W.S. Merwin
d e v o n
Monterey Bay Aquarium
almost home

No title available

Janaina Medeiros
Today's Document
Cosimo Galluzzi
Claire Keane

roma★

ellievsbear

if i look back, i am lost
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he wasn't even looking at me and he found me
AnasAbdin
hello vonnie
Misplaced Lens Cap

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$LAYYYTER
Sade Olutola

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seen from United States

seen from Brazil
seen from Poland
seen from Malaysia
seen from Sweden
seen from United States
seen from United States
seen from United States

seen from Malaysia
seen from United States
seen from India
seen from United States
seen from Belgium

seen from Singapore
seen from United States

seen from Malaysia
seen from United States

seen from Colombia
seen from United States

seen from Malaysia
@kittenplan
W.S. Merwin
Black Cat, 1940. Source.
Ken van Sickle
...what if we should turn around the topic according to which, in our social interactions, we wear masks covering out hidden true face? What if, on the contrary, in order for us to interact in public with our true face, we have to have a mask somewhere hidden, deposed, a mask rendering our unbearable excess, what is in us more than ourselves, a mask which we can put on only exceptionally, in the carnevalesque moments when the standard rules of interaction are suspended? In other words, what if the true function of the mask is not to be worn, but to be kept hidden?
Slavoj Žižek
Piergiorgio Branzi, Il salotto di casa Pasolini/ Pasolini’s living room, Casarsa, 1995
Teorema (1968), dir. Pier Paolo Pasolini
ნამე (Namme)
ნამე (Namme), 2017.
Where is the Gardener? / 庭師は何処へ - Jumy-M
Isabel Tuengerthal: Der Falter
©yama-bato
Jumy-M
Koi / 威ある主
Snow had fallen. I remember music from an open window. Come to me, said the world.
Louise Glück, from October in “Poems 1962-2012″ (via adrasteiax)
Francesco Radino (1947)
Untitled, Shimane #3, n.d.
Gelatin silver print
Drifting ✨
jesse taylor koechling