Iceland mapped by sunset shadows.
Full Europe album & methodology: https://imgur.com/gallery/E7Qux

@theartofmadeline
Cosmic Funnies
Peter Solarz
art blog(derogatory)
Show & Tell
Sade Olutola
Acquired Stardust

roma★
Keni
Misplaced Lens Cap

Kiana Khansmith
occasionally subtle
ojovivo
cherry valley forever
let's talk about Bridgerton tea, my ask is open

Andulka
Jules of Nature

oozey mess
hello vonnie
Lint Roller? I Barely Know Her

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@jameshupp
Iceland mapped by sunset shadows.
Full Europe album & methodology: https://imgur.com/gallery/E7Qux
Redemption isn’t for the taking
This is a wonderful piece. Amber Tamblyn claims ownership of the right of women to punish men socially for what they’ve done to women, and the right of women to feel no obligation to agree to those men’s redemption. It’s probably normal that for men this will be hard to really grasp: why should genuinely contrite people, some of whose offenses are clearly lesser than others’, face a sort of shunning? Tamblyn, in fact, says pretty explicitly that men’s confusion about this is not surprising, as she describes men fretting in text messages with each other about a loss of “normalcy,” about a need for “comfort and security.” That need is a common thing for women; it is an uncommon thing for men.
But she and the other woman she mentions are right: the price for what these men did is they disappear from their scene and their pop culture careers, for however long women choose. It’s the least that can happen. Some of these actions merit jail time. Some of them cost so many women their jobs, their voices, their sense of self. Disappearing? These men got off soft.
And here’s where I want to throw a curveball. I want to talk about Catholicism, because I think growing up Catholic (and paying attention in school, and thinking about and caring about what I was learning) makes this absolute power over redemption—if and when—easier to grasp for me than it otherwise might be.
Keeping the collective receipts
So let’s talk about this for a second.
TRUMP: "Hillary Clinton would rather provide a job to a refugee from overseas than to give that job to unemployed African-American youth."
— Sahil Kapur (@sahilkapur)
19 Aug 2016
We have a Republican candidate saying—explicitly, which is kind of amazing when you think about it—that black people could get jobs if only someone wasn’t passing them off to this other, less-deserving group.
If you’re a middle-aged black person, this will not sound alien to you at all. It’s not because anyone ever said it to you, though. It’s because they said it about you.
People silently struggle from all kinds of terrible things. They suffer from depression, ambition, substance abuse, and pretension. They suffer from family tragedy, Ivy-League educations, and self-loathing. They suffer from failing marriages, physical pain, and publishing. The good thing about politeness is that you can treat these people exactly the same. And then wait to see what happens. You don’t have to have an opinion. You don’t need to make a judgment.
Paul Ford, “How to be Polite”
Download the poster: It’s ok to…
Life is a very bad novelist. It is chaotic and ludicrous.
Javier Marías, The Art of Fiction No. 190 (via theparisreview)
A brief review of a show I haven’t even finished yet
I’m halfway through the first (only?) season of the Norwegian TV show Occupied. I have Several Thoughts About It! Short version: watch it, don’t get impatient, and insist on seeing the characters rather than the nations as the dramatis personae.
Most media reviews I’ve seen of the show focus on fear of Putin as a motivator for its creation, and on the real-life Russian ambassador's angry response to the show. And, like, if that was my job, I'd probably be mad, too. But focusing on that totally misses what makes the show brilliant. Russia is simply the only country that *could* play the part demanded by the show's premise in the present. To see the show as a take on "Russia, malevolent actor in Europe" is to miss the real focus: the people in Norway.
I shot this gif at the Ace in Palm Springs
I JUST WANTED TO PLAY MONOPOLY
LOCAL DOG DESTROYS CAPITALISM
by tamara lichtenstein
Everything else in astronomy is like the eye. Finally astronomy grew ears. We never had ears before.
Szabolcs Marka, astronomer at the Laser Interferometer Gravitational-Wave Observatory
This is a BFD.
...even if nobody else sings along
