I set up that drum kit 😊

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@kimvisibles
I set up that drum kit 😊
Useful little thing.
Long hours in vans and solitary hotel rooms. Screaming fans when you’re on stage, then back home to feed the cat. Musicians talk about the psychological dangers of life on tour
Interesting read and a good reminder that touring musicians need rest and support.
(PROFILE) Zayn Malik
I got requested to do the ENTIRE profiles of 1D, so I decided to start off with Zayn, whose vocals I frickin’ adore. Enjoy!
Zayn Malik
Vocal Type: Lyric Tenor
Vocal Range: A2 - G#5 - A#5 (3 octaves)
Lowest Note: A2 - Over Again
Highest Belted Note: G#5 - Rock Me (live)
Highest Note: A#5 - Rock Me (live)
Vocal Pros:
Distinctive, silvery tone and timbre that is present throughout the vocal registers. Vocal dynamics may easily be if not, the best dynamics of a man in contemporary music these days.
Low notes are dark, thick and resonant, being able to reach an A2 seamlessly. He can phrase very good in this part of his voice, and is extremely comfortable in this part of his vocal range.
Zayn’s belted notes are very bright for a man, yet still bright enough to retain its resonance. Phrasing is top-notch in this part of his voice, and is comfortable up to C#5, which is quite remarkable for a man.
Gorgeous, smoky falsetto that can transition flawlessly throughout his registers. Zayn is known to strengthen his falsetto and make it almost sound like a mixed belt (Best Song Ever). Also, something notable is that Zayn can execute even the trickiest melismas with ease. One of the best male vocalists in pop music these days.
Vocal Cons:
Upper belts are very thin and extremely strained, showing a lot of problem here, as he sounds tense and his mixed voice needs to continue and finish its development. Looking at his throat, he looks pained belting at points, and needs to fix this, or else he could be having some major problems in his 30s. Finally, Zayn lacks vibrato on his voice, which makes the notes sound very forced at points.
Overall: A-
https://www.youtube.com/watch?t=267&v=23GVvi0eoRA
Great range video, A2 - G#5 - A5 (The A5, I think is just very strong falsetto)
My course book for the next 15 weeks 😍
okay so this is the setlist as far as i can tell. I’m sure this will change and songs will get added but this is it so far.
EMA’s 2013
Figured I’d write a bit about this experience. So the EMA’s were held in Ziggo Dome in Amsterdam. There were ways to win tickets and I didn’t win any of them. Then a friend from uni told me there would be auditions. Since Ariana Grande would be hosting and she was a fan, and I was hoping One Direction would show, we decided to audition together.
(PROFILE) Louis Tomlinson
Louis Tomlinson
Vocal Classification: Full-Lyric Tenor
Vocal Range: A2 - C5 - D5 (2 octaves, 3 notes)
Best Vocal Performances: No Control, Rock Me
Lower Register (A2 - F3): Louis has great control over his lower register, and as a result, the voice sounds full, adept, experienced, well-supported, excellently controlled and dark and carries all these traits down to the bottom part of his range (Strong). Due to his strength and ability within this region, he’s usually found singing the lower harmonies within One Direction’s repertoire (One Thing).
Middle Register (F#3 - E4): Louis’s mid-range still predominantly maintains his dark timbre of the lower end of his voice, however it brightens up as he ascends up into his belting range (Clouds). Thanks to the harmonies his group employs, he’s learned how to harmonize musically and with a clean tone effortlessly as well. It also showcases a much fuller and more versatile tone than anywhere else within his range.
Mixed Voice/Upper Chest (F4 - C5): Louis’s mid-belts are consistently clean and can be phrased effortlessly and fired back-to-back (Does He Know). He consistently maintains resonance and is known to use a great breath control, rendering complex vocal lines within the upper chest effortless (Rock Me) or instead using the breath control to sustain notes for extended periods of time. As he ascends, it gets a bit distorted in tone. However, he still maintains resonance and colour within his voice, even at the top (Alive).
