Witch Of Doom @kiki-d-3 - Tumblr Blog

blankfairy27-deactivated2023080

nnugatoryextravagance

maxiarchived

Megs,,,,

(original below cut)

tangy-soup

Hi guys check out this AMV I made :3

Some flash warning! Contains spoilers to Puella Magi Madoka Magica the Movie Part III: The Rebellion Story.

Song: 在 by No Party for Cao Dong

tangy-soup

In case anyone was wondering where I've been... I've been learning how to paint!! These were all done in heavypaint :)

soup-tunes

I put all the music I made inspired by the DnD Campaign I was in into an EP at last! Out on different places!!

Spotify

Youtube

Apple Music

Bandcamp

ilcantodelsoleil

one thing that differentiates gojo from the rest of the world is that he remembers geto's softness in the face of all his violence. it is so easy to look at geto suguru and see a mass murderer, and that he is– entirely morally objectionable, of course– and yet peel back a singular layer and he's simultaneously just a boy with blood on his hands.

how can this be so? you ask, i ask, gojo asks. geto cannot take back what he did. but his softness had never died. you can see it in his daughters, in his 悟、久しいねー (satoru, long time no see), in his すまないねー、悟 (sorry, satoru)。

gojo left ten years between geto's murder of his village and his death because it took him that long to accept that he, and the world at large, would never feel geto's naive softness ever again. when you are untouchable, would you not cling to any semblance of gentleness? safety? kindness? love?

perhaps nothing will ever excuse how long gojo went before executing his best friend. but i cannot blame him for yearning for softness. he is victim to the curse of being forced to remember someone longer than he knew them. three years of softness, eleven years of suffering.

ilcantodelsoleil

geto losing his way because his best friend was too busy to notice as the power gap and physical distance between them grew and grew, being metaphorically left behind even if it wasn't gojo's intention and turning into a monster. gojo realising that to actualise his goals of societal reformation he, too, must hypocritically become a monster– what the higherups and his own moral compass, instilled in him BY geto, demanded him execute geto for, and what got him exiled from the society he was born to protect and died trying to change. the system failed gojo satoru and geto suguru, tied together by their icarian fate.

and gojo did it all in order to "catch up" to his best friend who had left him behind, who hadn't asked gojo to join him because he was better than geto's decision, because he would never catch up to gojo satoru, the enlightened and honoured one alone. satosugu is full of cinematic parallels, but if there's any way to describe their relationship, it is ouroboros endlessly devouring itself. two best friends doomed to chase one another for the rest of eternity, because i didn't abandon him, he abandoned me, and yet unbeknownst to either side, neither of them ever even let go of the other. never in life, never in death.