winter Kageyama and Kidou found family art based on this fic i absolutely love :D
bonus :P

oozey mess
TMBGareOK. The Official They Might Be Giants tumblr

Jimmy Eat World
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Interview Vampire Daily
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RMH
Sade Olutola

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Lint Roller? I Barely Know Her
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Fieri Frames
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Today's Document
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Not today Justin
One Nice Bug Per Day
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@kageyamareijiraydark
winter Kageyama and Kidou found family art based on this fic i absolutely love :D
bonus :P
AHHH, thank you for the follow! Love your analysis (plural) on Kageyama! I can tell you have thought a lot about him without excusing for his terrible actions. I respect your ability to handle such a complex character!
About your meme with the philosophers, I can only recognize Schopenhauer, Dostoviesky, Camus, and Nietzche. Can you tell me the names of the rest? I'm a philosophy nerd and I'm frustrated that I can't name the other four XD. Great meme btw! It literally made my day.
Thanks!
I'm the one who should be thanking you for reading my ramblings about Kageyama! English isn't my first language, so I sometimes struggle to express my thoughts about him the way I want to, the way I've shaped them over the years in my native tongue :') Anyways, the other philosophers/writers you asked about are Stirner, Kafka, and Sartre!
soooo i subbed the new inazuma eleven movie (english), dm if you want to watch it.
protect sakurazaki and unmei
dw y'all im not a criminal
i wish i knew how to draw so i could create hundreds of fanarts featuring Kageyama and Kidou’s father-son relationship 💔
i forgot to announce it here but i subbed the whole livestream featuring the aftertalk about inazuma eleven v heroes showcase (im gonna ignore the fact that a day after i posted the video, lvl5 also added their own subs😃)
yeah
random memes
common backrooms experience
I’ve spent a lot of time over the past ten years talking (actually, ranting- I mean, writing) online about Kageyama Reiji and I’ve repeatedly highlighted the four main events that traumatised Reiji during his childhood and adolescence:
his father being verbally abused, insulted and humilitated by a crowd of soccer fanatics who replaced him in no time with their new idol, with their new winning God;
his mother dying, thus leaving him parentless;
Garshield taking advantage of his fragility and mourning period to take him “under his wings”, psychologically and emotionally abusing him to make him his puppet who would carry out all kinds of misdeeds in his place.
Another aspect I'd like to explore is the connection between Kageyama's unhealthy obsession with winning and his difficulty relating to / maintaining bonds with others. His past traumas led him to believe that winning was the only way he could keep people close to him – especially the ones he became fond of (Kidou, Teikoku Gakuen players...), which means he was convinced that in order to keep Kidou (the one who relieved his deep loneliness) close to him, he had to keep winning. He had to be successful in order to be seen, respected… loved?. Otherwise he would’ve ended up like his father, "that loser who abandoned him to the clutches of darkness” (I strongly believe this is the narrative perpetrated by Garshield since the first moment he met Kageyama). Long story short, that's why he kept chasing after Kidou after the latter abandoned him, that's why he kept acting in certain ways while repeating always the same thing "Kidou, you will for sure come back to me. You have no other choice ( = that'll be the natural course of events)". Of course all the misdeeds he did under the toxic influence of Garshield are wrong and to be condemned, yet all he could think about back then was that he couldn’t bear yet another abandonment…
I was reading some old interviews to inazuma eleven's characters' japanese voice actors and i giggled every time Sasaki (Kageyama Reiji/Ray Dark's va) pointed out that Kageyama sees Kidou as if he was his son and that he feels paternal affections towards him, while Yoshino (Kidou/Jude's va) is a bit more reluctant to express himself in the same way as him about this topic lol During one of these interviews, Sasaki even says, out of nowhere "Kidou, you'd better come back to me right now" to Yoshino, who goes like "Wait, even now??? lol" and then goes in-character and says "No way! It's too late" lmao I love their interactions
Christmas time memories
Snowflakes are dancing lightly in the frosty air of a cold winter afternoon in Tokyo. Christmas is in the air, but for Kageyama the holly, jolly warmth of the holidays is only a distant memory faded out like an old, weathered photograph. The fearsome Teikoku Gakuen’s coach, his long black hair pulled back into a ponytail, walks through the Christmas markets. His left hand clasps the small, gloved one of a crimson-eyed child. The contrast between them is stark: the man, tall and austere, moves with measured steps, while the little boy jumps around with excitement, while dragging his gaze over the goods on display on the stands. «Look, look!» the child exclaims, tugging on Kageyama's arm whenever he spots anything related to penguins, his favorite animals. His ruby red coat and fluffy creamy white earmuffs stand out in the crowd, like a small flame in a sea of grays and blues. The man, by now accustomed to the child’s overflowing enthusiasm, lets himself be dragged through the stands. After a while, he notices that the boy is no longer pulling at him with his usual energy. He looks down and sees him shivering, his nose reddened by the cold. Two sneezes in quick succession and an ineffective attempt to stifle them confirm his suspicions. With keen eyes, the man scans his surroundings. There it is, at the far end of the street: a cozy stall, lit by warm, soft lights, displaying clothing items. Among them, an ultramarine blue scarf catches his eye. With no hesitation, the man purchases it. He kneels down in front of the child to be at his height and gently wraps it around his neck. The child's eyes sparkle with joy as he notices the presence of small penguins embroidered on the ends of the scarf. «Thank you, daddy» the child says smiling. «I am not your father. For you I am Mr. Kage-» Kageyama sighs and starts replying, but something interrupts him. Maybe it's the child's sweet smile, or maybe it's those vermilion eyes filled with innocence and affection. Whatever the reason, he feels the marble ice around his heart slowly begin to melt. «You're welcome, Kidou» he replies instead, his soft voice betraying a certain melancholy. Then he hesitantly reaches out his hand to pat the child's head as he hints a shy smile. Kidou smiles back, Kageyama gets up, and the two of them go back to strolling through the festive stalls. Perhaps, the warmth of Christmas is not as far away as I thought.
