Red Rock West | John Dahl | 1993
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Red Rock West | John Dahl | 1993
Suggested by @isthisfastornormalspeed
Iran is My Land (1999) by Parviz Kimiavi
Le fond de l'air est rouge [A Grin Without a Cat] (1977) by Chris Marker
Circé Lethem in Portrait d'une jeune fille de la fin des années 60 à Bruxelles (1994) by Chantal Akerman (6 June 1950 – 5 October 2015)
This scene may very well be my favourite scene of all the movies I have watched. The tension in the close-up, James Brown’s It’s a man’s world haunting in the background and the sudden reinterpretation of every line that Michèle (Circé Lethem) has said throughout the movie. It is simply devastating in its simplicity.
The Spy Who Came in from the Cold by Martin Ritt/John le Carré (1965)
The Terrorizers aka Kong bu fen zi by Edward Yang (1986)
RIP, John le Carré (1931-2020)
Taiwanese version of The Honourable Schoolboy, 1978.
Design: 傅耀生
Yi Yi | Edward Yang | 2000
Ru-Yun Tang
On the film set of A Brighter Summer Day directed by Edward Yang, 1990.
Photo: Issei Suda (The Sun, No.356, Feb. 1991)
Liebe ist kälter als der Tod (Love Is Colder Than Death) | Rainer Werner Fassbinder | 1969
Howard Gaines
Naissance des pieuvres (AKA Water Lilies) | Céline Sciamma | 2007
Pauline Acquart, Adèle Haenel
Naissance des Pieuvres [Water Lilies] by Céline Sciamma
Offret (The Sacrifice) | Andrei Tarkovsky | 1983
Windows without people in The Terrorizers [Kong bu fen zi] (1986) by Edward Yang
Alright, you want to know. I shall tell you. You won’t be content until you know, will you? Till you ripped it out of me? I stopped seeing him because I wanted him. Do you understand? Because I wanted him!
VICTIM (1961) dir. Basil Dearden
Edvard Munch (Peter Watkins, 1974)