We were at a party when we heard. The space was one of those places with no name on the door, just a bouncer outside. We walked inside and the place was mostly empty. There were vintage pinball machines and arcade video games, air hockey and skee ball. We got drinks and played the games for a bit. The party filled up, dozens of people shouting and playing and drinking. Raised voices bounced off the concrete walls, and we had to continually repeat ourselves as every word was first claimed by the high ceiling. A glum DJ stood behind a laptop but his music was buried by the noise. A couple guys swam up to us through the crowd; one of them told us what happened and the other corroborated it with his phone. We all looked at each other, stunned. One of us, just the night before, had opened the show with a cover of “Life On Mars,” and we’d talked about what an amazing song it is, still. We couldn’t believe it. I couldn’t believe it. I was surprised at how much it was affecting me. We all agreed we had to get out of there. We took two separate cars back to the hotel, making plans via text on the way. A couple of us remembered a karaoke place we’d been to in years past, right by where we were staying, in Japantown. We wanted to sing the songs. We walked in and were the only people there. We asked the bartender if there was a book of songs to choose from; she told us no, we were to write down the artist and song title on a little whiteboard. There was a song playing already, for no one, the words highlighting themselves in front of the indecipherable drama of the video. One of us wrote down the names of half a dozen tracks, then was told the bar’s library didn’t have any of those songs. How could that be? How was that even possible? We left, demoralized. One of us, the one who’d played “Life On Mars” the night before, had his guitar with him. He took it out of the case and there, in the deserted Japantown street, by a dormant fountain, its ornate tiers filled with standing water, he began playing “Five Years.” I don’t know if, like me, no one else knew all the words, or if it just seemed right to let him sing it alone, but none of us joined in. A few people passed by. No one looked at us. He finished the song and we thanked him. He put his guitar back in the case and we walked back to the hotel.
Small, alone, in the middle of a powerful city that would just as soon go on without you, doing your own thing, finding your own crowd who will say thank you for what you are doing, performing what you came to perform, entertaining to get by, to be doing anything at all that feels positive.
One form of mourning is to project the mourned.
The conversation is a comfort, because underneath it all they know that at least they occupy a place, the older and the younger, a place they each fill as closely and completely as Isolde's body fills the ancient cat-worn dip in the old armchair by the wall. Underneath it all they know that it is more a thing of necessary equilibrium than any sort of failed facsimile. Each sister claims not a mirror copy but a rough-edged ill-formed twisted half of their parents' attention and command.
Eleanor Catton, The Rehearsal
There are days we live as if death were nowhere in the background; from joy to joy to joy, from wing to wing, from blossom to blossom to impossible blossom, to sweet impossible blossom.
Li-Young Lee, from “From Blossoms” in Rose (via the-final-sentence)
The illuminating power of talking to a brick wall about guns
Earlier today I had a weird Twitter conversation with some people. It was both illuminating and not. The not will be obvious from the next two paragraphs.
I pointed to a Vox article that carried some straightforward statistics about the clear, strong correlation between gun prevalence and gun deaths. The replies were two-fold. 1) Vox is not a real news source (ouch, sorry Vox). This was weird, as while the article may have been from Vox, the stats in question were compiled by researchers elsewhere, as clearly credited by Vox.
But the longer follow-on point was 2) the stats included suicides, which the respondents said was dishonest. I suggested that talking about gun deaths should include all gun deaths, and they then accused me of being ghoulish and twisting mental health issues to fit an anti-gun narrative. I replied that both guns and lack of mental health care access might contribute to gun suicides, and also that large public health problems like gun deaths may have more than one contributing factor. I said that something could be both a gun access problem and a mental health treatment access problem. This just led to more acrimony about my ghoulishness. I allowed as to how I didn't intend to disgust anyone and so I would depart the conversation. They claimed victory, something about being unable to admit the data didn’t back me up. At no point did any data they inserted into the conversation suggest anything contra what I had said about guns and gun deaths, but c’est la vie. I wasn't going to convince them anyway; no point in haggling over a “winner” in an abbreviated Twitter argument.
Yeah, not obviously illuminating in any way. And yet...
Our Economist Espresso quote of the day is from the British writer and humorist Douglas Adams