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@justiceserved
indie dc multimuse written by red. 21+. he/him. been in the rpc since 2012. if you know me from other blogs, no you don’t /j
abridged rules:
mutuals only/highly selective
drama free zone
low activity/runs on queue
caard - ship bias - ask memes
@patroklides asked: “ we both know i’m not walking out of this one. it’s okay, alright? it’s okay… just… do me a favor, will you? will you make them pay for this? i don’t care how. but… don’t let them get away with it. ” dick -> tim
❛ di一 nightwing, i’m not letting you die here一 ❜ his hands are slick with blood where he’s taken his gloves off to more effectively triage the jagged wound torn through dick’s abdomen. he stares at the way the liquid catches the light.
somehow, he always forgets how warm it feels before it goes tacky. 98.6 degrees fahrenheit on average ( and dick’s test results are always so picture perfect ). nearly five liters in an adult male of his size. 40% lost and dick dies. two liters. at least half that already stains the ground around them. too much. it’s too much and tim can’t make it stop.
he can’t make it stop.
dick is going to bleed out here because of him. he curls his body around his older brother, shaking his head. ❛ please, ❜ he begs, like it’s anywhere near enough to stop this. ❛ please, don’t一❜
more blood oozes out from his attempts at a bandage and tim shakes. dick is going to die here.
he steels himself. there’s no time for a breakdown. he has to get out of this. teeth sink into his lip hard enough that he tastes metal. pulling back, he cups dick’s face in one hand. rage burns through him as he looks down at his dying brother, thrumming through his veins with an indescribable heat. he’ll kill them. fuck bruce’s rules, he’ll kill each and every one of these stupid villains. he’ll make them pay for this.
❛ i promise, ❜ he says, voice thick with pain and anger and grief. ❛ i won’t let them get away with this or anything like it ever again. ❜
"hey, are you sure you are alright?" [ kon to jon ]
it’s so hot. sweat drips down his face, into the tattered collar of his jacket. the fabric is more soot-black than his father’s red and blue these days. it hurts. the heat stings, his bruises ache, his cuts burn. he’s never known pain like this. it holds him captive more than the chains. it’s oppressive and一
kon’s voice startles him and he twitches so hard he nearly knocks over ma’s bookshelf. he scrambles to stop it from toppling over, very carefully not looking at the other super.
he’d thought he was getting better. thought that now that he was safe back on his earth, he’d be able to stop thinking about it. instead, the dreams overtake him every night. they invade his waking hours. and sometimes一 sometimes he looks at his dad and all he can see is一
he clenches his jaw and turns to look at conner, forcing his usual boyish smile across his face. ❛ yeah, i’m totally fine. ❜ his voice hardly wavers even if his lilac eyes stay a bit flat. fake it until you make it, he tells himself. fake it until一 his breath catches in his throat and he looks down to hide the way his expression cracks.
❛ i’m fine, ❜ he insists, even as he turns his body into kon’s, tucked against his side like he’s still much smaller than he is these days. ❛ i have to be fine. i’m superman, right?? i don’t have time to一 to not be fine. ❜
𝐒𝐄𝐓𝐓𝐋𝐈𝐍𝐆 𝐃𝐔𝐒𝐓 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.
basically i was looking over the protective prompts and the hero prompts and it hit me that like. the unbridled angst and vibes of the whole “post-battle” scene, or a scene set after an attack or a disaster or smth, needs to be ADDRESSED!!! and so y’all get the full weight of my angst today, sprinkled with a lot of teamwork and selfless and sacrificing vibes. i hope you enjoy! do NOT add further contributions to this list!!! i will curse your potato crops!!!
DIALOGUE PROMPTS.
