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@johnhighpoet
A small man has been wreaking havoc at the Presse
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a new poem for monday:
Saying it in this way brought back the colored leaves of autumn all the maps & ghosted words & fleeting books & a girl first opening her mouth that dawn--a diary & suitcase & sentence & the morning of her birth beginning the water foghorn then sun a checkered shirt on a chair & a window looking out on a city a staircase to you a boy holding this wound in his eye & the meaning in her deafness still hearing a hand touch her ear the long steps back a mother a father & so many friends--a war & then peace & then another war--& all the born days & seeing how language went into so many different roads of body & cadence & into memory & into no death of words just floating into stars & into elephants & giraffes & water buffalo first seen in paintings on a museum wall & afterwards here in her diary after seeing them with her own eyes with the boy with you with us and all these wonderings & musings & imaginings into an alphabet of being that alone remembers her true name
milah libin described John High's poetry as reminiscent of the 1953 black-and-white Japanese film Ugestu Monogatari, directed by Kenji Mizoguchi and based on stories in Ueda Akinari's book of the same name.
Crossing the desert into
the place where she had
vanished we found her
horse & hat, a hidden
tree where all of the wind
gathered in a sense of
urgency & sound &
feeling--or was it just
another day--this life &
all of the listening ears
by the well as the boy &
camel stopped & took
their vows, the opening
signs of love drawing
water in a cup in these
pictured & timeless
letters home & diaries
once washed to sea to
meet them even here
when she returns in all
the grand moments of illusion.
(The photographer's field
notes near the end of
summer.)