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Guernesey, Channel Islands
Guernesey, Channel Islands
Parque Lage
After watching https://twitter.com/alexgriendling streaming design sessions I motivated myself to try more illustrations. Here’s a first auoportrait attempt
This is a continuation of my Mushishi-like artist box project. Inspired by the “Mushishi” TV animation series I’m making a backpack-box for outdoor painting sessions.
First, I made some concept sketches to visualise how the box will be used and what functions it should have: foldable legs and top so it can serve as a table, multiple drawers for small painting equipment, back space for larger things (sketchbooks and my portable easel), side straps for my tripods and of course backpack-like straps on the back.
I will be posting videos including drawing these sketches and the progress on making the actual box on YouTube. I want to finish it fast and use it outside as soon as it becomes a little bit warmer!
Technical stuff:
Medium: Botanical FABRIANO Hot Press 210g B5
Sketch: Mitsu-Bishi Grade HI-UNI pencil
Ink: TACHIKAWA Linemarker A.T. 0.3 mm
Colours: 38 color Schmincke set + 2 custom greens.
「蟲師のアーティストボックス」プロジェクトの続きです。テレビアニメ「蟲師」に影響されて、屋外での絵描きセッションで便利なバックパック箱を作っています。
箱を作る前に、自分のアイコンキャラクターを使ってコンセプトスケッチを描いてみました。箱に欲しい機能を想像しながら。 折りたためる足と、天井部分がテーブルになること、いろんな細かい道具を入れられる引き出し、大きなスケッチブックが入る裏のスペース、三脚を運べるサイドのストラップ、箱自体を背負えるストラップ。
このスケッチを描くプロセスと箱作りを録画したので、編集したらメイキング動画をアップします。
ツール詳細
紙: 水彩紙 ボタニカルブック クラシコ 細目 B5 210g
下描き: F Mitsu-bishi Hi-Uni 鉛筆
線画: 立川 ラインマーカーA・T 0.3mm 黒
着色: 38色のシュミンケ水彩セット
Sous le charme...
Artist and scientist Jill Pelto hopes to inspire people to take action by imbuing her dreamy paintings with hard scientific data and field research.
I posted an article, and some images, several months ago of Jill Pelto’s art. But this article has some new art. It’s worth a repeat. Here’s some of her art. Link into the article to read her story.
Little side note to give this post some context. Over the weekend, I participated in a climate change research seminar and field work studying joshua trees and piñon pines in Joshua Tree National Park. Dr. Cameron Barrows, who is one of the lead researchers on the effects on climate change in the desert environment, was doing his usual lecture, showing us data and charts and graphs. But he inserted a poem into his presentation, written by a woman from England who did some citizen-scientist work in Joshua Tree National Park earlier this year. She came into the research perceiving the desert to be a horrible, desolate place with no life. She left with a 180 degree turn, and wrote a poem about what she then realized a desert to be, as a place full of life. Dr. Barrows told us, completely correctly, that art can add a gloss to science that we all need to appreciate the science.
‘Landscape of Change’ was painted using data about sea level rise, glacier volume decline, increasing global temperatures and the rise in fossil fuel usage. (Photo: Jill Pelto)
‘Habitat Degradation: Arctic Melt’ depicts Arctic sea ice data from 1980 to present. (Photo: Jillian Pelto)
‘Habitat Degradation: Deforestation’ depicts the plight of tigers using data showing the decline in rainforest area from 1970 to 2010. (Photo: Jillian Pelto)
‘Increasing Forest Fire Activity’ uses global temperature rise information to illustrate how harsh drought conditions affect forested regions. (Photo: Jillian Pelto)
‘Salmon Population Decline’ draws population data from the Coho salmon of the North Pacific. (Photo: Jillian Pelto)
‘Decrease in Glacier Mass Balance’ uses data from a group of North Cascade, WA glaciers from 1980-2014. (Photo: Jillian Pelto)
‘Habitat Degradation: Ocean Acidification’ depicts the decreasing pH (meaning increasing acidity) in oceans from 1998 to 2012. (Photo: Jillian Pelto)
Réponses flexibles aux nouveaux besoins d’une société qui évolue, les logements secondaires sont de plus en plus sollicités.
Pendant ce temps, à l’OSM