JUGS & CAPES @jugsandcapes - Tumblr Blog

The Ride by Rodolph Guenoden

Rod Guen is spectacular. Such a great storyteller. And a great choreographer, too… you have him to thank for the great (and followable) fight scenes in Kung Fu Panda!

henriquelage

nikiforovkatsukiplisetsky

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dat-paxxes-blog

I love albinwonderland so much

ndib

Whattup? Truth.

Jugs & Capes: American Born Chinese.

For our August Jugs & Capes meeting, we decided to read something light & summery: Printz & Eisner award-winning graphic novel American Born Chinese by Gene Luen Yang. A majority of the group felt that they "almost loved the book" (<--thanks to Oriana for coining the phrase!) but perhaps Yang's character of Chin-Kee's was a bit of a drawback. We wondered whether this over-the-top sitcom stereotype was necessary, much like Long Duck Dong of Sixteen Candles or Mr. Yunioshi of Breakfast at Tiffany's, and didn't find his scenes as interesting as the others (ie. first love & monkey kings). Could Chin-Kee have been played more subtly? Realizing this overstated character was created for a purpose, we still wondered if the Young Adult target audience played a part. Most of us also agreed that the ending was a little abrupt, though we did love the art and humor.

And speaking of overstated, ever since our book club moved from weekday nights to Sunday brunch, we have been enjoying some seriously delicious & well-themed food spreads. Special thanks to Amanda Bullock for picking up those yummy dumplings & den den mein at M. Noodle in Williamburg.

One of my favorite pages (below); Jin's expression is priceless!

Last but not least, this is how we artists drink: Exquisite Corpse games + free shots! Thanks to Sam (of Lady Jay's) for contributing with me & Miss Laura Lee. The rest are hanging up in the bar. xo, artsparrow

book images © Gene Luen Yang & First Second; food photography © Oriana Leckert & Amanda Bullock

Jugs & Capes @ MoCCA Fest 2012!

Here are some of us Jugs & Capers at this year's MoCCA Fest:

(below) Artist & Illustrator Andrea Sparacio with her published comic in The Gathering anthology.

(below) Writer & Designer Colleen AF Venable (Nominated for an Eisner Award! Best Publication for Kids!) & Marianne Ways.

(below) Artist & Graphic Novelist Laura Lee Gulledge (Nominated for an Eisner Award! Best Lettering) at her MoCCA table.

(below) New J&C member + Photographer extraordinaire Jasmina Tomic (w/ Andrea Sparacio).

For more photos & reporting visit Andrea's MoCCA Flickr set & blog.artsparrow.com

artsparrow

Graphic Novels, Cartoons & The Comic Book.

Last night I attended a very inspiring New York Chapter of the Graphic Artist Guild:

“GRAPHIC NOVELS, CARTOONS & THE COMIC BOOK”

the talented panel above, left to right: Mike Dawson, David Matthew Gallaher, Christine Norrie, Nick Abadzis. Check out their links! They're all super awesome.

Also getting excited for MoCCA! And trying to get back to drawing my own comics (doodled this thumbnail on the subway ride home):

xo, comics.artsparrow.com

Books We've Read. 2010-2012

24. May 2012: Jimmy Corrigan: The Smartest Kid on Earth, Chris Ware

23. April 2012: Y: The Last Man, Brian K. Vaughan & Pia Guerra

22. March 2012: Aya, Marguerite Abouet & Clément Oubrerie

21. FEBRUARY 2012: American Splendor, Harvey Pekar

20. JANUARY 2012: Habibi, Craig Thompson

19. DECEMBER 2011: Berlin Book One: City of Stones, Jason Lutes

18. NOVEMBER 2011: La Perdida, Jessica Abel

17. SEPTEMBER 2010: From Hell, Alan Moore

16. AUGUST 2011: A.D.: New Orleans After the Deluge, Josh Neufeld

15. JULY 2011: Maggie the Mechanic, Jaime Hernandez

14. JUNE 2011: The Complete Essex County, Jeff Lemire

13. MAY 2011: Watchmen, Alan Moore

12. APRIL 2011: Blankets, Craig Thompson

11. MARCH 2011: Preacher Vol 1: Gone to Texas & Preacher Vol 2: Until the End of the World, Garth Ennis

10. FEBRUARY 2011: A Contract with God, Will Eisner

9. JANUARY 2011: Asterios Polyp, David Mazzucchelli

8. DECEMBER 2010: Fables (Bill Willingham et al.) & Bone (second half)

7. NOVEMBER 2010: Bone, Jeff Smith (first half)

6. OCTOBER 2010: Stitches, David Small

5. SEPTEMBER 2010: The Dark Knight Returns, Frank Miller

4. AUGUST 2010: Fun Home, Alison Bechdel

3. JULY 2010: Scott Pilgrim, Brian Lee O’Malley

2. JUNE 2010: Palestine, Joe Sacco

1. MAY 2010: Understanding Comics, Scott McCloud

Congratulations to two of our very own Jugs & Capers!

Colleen AF Venable, Nominated for Best Publication for Kids (ages 8-12):

The Ferret’s a Foot, by Colleen AF Venable & Stephanie Yue (Graphic Universe/Lerner)

Laura Lee Gulledge, Nominated for Best Lettering:

Page by Paige (Amulet Books/Abrams)

Voting has begun on the 2012 nominees for the Will Eisner Comic Industry Awards. The voting deadline is midnight PDT, June 4, 2012. Vote online here: http://www.eisnervote.com

Best of luck, ladies!!!

