Pura Belpré Illustrator Honor 2018 ALA Notable Children's Book 2018 New York Times/New York Public Library Best Illustrated Children'

Discoholic šŖ©

No title available

ē„ę„ / Permanent Vacation
Claire Keane
Today's Document

if i look back, i am lost

romaā
YOU ARE THE REASON
NASA
No title available
Acquired Stardust
tumblr dot com
we're not kids anymore.

titsay
hello vonnie
Game of Thrones Daily

Kaledo Art

pixel skylines
will byers stan first human second
styofa doing anything
seen from Spain
seen from Romania

seen from Türkiye
seen from Malaysia

seen from United States

seen from United States

seen from Azerbaijan

seen from Türkiye

seen from Türkiye
seen from United States

seen from United States
seen from New Zealand
seen from United States

seen from Türkiye

seen from United Kingdom

seen from Spain
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seen from United States
@katelford
 Pura Belpré Illustrator Honor 2018 ALA Notable Children's Book 2018 New York Times/New York Public Library Best Illustrated Children'
āPara el habitante de Nueva York, ParĆs, Londres la muerta es la palabra que jamĆ”s se pronunciaā¦. el mexicano en cambio la frecuenta, la burla, la acaricia, duerme con ella, la festeja es uno de sus juguetees favoritos y su amor mĆ”s permanenteā
āTo the people of New York, Paris, or London, ādeathā is a word that is never pronounced because it burns the lips. The Mexican, however, frequents it, jokes about it, caresses it, sleeps with it, celebrates it; it is one of his favorite toys and most steadfast loveā. -Octavio Paz
Is there really anything better than 90ās Winona?
Tom Waits in Coffee andĀ CigarettesĀ directed by Jim Jarmusch, 2003
all the young dudes
āSheās whiskey in a teacup.ā
ā Tom Waits
True Romance (1993)
Oh, Gomez.
killer couples
Itās just murder. All Godās creatures do it.Ā
Natural Born Killers (1994)
House Of 1000 Corpses Directed by Rob Zombie (2003)
Female Characters Appreciation, Villains: Part 1
āIsnāt it time to acknowledge the ugly side? Iāve grown quite weary of the spunky heroines, brave rape victims, soul-searching fashionistas that stock so many books. I particularly mourn the lack of female villains ā good, potent female villains. Not ill-tempered women who scheme about landing good men and better shoes (as if we had nothing more interesting to war over), not chilly WASP mothers (emotionally distant isnāt necessarily evil), not soapy vixens (merely bitchy doesnāt qualify either). Iām talking violent, wicked women. Scary women. Donāt tell me you donāt know some. The point is, women have spent so many years girl-powering ourselves ā to the point of almost parodic encouragement ā weāve left no room to acknowledge our dark side. Dark sides are important. They should be nurtured like nasty black orchids.ā
on the set of house of 1000 corpses (2003)
Ann Ward
nevr 4get