šyucatan, Mexico
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Three Goblin Art
Jules of Nature

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almost home
DEAR READER
I'd rather be in outer space šø
ojovivo

if i look back, i am lost

shark vs the universe

JBB: An Artblog!
we're not kids anymore.
taylor price
trying on a metaphor
Today's Document

ā
sheepfilms

pixel skylines
Stranger Things

#extradirty
seen from Australia
seen from Germany

seen from Argentina
seen from Lithuania
seen from Argentina
seen from Malaysia
seen from United States
seen from United States
seen from Türkiye

seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from Romania

seen from Indonesia
seen from United States
seen from Brunei
seen from Trinidad & Tobago
seen from Yemen

seen from Australia
@kirasketch
šyucatan, Mexico
šTippiery, Ireland
šOska, Japan
Iāve been happily exploring mapcrunch and finding some really interesting places. Here is an unnamed road in Ireland. Ā
This started off as something else and quickly became a sketch of Blue Diamond, whoops
Iāve been finding these really interesting and fun to do when i can spare an hour or so. This time weāre in Singapore
Virtual Plein Air study šCerovlje, Croatia
I took a little stab at Mer-May this year. Got burnt out on it pretty quickly. But I really did like having an excuse to get a drawing done everyday. Hereās most of what made it through.
Today my virtual plain air study took me to Red Beach in Santorini, Greece
Virtual Plein Air study; Kensington Ave, Toronto, Canada
First attempt at a virtual plain air. A street in SĆ£o Paulo, Brazil
Tree explorations š³
More Beatrix Potter explorations
My finishedĀ āFancy Animalā for Magic Box
based off Egyptian Girl by John Singer Sargent
Started this digital study ages ago.
Its a copy of production art from A Bugās LifeĀ
Original art by Tia Kratter, Layout ny Geefwee Boedoe
woo! I feel like I JUST got back, but itās been a solid week since I returned home from my annual travel adventure.
CTNx was so much fun as always. Kudos for the organizers involved for making things slightly less agonizing for attendees. Other than the blackout caused by fluke rain, I think the set up was a step in the right direction this year.
I was able to see a few inspirational panels/workshops. I really appreciated hearing Claire Keane talk about authenticity in her work. It was really interesting to hear her point of view on maintaining that aspect in personal work (sketches and even her latest book: Little Big Girl) as well as with client work (vis dev for Rapunzel)
It was super awesome to sit and hear Peter De Seve talk to William Joyce about his inspirations and journey. I posted a photo from their talk and I felt so lucky to have Bill look through my instagram feed too. Generous of him to do so, Iāll have to just keep posting more work there!
The Bancroft Bros. hit it out of the park with their chat with āTV Game Changersā Alex Hirsh, Rebecca Sugar, Butch Hartman, Craig Mccracken, and Lauren Faust. Large panels like that can sometimes be lacking in actual insight. But the Bros. knew what questions to ask to insight actionable advice rather than just running through highlight reels of each artistās career.
So many amazing speakers to hear this year! But as always the real reason I make it a point to get to CTNx each year is my Oatley Academy Family. Without them I wouldnāt be able to make it through a crazy weekend like that. Iām always astonished at how fun and effortless my interactions are with fellow OA students. Itās almost unnatural for me to feel so comfortable with people so quickly, so it is definitely a fun time for me.
I was super overwhelmed by all the chaotic-ness of the first day of the expo. Coming down from the previous day- emotional OA day with the Fam and Brian McDonald (too much awesome to even sum up right now)- mixed with the chaotic nature that is the expo hall, I thought I might not be able to maintain the rest of the weekend.
But of course after that first night I was whisked away by some OA people to get food and had great enlightening conversations about my work and process and the year Iāve had. Jessie Kate Patterson was so generous to talk to me over some dinner and really dig deep which is amazing of her. Then later on Tegan Clancy took a look at my work and gave me a few things to consider. After hearing my ābig sistersā advice and insight I didnāt feel like I needed to show my portfolio around anywhere else the rest of the weekend. Which was great actually. I could just enjoy everything going on from there out. I felt much more relaxed.
Coming out of my experience this year at CTNx I really feel like I have Ā a direction I want to pursue, and I have the support behind me to keep me going.
Hereās a rough block in of a still life I did tonight.
I sat in on aĀ āStudio Sessionā with Tegan Clancy and Kevin Scarborough through The Oatley Academyās Magic Box course.
First time getting back to digital painting after CTNX, notes on my experience to follow this week :)