To Kidou Yuuto
You slip through my fingers like glowing sand, as elusive as revolutionary impetuous wind.
Long ago, your joyful, crimson eyes concealing an ineffable, unbearable pain broke the brazen shield behind which my exhausted soul was hiding, thus shattering it into thousands pieces: thousands of sharp shards pierced my soul and I knew it was you. I was bleeding. I was copiously bleeding. The blood, that warm, sweet blood that had turned so long ago into ice, resumed its course: it began to impetuously flow through my veins. I was adrift in a stormy sea of hopelessness, on the precipice of the deep ravine of the most acute despair. Unable to move, my limbs seemed to be stuck in a profound sleep state – the gray sleep of death. The oppressive dullness that surrounds you and penetrates every inch of your skin to the core of your bones – how can you describe it to someone who has never experienced it, when even you can no longer distinguish gray from any other color?
I was reduced to an automaton fuelled by an anger of ancient origins that have been swept under the rug of amnesia; an anger that slowly faded over time, thus leaving room for a crushing, desolated, heavy space that has been suffocating me since immemorial time, choking my words and turning them into annoying sobs.
I’ve been living this way for ages – a perpetually frustrated man who’s not suited to life, worthy of nothing but eternal damnation. Damned, damned, damned. Damned! I say. Only that mystical being y’all so naively call “God” knows what kept me from being utterly swallowed up by darkness.
But on that hot summer afternoon, amid the gloomy dimness hovering over the ravine in front of me, something changed. The air became lighter, the bitter disgust felt for life became sweeter, and a color finally peeped out: the grayness of my existence was tinged with red.
It was the fragrant crimson red color of your eyes that saved me, Kidou, and that is why every day I shout, scream, curse myself for allowing you to get away from me.
Happy birthday, my son.
Why Kageyama Reiji (Ray Dark) is one of the best characters & villains
Just a quick summary of his life, traumas and faults.
While some people might agree with the title of this post, I think there still are many ie fans who consider Kageyama Reiji to be a naturally evil man without scruples and morals who acts evil just for the sake of it. This is a very simplistic view which completely flattens the complexities of this character. It is true that IE is an anime with a young target audience, but there are also many dark details and sensitive issues that are worth focusing and reflecting on even and especially as teenagers or adults.
As regards Kageyama Reiji's childhood, I think we all know that Reiji has only negative memories of it. Reiji was of kindergarten age when he saw his beloved father, the great soccer player Kageyama Tougo, go from being a celebrity acclaimed by everyone to being the disappointment of an entire nation, which lead him to break down and abandon his family. Reiji saw his family shattered within a very short period of time, as his mother died around this time, thus leaving her son completely alone. All of Reiji’s memories are inextricably linked to the moment when he witnessed his father being not only humiliated on the football pitch, but also insulted and basically “verbally abused” by hundreds of “fans”, who were immediately ready to trade their “soccer idol” for another more talented one. (The scene where Reiji is among those “soccer fans” who were throwing stuff at Tougo is kinda heartbreaking)
From this moment on, a rapid decline of Kageyama family’s life into death and loneliness began (or simply continued). As i wrote earlier, Reiji gets abandoned by his parents, and it’s precisely this aspect that I’d like to focus on... When Reiji gets arrested for the last, final time, Onigawara Gengorou (Gregory Smith), the man who spends the whole series investigating on Kageyama’s past, says that it’s impossible that Reiji was the man behind all the potentially criminal actions that have been taking place in the last 40 years (since the day the Inazuma Eleven’s bus got hijacked). If we take into account other explanations given by Onigawara himself, we understand that his doubts are well-founded, because at the time of the incident I just mentioned, Reiji was around ten or twelve years old.
