kleidersachen

the small step between art and fashion via Augenweide my website my blog

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cho gi seok

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república democrática do congo, guy tillim, 2002

[pnglove]

By Christina Bothwell

[mosertone]

Arzneibuch @wellcomecollection ms. 990 (1675)

[oakapples]

Coats of some British and Icelandic sheep breeds:

Greyface Dartmoor; Cheviot; Icelandic; Beulah; Cotswold; Welsh Mountain; Suffolk; Southdown; and British Milksheep.

[garadinervi]

Anna Maria Sacconi, Sister, sister, sister…, 1994 [gramma_epsilon, Athens. © Anna Torelli. Photo: Thanassis Gatos]

Group Exhibition: The Different Revolution, Curated by Paolo Cortese, gramma_epsilon, Athens, November 12, 2024 – February 25, 2025

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alexander mcqueen primavera/verão 2001

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[389]

[running-tadpole]

[egypt-culture]

Tomb, Siwa Oasis, 400-600 BC. Egypt Source: unknown.

Several types of trees appeared in Egyptian mythology. The sycamore was particularly important. Two of them, called the "sycamores of turquoise" stood at the eastern gate of heaven from which the sun emerged each morning. These sycamores were especially associated with the goddesses Nut, Hathor and Isis, each of whom were called "Lady of the Sycamore". Nut and Hathor were often shown to reach out from the tree to offer the deceased food and water. Sometimes the tree was anthropomorphized, having arms itself which offer the sustenance to the dead. In the example shown at right, the deceased is suckled by such a tree.

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Marta Bevacqua

Feet

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alexander mcqueen outono/inverno 2000

[textbye]

Reincarnation Shirt

[prettyfuul]

Roberto Cavalli spring 2003 set

[mybeingthere]

Gertraud Platschek' hairdos never get boring, they are the true regal art - and fun at the same time!

Gertraud Platschek is a German artist whose unique perspective on life and art is shaped by her upbringing in both the bustling metropolis of Munich and the serene environs of the Bavarian Forest. The dynamic cultural and social landscape of the city, as well as the tranquility and isolation of the forest, have both served as powerful sources of inspiration and influence in her work. Her art reflects the multifaceted nature of her cultural heritage and her ability to find beauty and inspiration in a wide range of sources.

Gertraud’s primary focus is the creation of sculptural pieces, which often take the form of installations or wearable art. She is known for her ability to find and incorporate found materials, current events, contemporary theatrical productions, interactions with others, and the natural world into her work. Her love for wood, foliage, precipitation in the forms of snow and rain, and collaborating with her peers is clearly reflected in her art.

https://aatonau.com/gertraud-platschek-a-fusion-of.../?

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uma polanesa em traje de noiva, 1930. foto de hans hildebrand.