Falsetto Register (B3 - D5): Surprisingly under-used compared to the rest of his range, Tomlinson has access to a falsetto that albeit smooth and velvety has a slight thickness within the voice itself. However, it’s easily accessed from the rest of his voice and so, it grants fluid transitions to and from chest voice (Rock Me).
Vocal Ability: Louis has many abilities that are not only obvious, but have some that play big parts within his voice. He can change his tone to a much more lyrical quality for whatever song is needed or carry an aggressive, fiery tone to his voice as well (Drag Me Down). Otherwise, he’s learned to be adept at harmonies and belying a fantastic breath control too. He has great and fluid vocal transitions within his range and is able to execute melisma and legato with ease.
Natural Qualities: Louis possesses a clean, full and versatile tone with a bright, yet rounded timbre and a solid, ringing vibrato that despite its underuse, is well-developed. He also possesses a versatile, slightly earthy instrument.
Overall: A/A-
I don’t know where this came from but it’s great.
One Direction’s new single, Drag Me Down, is way out in front on the Global Spotify Top 50 chart, clocking up an average of 3.11m daily plays on the service.
Despite new songs typically needing more time to climb the Spotify charts, Drag Me Down’s performance after being released on Friday (July 31) puts it comfortably ahead of established hits Lean On by Major Lazer (2.6m daily streams) and Can’t Feel My Face by The Weeknd (2.4m).
Drag Me Down is very much ‘one to watch’ on Spotify: not only did the band push fans direct to the Swedish streaming service on their social channels on Friday (as well as iTunes, where it also currently tops the chart) but a quick search for the track on YouTube yields little but bedroom cover versions and vlogger discussion.
This is significant, as it suggests that team 1D, across Modest! Management and Syco/Sony, is carefully orchestrating something of an experiment: a Spotify-led day one streaming campaign, tied with careful monitoring and take-down of UGC activity on YouTube.
Meanwhile, Spotify is doing its part, heavily promoting the track worldwide with a prominent banner ad on the ‘Browse’ area of the platform, as well as major playlisting support and regular social posts.
One Direction 1Screen shot 2015-08-03 at 11.13.18
With 3.1m plays each day on Spotify, Drag Me Down is currently earning around $21,700 for music business rightsholders, according to Spotify’s own rough estimate of $0.007 per play.
That means the track should bring home around $152,000 in its opening week on the service, with 21m streams.
If so, those figures would make it a comfortably bigger hit – in terms of a one-week pinnacle on Spotify – than even Mark Ronson’s smash Uptown Funk!, which reached a Spotify streaming peak of 15.4m in January.
Uptown Funk! was the most streamed song in the UK and US markets in the first half of 2015.
Drag Me Down will arrive in the various newly-aligned official international music singles charts this Friday (August 7).
Over 1.1m of its 3.1m average daily streaming on Spotify are currently happening in the US, while the UK is playing the track around 230,000 times every day.
Me and Josh from You Me At Six. Was a very small venue with easy access to the artist entrance, where a bunch of people waited to meet the band. Only Josh came out, the rest of the guys just said hi and went into the bus.
Aftermovie of my Panic! at the Disco concert. You can see glimpses of me if you try really hard and have ninja reflexes. I was right in the middle of the front row :)
Q: Do you have any advice you can give to young females trying to make it in the music industry?
when people say one direction concerts are stupid just show them this
Queuing tips for BIG concerts
So I wanted to make these tips more general but it would literally just be endless so I’m going to base these tips on One Direction concerts. In other words, if you’re looking for tips on a regular sized concert, you can ask me and I will eventually make a post with queuing tips for smaller concerts, but for now these tips are for artists like One Direction or slightly smaller than One Direction. These tips are for arenas and stadiums.
Meeting Tyler Joseph was surprisingly easy. I waited for him after the concert and within 2 hours the tour manager came and gave us instructions to line up (there were still a large amount of people). The tm took the picture and I asked Tyler for a quick hug and that was it.