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@jurassic-tart
“Stevie Nicks was the first woman I ever heard say she had chosen not to have children because she cared more about her career. The first that ever warned me men might not like it if there are things more important to me than they are. The first that ever said that that was fine: sometimes, you have to leave them behind. Wherever she goes, she surrounds herself with girls. “I can’t imagine you in a bathing suit,” someone says in an interview for Rolling Stone, when Stevie says she likes to play in the pool in her backyard. “Yeah, well, you never will,” Stevie says. “There is never - ever - a man in the backyard. If there is, he is banished to the front of the house.” Men don’t get to look at Stevie Nicks unless Stevie Nicks wants men to look at Stevie Nicks. In her songs, even when she’s talking about how she has to change, she proclaims her power, her ability, her worth. She is a queen, she is a witch, she is a dragon, she is in control. She isn’t polite. She’s competitive. She’s bossy. She claimed all the things the men around her claimed — she spent as much money as they spent, had as much sex as they had, was as reckless as they were, stood at the front of the same stage — and never questioned that that was her right. The world tells us women are there for men, but despite all the boyfriends and the jokes about how she’s so easy and the sex-symbol status, she isn’t there for men at all. She does it without ever giving in to the men that dismiss her. She’s emotional. She’s dramatic. She raises her voice as much as she can. She thinks she’s pretty, she thinks she’s a star, and when her fans crowd up to the edge of the stage, crazy, she welcomes them, with open arms. She revels in it. She’s too much of a girl for you? She revels in it.”
—
Stevie Nicks is a queen, a witch, a dragon
“It is hard to see anyone who has become / like your own body to you. And now I can’t forget.”
— Carl Phillips, from “Just the Wind for a Sound, Softly,” Silverchest
I’m sorry people aren’t sharing the actual end of this which is even better:
BIG. DICK. ENERGY.
I fell in love today.
You can wipe your feet on me, twist my motives around all you like, you can dump millstones on my head and drown me in the river, but you can’t get me out of the story. I’m the plot, babe, and don’t ever forget it.
Margaret Atwood, “Unpopular Gals,” from Good Bones (via commanderspock)
This was when I learned that you have to give up your life as you know it to get a new one: that sometimes you need to let go of everything you’re clinging to and start over, whether because you’ve outgrown it or because it’s not working anymore, or because it was wrong for you in the first place.
Kelly Cutrone, If You Have to Cry, Go Outside: And Other Things Your Mother Never Told You (via wordsnquotes)
Oh, darling, you will be good to me, won’t you? Because we’re going to have a strange life.
Ernest Hemingway, A Farewell to Arms (via thelovejournals)
You’re what the autumn knew would happen after the last collapse of primary color once the last absolutes were torn to pieces you could begin. How you broke open, what sheathed you
Adrienne Rich - from “November 1968″ in The Fact of a Doorframe: Poems 1950-2001 (via watchoutforintellect)
Patti Smith & Sam Shepard photographed by Judy Linn
If you are silent about your pain, they’ll kill you and say you enjoyed it.
Zora Neale Hurston, Their Eyes Were Watching God (via wordsnquotes)
Sometimes it is harder to deprive oneself of a pain than of a pleasure.
F. Scott Fitzgerald, Tender Is the Night (via wordsnquotes)
give him a theme song
BODE