⚡️@fbd_film
STAY NOISY equalitarians, “privilege” isn’t going to redistribute itself💣 marginalizing = #rapeculture @michaelfmoore #womeninfilm 🏴 @filmfatalesnyc Michael Moore's poster of the 100 directors of the Best Picture of the Year for 100 years, 1916-2015. This is 100 years of abuse. Abuse = shutting down the voices of the majority gender so their stories don’t get told. This is the industry I work in. Shameful. The Women’s March has laid siege on Hollywood and has the place surrounded. As Washington and Lafayette encircled and trapped the British at Yorktown, the old boy system in the film/TV/media business can no longer stand. Best to surrender now. Start by letting more than four women a year make a friggin’ movie. Have you stopped for a minute to wonder why most films suck so bad these days? Same tired uninspired white dudes telling the same tired uninspired white dude stories over and over and over again. Borrrrring. There are those exceptions - but seriously, women hold nearly zero power to green light anything and hardly any women are allowed to make a movie. As the fish rots from the head down, the abuse that starts at the Harvey-top creates a culture that has allowed widespread assault at the bottom. The problem is staring right at you in this poster. The solution is simple and unconditional and mandatory at this point. How ironic and how wonderful that, IMHO, the two best films of this past year were directed by a woman (“Lady Bird”) and a black man (“Get Out”). And the next three are by a Mexican (“The Shape of Water”), a French woman (“Faces Places”) and a white dude... from Ireland (“3 Billboards Outside Ebbing, Missouri”). More of THIS is a win for everyone.
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