X-Men 2000 / dir. Bryan Singer
Monterey Bay Aquarium
styofa doing anything
Not today Justin
Keni
Game of Thrones Daily

@theartofmadeline
AnasAbdin

No title available
$LAYYYTER
One Nice Bug Per Day

if i look back, i am lost
d e v o n
sheepfilms
noise dept.

PR's Tumblrdome
Jules of Nature

#extradirty

Janaina Medeiros
occasionally subtle
Mike Driver
seen from Brazil
seen from India

seen from United States

seen from United Kingdom
seen from Australia

seen from Uruguay
seen from United States

seen from United States
seen from Australia
seen from Algeria

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
@jonathaninthecities
X-Men 2000 / dir. Bryan Singer
the world needs to see this tweet
This is fine, I'm fine
Anaïs Nin // John Steinbeck
Fallen Leaves (2023), dir. Aki Kaurismäki
tfw we gotta install microwave ovens
Blue Velvet (1986) dir. David Lynch
RIP David Lynch (1946-2025)
recently uncovered pompeii reg. ix fragments!!!!
The Holdovers (2023) dir. Alexander Payne
THE HOLDOVERS (2023) dir. Alexander Payne
#this is why fascists hate education btw!!!
Hold up I've got a collection in progress
‘Galatée’ by Charles Jalabert (French, 1819-1901)
“In any such crisis…”
From the 1936 book Fascism and Big Business
“Yorgos does not do digital, as he feels it doesn’t do anything for his films. So like The Favourite and Poor Things, this was always going to be shot on film. He loves color and contrast, and the 50D delivers color and contrast in abundance, so what’s not to like? Obviously, it’s a slow stock, but as we were filming in New Orleans we had consistently bright or sunny exteriors and could shoot without a problem. And the results on 50D look luscious.”
- cinematographer Robbie Ryan BSC, ISC on shooting Kinds of Kindness on 35mm
ph. Yorgos Lanthimos