“ can you hear me? hey… [NAME], can you hear my voice? “
“ come on… wake up. please… please wake up… “
“ oh! oh, thank god! i thought we lost you… “
“ hey, hey… look at me, okay? you gotta get up now. you think you might be able to walk? ‘cause they sent for back-up, and if they find us… we cannot let them find us. understand? “
“ go, go! save yourself! i’ll buy you some time! “
“ we both know i’m not walking out of this one. it’s okay, alright? it’s okay… just… do me a favor, will you? will you make them pay for this? i don’t care how. but… don’t let them get away with it. “
“ hey, how badly are you hurt? can you move? you think you can walk? “
“ if you can’t walk, i’m gonna have to carry you, alright? we can’t stay here. “
“ hey, look at me. i’m slowing you down, we both know it. it’s okay. i’ll hide and wait for back-up; you get yourself out of here. “
“ you’re gonna need to climb up on my back, you’re slowing us down with that injury. “
“ will you quit talking like that?! i’m not leaving you behind! “
“ what the hell are you doing here?! i told you to get out of here! “
“ you’re shivering… hey. hey, listen to me, okay? everything’s gonna be alright, i promise. here… take my jacket. don’t worry, i’m warm-blooded. “
“ i’ll get blood on your shirt… “
“ hey, don’t you dare close your eyes, you hear me? you die in my arms, and i’m gonna stick the dry-cleaning bill for this shirt in your coffin, that’s a promise! “
“ i know we almost died just now, but… am i the only one who’s hungry? “
“ we need to get you to a hospital… “
“ hey, come on now… you’re okay. you’re good, right? “
“ i must be hurt pretty bad if you’re being this nice to me. “
“ quit playing the martyr. we’re not leaving you behind. “
“ you know, i hate to be the negative voice, but… did… did we just lose? “
“ look at me… i’m not gonna make it. it’s okay, i’m fine with that. but… you can’t stay here. you’ve got a good long life ahead of you. and you’re smart, too; too smart to wait around here and waste that long life. so you get out of here, and you go live that life. live it for both of us. will you promise me you’ll do that? “
“ back-up isn’t coming. is it? we’re on our own, right? “
“ can’t sleep, huh? it’s okay. it’s probably all that adrenaline and shock; i can’t sleep, either. wanna keep each other company? “
“ i don’t give two shits about the back-up; i’m just happy you’re alive. “
ACTION PROMPTS.
as always, add a “+ REVERSE” to switch the roles!
[ CARRY ]: having found the receiver in an injured/weak/unconscious state, the sender carries them in their arms to safety.
[ TILT ]: the sender gently tilts the receiver’s chin up so that they can check to see if they’re okay.
[ PULL ]: sender takes the fallen receiver’s hands and carefully pulls them up so that they’re standing once more.
[ WAIST ]: sender, while physically supporting and steadying the receiver, loops an arm around their waist for extra support.
[ BACK ]: sender crouches down slightly to let the wounded receiver climb on their back, giving them a piggy-back ride to safety afterwards.
[ HAIR ]: while in the process of checking the receiver for injuries or other signs of harm, the sender gently brushes several strands of hair from their eyes.
[ TEND ]: sender begins to care for the receiver’s injuries.
[ LEAN ]: the wounded sender leans against the receiver for physical support.
[ SUPPORT ]: the sender encourages the wounded receiver to lean against them for physical support.
[ PUSH ]: the sender gently pushes the receiver back to lie down so they can check them properly for injuries.
[ COAT ]: sender removes their jacket and drapes it around the shoulders of the trembling receiver.
[ BLANKET ]: just as they’re all about to go to sleep, the sender covers the receiver with their own blanket.
[ AWAKE ]: the sender, unable to sleep, gets up to go for a walk, and finds that the receiver is also unable to sleep.
[ TOGETHER ]: when the receiver awakens, they discover that the sender has been sleeping next to them, arms wrapped around one another for warmth, comfort, protection ( or something more… )
[ BANDAGE ]: the sender sits down across from the receiver and begins to bandage their wounds.
[ DRAG ]: unable to leave them behind, the sender drags the wounded receiver out of danger and into a safe hiding place for both of them to wait until help arrives.
[ TOUCH ]: the sender nudges or touches the receiver to check and see if they’re alright after the attack.
[ CLEAN ]: the sender gently and carefully begins to bathe the blood/soot/ash/dirt from the receiver’s skin during a moment of calm.
[ PRIORITY ]: when they arrive at a designated safe place, the sender refuses to be examined or cared for until the receiver is taken care of first.
[ PROMISE ]: before leaving to get help/food/water/a rescue mission etc, the sender assures and promises the receiver that they’ll return safely, refusing to bring them along or to stay behind.
