Will Navidson: Ah gee wilikers gang, looks like we’re gonna have to split up an look for clues to figure out what’s up with the ooky kooky topsy turby crazy noisy bizarre house
Zampanó:Navidson’s usage of his .33 millimeter Nikon in this particular scene is reminiscent of the 1920’s German expressionist film, “The Cabinet of Dr. Caligari”; a film born out of a post World War One Germany. The film itself is a reflection of the country’s fear at the time. A fear of an uncertain future and an enemy lurking from within. Many parallels can be drawn between Robert Wiene’s horror film and The Navidson Records from the dark claustrophobic set design to the harsh lighting and shadows being used to symbolize-
Traunt: I met a woman behind the waffle house on Santa Monica. She was smoking something, I’m not sure what, all I know is that it wasn’t my fat fucking hog. At some point, she introduced herself, but it wasn’t long until she had me kneeling on the greasy bathroom floor, playing the slippery harmonica in 5/4 time. Her neon hair shimmering like the aurora above an Alaskan cargo ship. The smell of her tuna taking me back to those long harsh nights watching the captain drink himself into deeper and deeper entropy.
“By the way, I brought an entire copy of Zampanós email exchanges.”
She moaned in ecstasy while showering our naked bodies in poorly printed stationary.
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