Sarah Michelle Gellar, Nylon Magazine, 2000
$LAYYYTER
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Lint Roller? I Barely Know Her
Mike Driver

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Sweet Seals For You, Always

JBB: An Artblog!
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One Nice Bug Per Day

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Sarah Michelle Gellar, Nylon Magazine, 2000
Lolita Lempicka Spring 1997
Olga Kurylenko
There's nothing sadder than a puppet without a ghost, especially the kind with red blood running through them.
Ghost in the Shell (1995) dir. Mamoru Oshii
Addams Family Values (1993) dir. Barry Sonnenfeld
Lovers 2007
Private collection
The emphasis on the Churchâs complicity is striking, too, because it includes an element many viewers might not have picked up on: Sister Silva (Sonia Braga), the older nun who reveals long gray hair at the end, is actually Margaretâs mother. She is the woman who we are told in a flashback volunteered to be ravaged by a jackal-headed demon, and who at the end still has no compunction about having her daughter (and granddaughter for that matter) burned alive in the bowels of a church.
âThis was something that we were okay with if people [didnât get],â Stevenson told us, âbut it would be wonderful if they did: Sister Silva is her mother. So Sister Silvaâs role in the whole conspiracy is that sheâs the one who volunteered to do all of this. It was something that was in our heads.â - [X]
Mermaid at Hampton Court (by ukjohn)
Swann in Love / Un amour de Swann (1984) | Dir. Volker SchlĂśndorff
Joseph Marie Thomas Lambeaux - The Lovers
A LOVE THAT WASNâT BUILT FOR HUMANS;
National Commercial Bank, in Jeddah, Saudi Arabia. Designed by SOM, completed in 1983.
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THE OTHERS (2001) dir. Alejandro AmenĂĄbar