We all already know the identity of the man behind all of Reiji’s actions: Garshield (Zoolan). He was the one that approached Reiji when this latter was a merely traumatized, wounded, lonely child, instilling in him the desire for revenge, fuelling it by promising him all sort of stuff.
Of course, nothing and no one can justify the crimes to which Reiji actually contributed (thus getting his own hands dirty since he was a child while his puppet master - Garshield - was watching everything from afar and enjoying the money he got from his shady deeds).
Now, I don’t know whether Reiji saw Garshield as a sort of “father figure” who would help him heal from all the pain through revenge, maybe he did see him that way at first, but regardless of this he indeed spent the most crucial years of his life with Garshield as his only adult figure of reference. Could he ever have become a functional adult?
When Reiji realizes he can no longer submit to Garshield’s orders, this latter calls him a mere pawns in his hands and, while referring to the incident that will took Reiji’s life away, he states that death is what you have to expect when you bite the had that fed you. I don’t know about other dubs, but in the Italian one Reiji often emphasises to Kidou the importance of knowing how to move the pawns as effectively as possible. Mistakes couldn’t be allowed. Spending an entire life to the dependencies of the only adult figure who raised you - a tyrannical figure with no morals - unfortunately led Reiji to repeat the same dysfunctional patterns, attitudes, behaviours he learnt from Garshield. All of this took effort, so much effort, because after all, as he said to Fidio (Paolo), he used to long for the light, but he ended up hating it because he no longer had the chance to lay his eyes on it, so he had no choice but to rely on the darkness in order to survive.
It is now necessary to talk about Reiji’s “greatest Creature”, for it was the encounter with Kidou that first shakes the walls around his heart; it was Kidou’s rebellion that instilled in him doubts, insecurities, fear… and that awakened the trauma of failure, humiliation, loss, abandonment. Reiji’s relationship with Kidou becomes obviously dysfunctional at some point, Reiji literally freaks out when Kidou decides to move away from him (thus breaking some sort of generational trauma cycle). Being abandoned again by someone he cared about was not part of his plans and it is something that tears him apart so deeply that he is willing to do anything (even to attempt to create a perfect copy of him through Demonio Strada / Giulio Acuto) to make Kidou come back to him.
Another crucial moment in Kageyama’s “redemption arc” is the match between Orpheus and Inazuma Japan, which makes the above mentioned walls falter once and for all. And here some of the credit goes to Fidio. Why him? Why not Kidou? It actually makes sense that someone with a “similar” past as Reiji but who isn’t emotionally attached to him was able to grasp the reasons of his actions better than someone (Kidou) who, whether you like it or not, will forever be affectively attached to him.
And well, the rest is history. Reiji is forced to face with his darkest trauma while watching Fidio play soccer the way his father, Kageyama Tougo, used to play. He immediately loses his temper, yells at Fidio to stop playing like the man who destroyed his whole existence and made him hate soccer… and then breaks down. “What do you know about it?” he angrily asks Fidio “What do you know about the darkness I had to carry inside of me? You know nothing about it!” And it was true. No one could have ever imagined what he went through… Still, there was one last chance of salvation. The veil was torn, the mask fell, and tears started streaming down his face. He was finally ready to forgive his father, to look at the blue sky again for the first time in a long time, to embrace the light, to be reborn… in death. “The darkness is finally over” and so is his own life.
I’m almost done, I promise, I just wanted to highlight a parallelism which I find quite beautiful: the one between Reiji raising his eyes to the sky and being able to feel emotions again after being freed from the darkness and Rushe being able to see again thanks to Reiji himself, who paid the medical expenses of her eye surgery. “ Rushe, I want you to watch closely with your eyes… and feel with all of your senses the magnificence of soccer, the sport I have spent my whole life hating… but also loving. “ Reiji writes in the letter that Rushe will read only after his death.
The final scene of episode 106 in which:
the news announces the death of Kageyama
Rushe reads the letter and expresses her wish to see Reiji asap to talk with him about soccer
and Jude, hearing the little girl’s words, bitterly sighs and clutches Reiji’s glasses in his hands
is heartbreaking, almost gut-wrenching to say the least, especially if we take into consideration the fact that Kageyama had decided to take care of Rushe a long time before… he could no longer stand the idea that someone could get hurt because of the sport he most hated and loved at the same time (this makes us understand that he had long ago decided to turn his back on Garshield: his process of repentance had already begun), that’s why he paid for her eye surgery, visited her several times at the hospital, sent her letters… and eventually learnt to love her as if she was his daughter. All of this made him feel a bit relieved: “After all, by doing so you felt that your heart was little by little escaping from the darkness into which it had sunk, didn’t you?“ Nakata once said to him. But the guilt was still too much. The sins on his conscience were terribly heavy. He knew he did not deserve the gratitude, the light, the smiles of that little girl who so cheerfully talked to him about wanting to learn to play soccer from him and who so lovingly called him… uncle (おじさん).