“The Poor Man’s Umbrella” by Weighty Winds - A vast leaf cradled by hands, merging human touch with nature’s design.

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Misplaced Lens Cap
I'd rather be in outer space 🛸

Product Placement

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“The Poor Man’s Umbrella” by Weighty Winds - A vast leaf cradled by hands, merging human touch with nature’s design.
OH LAWD HE COMIN
talk show beauty: by josh wilks for sleek mag, makeup by ana takahashi
I’ve never been so upset to learn a thing was staged
qualeasha wood, "bed rot," 2024, woven jacquard, glass seed beads, and machine embroidery
FUCKING BEADS AND WEAVING AND EMBROIDERY JESUS CHRIST
Alperen Yayla (Turkish, b. Keçiören, Ankara, Turkey, based Antalya, Turkey) - Butterflies, Photography
Twilight Stories by Mindaugas Buivydas
Nan Goldin
hyaenodon wall mount (2021)
Flowers - Margaux Williamson , 2020.
Canadian , b. 1976 -
Oil on panel , 41 x 41 cm. 16 x 16 in.
Vanessa Bell, Calendar
Sasha Grey by James Jean
Interior designed by Renzo Mongiardino. Photo by Guido Taroni
The sheep on the hill… (Near Coniston Water, Cumbira).
He Jiaying (何家英), The Ballet. 2006.
Born in 1957 in the province of Tianjin, He Jiaying studied traditional Chinese painting at the Tianjin Institute of Art and went on to become a council member of the Chinese Artists Association and a lecturer at his alma mater. He’s style combines the precision and realism of gongbi painting with European subject matter such as the art of ballet, and female figures. In The Ballet, He depicts with sharp technique and muted colors the behind-the-scenes of three ballet dancers who are occupied not with dancing, but rather sewing pointe shoes and sipping loose-leaf tea.
Babes of the Wild. Written by Charles G. D. Roberts. Illustrated by Warwick Reynolds. 1912.
some well-dressed cats by ami Yoshie OHKUBO
Faye Wei Wei (b. 1994) Every Winter Comes Round Again And I Forget How Cold It Feels, 2019 Oil On Linen