

Platonic activities for friends

Online Friends Prompts

Group of Friends Prompts (x)

Opening Sentences (Friend group in NYC)

Road Trip Ideas

Party Games Prompts

Drunk Friendgroup

Silly Drunk Dialoguge (x)

Amusement Park Activities

Surprise party gone wrong

Settings for conversations

Having fun in the rain

Bar Conversation Starters

Girls’ night out ideas

Outside of school activities

Walking to school prompts

Rekindling Friendship Dialogue

Reconnecting Friends Prompts

Slow dancing with a friend

AU Prompts

AU ideas

Royalty AU (Masterpost)

Victorian AU Prompts

Historic Prompts - 1800s Ball Prompts

Parallel Universe Romance Prompts (x)

Roommates AU (Masterpost)

Sport Romance Prompts

College/School AU (Masterpost)

Hogwarts Prompts

Workplace AU (Masterpost)

Neighbors AU (Masterpost)

Musician/Actor/Celebrity AU (Masterpost)

Gossip Girl/Rich AUs

Coffee Shop AU (Masterpost)

Bookstore AUs

Flower Shop AUs

Bodyguard AUs

Bodyguard Dialogue Prompts

Firefighter/Police AUs

Firefighter Prompts - Enemies to lovers

Lawyer AUs

Lawyer + Client Prompts

Patient and Doctor Prompts

Groundhog Day Prompts

Pirate Prompts

Spy Prompts

Soulmates AU (Masterpost)

Lifeguard AUs

Camping Prompts

Ice Skating Prompts

Supernatural/Mystery/Thriller/Crime Prompts

Ghost Prompts (Masterpost)

Mermaid Prompts

Angels & Demons Prompts (Masterpost)

Summoning a God Prompts

Life & Death Prompts + Dialogue

Showing aliens the human world

Murder Mystery/Thriller Prompts (Masterpost)

Survival Game Prompts

Partners in Crime – Meeting again

FBI mentor and mentee prompts

Assassins Banter Dialogue

Assassin x Target Prompts

Heist Prompts

Hero x Villain (Masterpost)

Falling for the kidnapper prompts

Causes for the apocalypse

Post-apocalyptic romance prompts

Fantasy/Sci-Fi Masterpost  (Werewolves, Vampires, Time Travel, etc.)

Holiday/Seasonal Prompts

Holiday/Seasonal/Monthly Prompts (Masterpost)

Birthday AUs

Birthday Prompts

Ranked Prompt Lists

Ranked Lists (Top 20 Lists, Best Prompts/Posts of the Year)

Various Prompt Lists

Random Prompt Lists (Drabbles, Dialogues, One Word Prompts,…)

Favourite Tropes

5 + 1 Fic Prompts

‘Write about’ Prompts

‘Imagine your OTP’ Prompts

All The Fic Titles

All The Prompts List

List of Names

Writing Games

Ask Games

Daily Writing Challenge

30 Days Writing Challenge

AU & Trope Combos

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