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[jeffasims]

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Back from vacation and back to work. #beadsonastring #dna #genes #oilpainting #bobos #clappers #knockers

[jeffasims]

Working on work before I go to work. #wip #pencil #black #blackpaper #elevate #7 #destination #faith

[jeffasims]

#johnoutterbridge #sculptor #artist #imusspeak #america #american #sculpture #art+practice (at Art+Practice)

[jeffasims]

Detail of @fordjourstudio at @papillionart #paint #stilllife #pattern #stripes #8paintings #winners #losers #trophy (at PAPILLION ART)

[jeffasims]

Details of a @yashuared piece at @papillionart #howtohideinthewind #collage #woodblock #constructions (at PAPILLION ART)

[jeffasims]

Correcting lines and angles. Work in progress #elevate #elevator #pencil #paper #gray #graymatter #enter #exit #drawing #jeffreysims

[jeffasims]

Work in progress #elevate #elevator #pencil #paper #gray #graymatter #enter #exit #drawing #jeffreysims

[hragv]

Europeans on a late 19th-century ivory tusk from Angola, Kongo peoples, @metmuseum Tomorrow’s the last day for the show. (at The Metropolitan Museum of Art, New York)

[hragv]

Ensalved Africans on the same late 19th-century tusk, Kongo, @metmuseum (at The Metropolitan Museum of Art, New York)

[24kblk]

oil works by loïs mailou jones, ‘77 – ‘85

[sfmoma]

SubmissionFriday 

 just newyork

by NiHao

[dialectiics]

[guildmage-charcoal]

THIS. MOTHERFREAKING THIS.

[specialkthegreat]

Excuse me as I causally anonymously mail this to all my relatives’ homes

[andythanfiction-deactivated2017]

I’ve said it before, I’ll say it again: Equating all Muslims with the Taliban or Al-Quaeda is like equating all Christians with the Westboro Baptist Church or those who bomb abortion clinics.

[quirky-beaut-deactivated2015051]

^ Ameen.

[dexteresss-deactivated20180204]

This needs more notes. All tumblr is about gay rights, And how racism against black people should be stopped. Please note, I fully respect that and support it. But please dont forget about all the innocent Muslims that are being killed all around the world just simply because they are Muslims.

[layout-stepout]

Seems like an appropriate time to re-reblog this.

[hyperallergic]

Photographs of immaculate, domestic interiors are common to us today, with countless images of private homes readily found in design magazines and on social media. The tradition of documenting personal rooms, however, was an exclusive one when it emerged in Europe at the start of the 19th century. Before the advent of photography, those who could afford to commissioned artists to paint small, highly detailed watercolors of the interiors of their homes that they would then slip, like photographs, into display albums. Such paintings offer a glimpse into the decadent lifestyles of the 19th century’s well-to-do and the art of recording finely decorated interior spaces. Currently, 47 such paintings are featured in House Proud, an exhibition at the Elizabeth Myers Mitchell Gallery at St. John’s College in Annapolis, Maryland.

Domestic Interior Paintings Show How the 1% Lived in the 19th Century

[bombmagazine]

From Doreen Garner’s portfolio in BOMB:

“I identify, extract, and exploit the tissues that bind the sexual and the grotesque, specifically regarding the black female body. Treated as spectacle and disposable specimen, these women and their stories—Henrietta Lacks, Saartjie Baartman, the victims of Dr. J. Marion Sims—are a driving force. Identifying the voyeur as the subject, an oppositional gaze is directed towards fetish, objectification, and racism.

“Take the power back, twist it, and sharpen it. Probe all cavities of the privileged viewer experience. With viscera and bling, a material mush is formulated of beads, Swarovski crystals, silicone, rubber, teeth, condoms, teddy bear stuffing, Vaseline, etc., held together by glass walls or latex membranes.” 

[processedlives]

There Are No Urban Design Courses on Race and Justice, So We Made Our Own Syllabus

Black students at Harvard’s Graduate School of Design say there are no design courses that consider race and justice. Here’s an outline for one.

There Goes the ‘Hood, by Lance Freeman, 2006

Fair and Healthy Land Use: Environmental Justice and Planning, by Craig Anthony Arnold, 2007

Aesthetics of Equity, by Craig Wilkins, 2007

Structural Inequality: Black Architects in the United States, by Victoria Kaplan, 2006

The Crisis of the African-American Architect: Conflicting Cultures of Architecture and (Black) Power, by Melvin Mitchell , 2002

Urban Planning and the African-American Community, by June Manning Thomas, 1997

Redevelopment and Race: Planning a Finer City in Postwar Detroit, June Manning Thomas, 1997

Planning Atlanta, by Harley F. Etienne and Barbara Faga, 2015  

The Black Metropolis in the 21st Century: Race, Power, and the Politics of Place, edited by Robert Bullard, 2007

Growing Smarter:  Achieving Livable Communities, Environmental Justice, and Regional Equity, edited by Robert Bullard, 2007

Just Sustainabilities: Development in an Unequal World, edited by Julian Agyeman, Robert D. Bullard and Bob Evans, 2003

Race, Poverty, and American Cities, by John Charles Boger, 1993

Black Metropolis: A Study of Negro Life in a Northern City, by St. Clair Drake and Horace R. Cayton, 1962

Everything from David Harvey

The Philadelphia Negro, by W.E.B. Dubois, 1896  

[xaymacans]

papidreamz thought of you :)

[lostinurbanism]

Special Issue: Ebony, August 1967

The Chicago: Mighty, Lord visual narrative, takes a look further into the Ebony magazine (special issue) published 48 years ago, this month. 

Follow Blvck Vrchives on Instagram. 

[comicbookartwork]