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Lets be mutuals! ♡
Aron Wiesenfeld (American, 1972) - Nightwatch (2024)
Collection, Levon Biss
“The diversity of design in nature is a theme that I’m focusing on more and more at the moment. I’m fascinated by the variety in nature and am delighted to share with you the latest image from this series displaying eggs from 60 different bird species. I had the pleasure of shooting this image at the Oxford University Museum of Natural History recently, one of my favourite museums by far. My thanks goes to Robert Douglas for his assistance in creating this picture.”
Vincent van Gogh - "Rocks" (July 1888)
Breastplate. late 16th century. Credit line: Gift of Prince Albrecht Radziwill, 1927 https://www.metmuseum.org/art/collection/search/22997
A Wild Duck near a Snow-laden Shore. ca. 1843. Credit line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 https://www.metmuseum.org/art/collection/search/53688
a great blue heron at dawn and dusk
my uma musume OC
various works by Miho Kajioka
Flowering Garden (1888) by Vincent van Gogh
Dante in Hell
Artist: Hippolyte Flandrin (French, 1809-1864)
Date: 1835
Medium: Oil on canvas
Museum of Fine Arts, Lyon, France
Description
Dante in Hell or Dante, led by Virgil, Consoles the Souls of the Envious is an 1835 oil painting on canvas by the French painter Hippolyte Flandrin. Contrary to its primary title, it shows a scene from the Circle of the Envious, the second circle of Purgatory in Canto III of Purgatorio. The scene depicts Dante on the mountain of Purgatorio trying to comfort the blind men. It is now in the Museum of Fine Arts of Lyon.
Inferno (Dante)
Inferno (Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy, followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm […] of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellow men". As an allegory, the Divine Comedy represents the journey of the soul toward God, with the Inferno describing the recognition and rejection of sin.
Inferno: Canto XXV (1866/engraving) - Gustave Doré
Inferno: Canto X (1855/steel engraving) - Gustave Doré
Dante and Virgil in Hell by Eugène Deully
F.I. Buslaev “Essay on archeology and history of art”
‘Love is an organic thing. It rots and softens.’
Words by Clementine Von Radics
Wilderness from my new book Faraway Dreaming. 🌱🌲 Available on Kickstarter until 24 June, 2025!