The Bystander, England, March 15, 1922
Mike Driver
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Sade Olutola

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Origami Around

blake kathryn

izzy's playlists!
i don't do bad sauce passes
we're not kids anymore.

titsay
taylor price
Xuebing Du
dirt enthusiast
trying on a metaphor

Product Placement

Discoholic 🪩
One Nice Bug Per Day
wallacepolsom
NASA

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@kaiju-niku
The Bystander, England, March 15, 1922
Jeff Goldblum ©Dylan Coulter // ShortList
DADDY
Pabst
Jennifer Rahman @southpaw.stipple - Philadelphia Pennsylvania USA
ADAPTATION : Basquiat’s Evil Thoughts
Flying Rigger with Sarura
this is an emotion i have felt before
It is thought that the cephalofoil, that hammer-like head, in the hammerhead sharks has evolved to improve their vision. The positioning of their eyes on the ends of the hammer allows the sharks to have a binocular vision, i.e. the field of view from the two eyes overlaps. Also, the hammerheads can see 360 degrees in the vertical plane, allowing them to see other animals above and below them all the time.
wow QT
Michael Howard’s “Fake Aesthetics.”
Now on view at Supersonic Art Gallery is artist Michael Howard’s (aka NVM Illustration) solo exhibition of fascinating new work entitled, “Fake Aesthetics.”
Howard has a brilliant ability at portraiture and is able to capture the entire gravity of a generation through his complex, multi-layered works of art. Through sly references to pop-culture, social media and other forms of communication, Howard deals with ideas of the impermanence of our world and projecting false identities in “Fake Aesthetics.”
Howard explains, “There is something in the transition of turning an object or person into something else entirely by adding stickers, text or images onto anything that completely changes the aesthetic view of things. Take a tattooed man versus one without, the perspective completely changes for better or for worse. The same goes for objects, etcetera. The transient state of what is and what is not, has become somewhat obsessive for me and has almost conquered the restricting confinement of ‘why am I doing this’ into 'why the hell not.’ It’s empowering being able to change an image into something completely different by adding a simple piece of text or a small image.”
Take a look at all of the work on Supersonic Art Gallery.
Patti Smith, 1977, by Lynn Goldsmith
stop talking to your dogs in a high-pitched condescending voice. stop talking to your dog like a child. speak to it like an adult. speak to it like a professor. have a formal discussion with your dog on the failings of the government