[ BROKEN ]: after having promised the receiver that they’d return, it’s learned that the sender died during their mission. how does the receiver respond?
[ TRAPPED ]: after having promised the receiver that they’d return from a mission, the receiver learns that the sender has been kidnapped or otherwise trapped, requiring a rescue mission to bring them home.
[ RESCUE ]: the sender and receiver reunite after the sender embarked upon an infamously perilous rescue mission to save the receiver.
[ FOUND ]: after a massive rescue mission to try and find the missing receiver, the sender is the first to find them just as the efforts are about to be abandoned.
[ HOPE ]: just as the receiver is about to lose hope in ever finding the sender again, a message or clue of some kind is discovered that essentially guarantees that the sender is still alive, restoring the receiver’s hope once more.
[ CLING ]: having finally been reunited, the sender pulls the receiver into a tight, overwhelmingly relieved embrace, clinging to them and burying their face in their shoulder. the whole deal. make it EMOTIONAL–
[ TEARS ]: having finally found the receiver, or having finally been found by the receiver, the sender breaks down in tears of relief, fear, and many other emotions as they officially reunite.
[ SACRIFICE ]: knowing that the circumstances only allow one of them to survive, the sender sacrifices their life in order to guarantee the receiver’s survival and safety.
send in “ hey… are you sure you’re alright? “ for the sender to ask this, having noticed the receiver relentlessly insisting that they’re okay for a considerable length of time, in spite of numerous signs that they’re clearly not okay.
alternatively, send in “ for the last time, i’m fine! why shouldn’t i be? “ for the sender to be the one desperately trying to convince themselves that they’re fine, even though they clearly aren’t, and for the receiver to be presented with this.
LINK TO THE INSPIRING POST HERE!
spoilers for adventures of superman: jon kent
reading the most recent issue of adventures of jon kent and. this fucking panel. gives me so many Thoughts and Feelings about what jon went through when ultraman had him. like the comic before didn't get into it but this definitely implies more than just captivity. ultraman for sure tortured him. and i'm pretty sure jon has told exactly no one the extent of it.
okay, i lied about being back the other day but for real this time.
no hard promises but work maaaaay have calmed down enough that i can come back this weekend :v: crossing my fingers
temporary hiatus
my work majorly fucked me over. it should be temporary but it's left me with very little energy after work so i haven't been able to be on here properly. i don't know exactly how long it will be but as soon as it's done, i'll be back.
temporary hiatus
my work majorly fucked me over. it should be temporary but it's left me with very little energy after work so i haven't been able to be on here properly. i don't know exactly how long it will be but as soon as it's done, i'll be back.
making bases for tim and this is how i'm organizing them because marcus to is the superior tim artist, as we all know
jon is a mama's boy. he takes after his dad in looks (except the eyes) and in powers. even mostly in personality (except in his impulsiveness). but he's pretty sure his mom can do anything. and he's more likely to go to her with tricky (non-superpower) related problems.
he also got her dyslexia (which i assume she has because she apparently cannot spell to save her life). which in addition to his adhd & the fact that he only got up to a 7th grade education, means that he's not a very strong reader or writer. i think he feels a little bad about this because his parents are journalists and he can barely read more than basic YA.
he did, however, get his GED when he came back. it took a lot of studying and he only barely scraped it out but he has it.
jon is a mama's boy. he takes after his dad in looks (except the eyes) and in powers. even mostly in personality (except in his impulsiveness). but he's pretty sure his mom can do anything. and he's more likely to go to her with tricky (non-superpower) related problems.
for bao: what’s their favorite dish to cook? favorite dish to order out?
CHARACTER DEVELOPMENT QUESTIONS || ACCEPTING
favorite thing to make is beef pho, specifically the way his parents made it. one of his most cherished memories is standing on a stool next to his father while he made the batches for the restaurant. he was terrified that he’d forget how to make it as he got older but he managed to find his mother’s recipe book. the pages are well worn now. he doesn’t actually get to cook them super often because he doesn’t have reliable access to a full kitchen until he’s with ghostmaker. but he does read them a lot. enough that he probably has them memorized by now.
as far as favorite to order out… probably something like taco bell. incredibly cheap, easy to eat with his hands. incredibly quick to eat.
