meet me in montauk.

Kate Winslet, Rebecca Ferguson and Carice van Houten stan.

[roseydoux]

French actress Adèle Haenel comes out while accepting her César for Best Supporting Actress, February 28th, 2014 (X at 6:05)

[hedaslayer]

Adèle Haenel VS men, patriarchy and heterosexuality: a masterpost

“I just think that most of the time directors don’t know what they talk about when they talk about sex. They’re just like (imitating a male grunting voice) ‘uhhh let’s do like- uhh…’ They don’t know.” (x)

[hedaslayer]

UPDATE

[davinaclaiers-blog]

“I want it to be you, Marie. I’d like you.. to be my first one.”

[morningmightcomebyaccident]

Adèle Haenel and Céline Sallette being adorable.

[caroline--says]

[tenemos-que-hablar]

Céline Sciamma on casting Adèle Haenel and Noémie Merlant for Portrait of a Lady on Fire (betevé // Oct. 2019)

[grandrieux]

Adèle Haenel in House of Tolerance (Bertrand Bonello, 2011)

[hirokazukoreeda]

Adèle Haenel and Adèle Exarchopoulos photographed by Virginie Khateeb. 

[hirokazukoreeda]

France probably has more female film-makers than anywhere else in the world, yet French cinema still abounds with stereotyped female roles. Is that a problem for you? I try not to make those films. Recycling cliches is a sign that a film lacks freedom, lacks courage. I like films that are in revolt against the previous generation. It’s a question of saying: “This is the world we live in, this is how it is” – and maybe saying it in a way that’s like screaming out loud. Just following the same old codes is a kind of submission. It’s like, “Thanks for leaving the world exactly as it is so I can carry on telling the same old boring stories.”

Happy 31th Birthday Adèle Haenel! (Jan 1, 1989).

[hirokazukoreeda]

Adèle Haenel in Une heure avec Alice (2011).

[shesnake]

Adèle Haenel in Portrait of a Lady on Fire (2019) dir. Céline Sciamma

[hedaslayer]

Forgive me. Forgive me…

[iredreamer]

[hedaslayer]

“There is this taboo of the rule of silence in cinema, which you are helping to put an end to, and there is what is at the heart of your story, the taboo of ‘paedophilia’, which we prefer to call ‘paedo-criminality’. It has an echo because what has troubled and divided the cinema industry at the beginning of the MeToo movement in France is the case of the filmmaker Roman Polanski.”

Adèle Haenel on Roman Polanski and society’s systemic violence towards women.

[hirokazukoreeda]

Adèle Haenel at the Portrait Of A Lady On Fire photocall - Cannes 2019.

[caroldanversenthusiast]

the way that Portrait of a Lady on Fire is the most beautiful movie i’ve ever seen

[hedaslayer]

You took your time being funny. That’s true. I wasted time.