Marguerite Abouet’s graphic novel Aya of Yopougon makes great required reading for all the wrong reasons.

Set in “Yop City,” Cote d’Ivoire, and ostensibly centered on a young woman named Aya, the comic book seems ready to follow Aya’s battle to become a doctor (likely villainous obstacles: money problems, distracting friends, and a father who thinks marriage is more appropriate than medicine).

Aya would be a great hero and role model. She has witty retorts for street harassment. She’s wise and also kind, dispensing good advice to all her neighbors and still finding the time to braid her sister's hair. She is beautiful. She doesn’t go parking with boys.

See where I’m going? Aya has all the problematic virtuousness of your typical 20th century Disney heroine: intelligence and ambition are justified by the unlikely combination of incredible sex appeal and virginal purity. An ability to conform to male fantasy while checking boxes off a progressive list is just dull tradition in the genre of stories about young women.

Luckily, author Marguerite Abouet dispenses with all that med school and straight-edge stuff in the beginning pages, and soon reveals that the story isn’t much about Aya. The real action lies with Aya’s flawed friends Bintou and Adjoua...continue reading article here

Husband & wife dynamic duo!! Clément Oubrerie (illustrator) & Marguerite Abouet (author) of AYA series. Swoon.

A behind-the-scenes look at Chris Ware's home and amazing comics/toy/miscellaneous "junk" collection. We have yet to read Ware, but he's on the list.

Jugs & Capes are currently reading Aya de Yopougon, written by Marguerite Abouet & illustrated by Clément Oubrerie.

whoislauralee

This month at Jugs & Capes we read AMERICAN SPLENDOR by Harvey Pekar!

I wrote a DISCUSSION GUIDE based on our conversation…

1. Pekar’s stories were drawn by a variety of artists. Which ones did you like the most? How did different artists portray him? What do you think about his experience with R. Crumb?

2. Which of the stories did you like the most? (We dug the opening comic, the honeymoon/lost voice, the old Jewish lady in the grocery store…) Were the longer stories more engaging?

3. Pekar’s stories are about everyday life, so do you find it merely banal or was he successful in a providing a deeper meaning?

4. How do you think his work holds up today? Is it dated? Do you think it would be better to read it as it originally came out (in smaller sections) rather than collected all together?

5. What’s your take on Pekar’s portrayal of women? Is he chauvinistic or respectful?

6. This was a text-heavy comic, basically talking heads. Did you find this tiring/boring/intense to read? Did you find his long-winded sections self-indulgent or simply more riveting and in-depth? And would it be successful if it was just writing? What did you think about the use of dialect/slang? What other comics are text-heavy?

7. Harvey Pekar is a bit of a polarizing character, in fact, our group was pretty divided on American Splendor. So did you love or hate being inside his neurotic head? Have you encountered other characters similar to him in comics? (The”working class intellectual.”) What makes him unique?

8. Did you find him bravely honest because he never idealizes himself and he doesn’t seem to care what others think of him? Or did you find him arrogant, whiny, and with a sense of entitlement because he’s desperate for other people to respect him?

9. We recommend watching his appearance on Letterman as a group, and then discussed how his personality on paper and in real life compare. Do you find it almost painful to watch him?! Also check out the Pekar Project.

10. If he was getting his start now, how would his work be different? (We called his work “illustrated live journal.”) Would he do a webcomic or would he simply write? Or would he just get lost buying records on ebay??

For our next Jugs & Capes meeting we are reading American Splendor by Harvey Pekar. For something to tide us over until mid-February, here is The Pekar Project!

Harvey Pekar’s been mining the mundane for magic for more than 30 years in his autobiographical American Splendor comics. Now he has teamed with SMITH and some remarkable artists to create his first ongoing webcomics series—and some of his jazziest work to date. The new stories will appear every other week, with interviews, creator spotlights, and behind-the-scenes goodies, as well as essays and art from Pekar collaborators and inhabitants of the extended Pekarverse.

www.smithmag.net/pekarproject

DC Comics Announces 'Watchmen' Prequels. See the covers & catch the buzz:

forbes.com

shelf-life.ew.com

Author Interviews @ Amazon: Craig Thompson

...on his beginning days of comics, drawing process, Habibi, and what's up next for him:

http://www.amazon.com/gp/mpd/permalink/m3S91D7VAYTJJP/ref=ent_fb_link

Thompson's need was not to tell us all about the geographical or political Middle East, either of today or yesteryear, but to find a narrative body that would carry him through the next stage of his development as an artist. For me, many years ago, Greek mythology served a similar purpose; I had no special interest in the subject prior to that. I just needed an engine that came ready built with all its interconnecting parts in place, that enabled me to encase stories within other stories right from the kick-off. The theme that commands Thompson in this early phase of his oeuvre is LOVE. He has taken it from the childlike cute of Goodbye Chunky Rice through the 'first love' of Blankets. And now a big subject was required, something with epic potential, a grand romance, something bigger than the familiar and the everyday. He sought and found it in the idiom of the Arabian Nights, with its sultans and harems and slaves and eunuchs. But more than a single linear story, Thompson wanted to erect a colossal structure with a baroque encrustation of teeming narratives. To this end he uses the literature of the Middle East, in both subject, using the Qur'an the bible and Arabic poetry, and in form, through the rich calligraphic tradition of the literature. At this point you would have to ask: is this guy nuts? Where did he get the courage to take on all of that?

Eddie Campbell, author of Alec and From Hell, on Orientalism, Craig Thompson, and Habibi over at his blog

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