Akira
Akira is a film that I don’t really know how to interpret. It tackles a number of issues regarding government corruption, intervention, suppression, and censorship while exploring the liminal boundaries that are prevalent behind existential powers - all of which is done so through a rather unsettling dystopian setting. With a jarring exposition filled with plot twists that are reminiscent of Neon Genesis Evangelion, the film offers a unique commentary on contemporary societal issues through the depiction of theoretical scenarios.
The film is set in a dystopian setting known as Neo-Tokyo, the reconstructed city of Tokyo following the aftermath of an atomic bombing. Neo-Tokyo is nearly filled to the brim with rampant corruption, with violent protests and demonstrations ever-so present on a near-daily basis. Akira follows Shotaro Kaneda, the leader of a biker gang who inevitably becomes wrapped in a government scientific experiment involving Espers after his fellow biker and friend, Tetsuo Shima, is caught in an unfortunate crash.
At its core, Akira seemingly comments on the presence of the government in a dystopian society run by corruption. It’s one of those films where there’s not really a clear-cut antagonist at the start. However, by the end of it… there still really isn’t one. Arguably, though, the film touches on how corruption can bleed into society through immoral politicians who only seem to care about lining their own pockets. Interestingly, Colonel Shikishima, as brash and brazen as he might be, is Akira’s answer to corruption. It’s not the increasingly prominent protests or the imminent destruction of the city that leads to the downfall of the corrupted politicians, but his own attempt at creating a coup d’etat.
Overall, the film is rather interesting in how it exhibits the presence of corruption. There are other caveats to the film that are addressed through the brilliant characterization of the main cast, ranging from Tetsuo’s battle for identity to Kaneda’s struggle to protect others. Akira is one of those films that seems to leave a lasting impression on you for a long while. That being said, I think seeing it once was enough for me - the Tetsuo mutation scene is something I definitely do not want to watch again.
Hello Dillon, I find your comments on the film's lack of an antagonist to be interesting. I agree that the true villain of this movie is corruption as a whole in a broken society.
















