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briansmithart

untitled, oil on wood panel

instagram: briansmith_art

thewomenandthechildren

remoteutopias

looking good officer

iliothermia

🧿🧿🧿🧿🧿🧿🧿🧿

podencos

I’m beautiful, sexy, and powerful because I haven’t seen that video of celebrities singing Imagine

avvocarlo

cleaning the freakin dishes sorry…

harriorrihar

https://www.instagram.com/harriorrihar/ https://www.facebook.com/Harriorrihar/ https://harriorrihar.myportfolio.com/

illgrowtobeastallasthegiant

How much longer is Markiplier going to last?

aesza

angelfeed

Yoshitaka Amano

ex0skeletal-undead

At the Gates of Dis (Oils) by Kim Jakobsson

This artist on Facebook // Instagram

ex0skeletal-undead

Works by Francesco Lorenzetti

This artist on Facebook

onceuponatown

Franz Fiedler (17 February 1885 in Prostějov, Austria-Hungary – 5 February 1956 in Dresden, GDR) was a photographer.

Fiedler was born in Prostějov, near Olomouc in Moravia and was a pupil of Hugo Erfurth. He was regarded as an eccentric during his apprenticeship in Pilsen, and worked in 1905 and again in 1912 with Rudof Dührkoop in Hamburg, and from 1908 to 1911 with Hugo Erfurth in Dresden. At the 1911 world exhibition in Turin he won first prize and had another exhibition in Prague in 1913. He belonged to the circle of Jaroslav Hašek and Egon Erwin Kisch and in 1916 married Erna Hauswald in Dresden where he occupied a studio at Sedanstraße 7.

From 1919, and coincidental with his friendship with Madame d'Ora (Dora Kallmus, of Vienna who was later to move to Paris) he began to work with a 9×12 folding camera and in 1924 became one of the first professional photographers to use a Leica. After expanding his studio in 1925, he took part in the exhibition “Film und Foto” in Stuttgart.

This album of c. 1925 comprised of gelatin silver prints shows a nude woman playing and flirting with a human skeleton. Images are entitled ‘Narre Tod, Mein Spielgesell’ – ‘Fool Death, My Playmate.’