macklin celebrini has autism

if i look back, i am lost
noise dept.

Love Begins

#extradirty

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KIROKAZE

Discoholic đȘ©

gracie abrams
we're not kids anymore.

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tannertan36
taylor price
sheepfilms
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2025 on Tumblr: Trends That Defined the Year
Show & Tell

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The Bowery Presents
RMH

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@koalalar
Not all the things your brain presents for your consideration are particularly palatable or polite but if they do come to the forefront of your consciousness then they are worth taking notice of. The worst thing you can do is to make a conscious effort to ignore all that stuff and write âproperlyâ, to try to do it âhow itâs supposed to beâ. That happens a lot - or maybe people donât value their own experience enough to deem it worthy of being written down. It wasnât until I moved away from Sheffield in 1988 that I began to write explicitly about the place - I couldnât really see it clearly until then. Then I wrote about it in a frantic attempt to stop it fading from my memory. I couldnât wait to get away from there, yet then I obsessively recreated it in my mind.
Jarvis Cocker - Mother, Brother, Lover: Selected Lyrics
'male novelist jokes' by mallory ortberg
Melissa Broder | Power Animals | Scarecrone
DAVID FOSTER WALLACE by Megan Boyle
I USED TO LOVE LPs I used to love carrying them home from the store, the big, goofy flatness of the things. I thought the numbers parenthesized after the song titles were letting you in on the time of day when the songs had been taped. I thought the peak time for singers, bands, orchestras, was between 2:30 and 3:30.
Gary Lutz (Partial List of People to Bleach)
Hereâs what Iâve got, the reasons why our marriage might work: Because you wear pink but write poems about bullets and gravestones. Because you yell at your keys when you lose them, and laugh, loudly, at your own jokes. Because you can hold a pistol, gut a pig. Because you memorize songs, even commercials from thirty years back and sing them when vacuuming. You have soft hands. Because when we moved, the contents of what you packed were written inside the boxes. Because you think swans are overrated. Because you drove me to the train station. You drove me to Minneapolis. You drove me to Providence. Because you underline everything you read, and circle the things you think are important, and put stars next to the things you think I should think are important, and write notes in the margins about all the people youâre mad at and my name almost never appears there. Because you make that pork recipe you found in the Frida Khalo Cookbook. Because when you read that essay about Rilke, you underlined the whole thing except the part where Rilke says love means to deny the self and to be consumed in flames. Because when the lights are off, the curtains drawn, and an additional sheet is nailed over the windows, you still believe someone outside can see you. And one day five summers ago, when you couldnât put gas in your car, when your fridge was so emptyânot even leftovers or condimentsâ there was a single twenty-ounce bottle of Mountain Dew, which you paid for with your last damn dime because you once overheard me say that I liked it.
Matthew Olzmann (Mountain Dew Commercial Disguised As A Love Poem)
Daniel Johnston
Joe Brainard in Big Sky 4.
"What are you doing that Tracey Emin didnât already do?" â William Pope.L to Hanna M. Owens circa 2010
The song âPsycho Killerâ began in my room as an acoustic ballad, and I asked Chris and his girlfriend Tina for help on it. For some reason I wanted the middle eight section to be in French, and Tinaâs mom was French, so she had some skills there. I imagined that this serial killer fancied himself as a grand and visionary sophisticate in the model of either Napoleon or some Romantic lunatic. âWarning Signâ was another song written then; I remember the live version being painfully loud. Another guitar player in that band, David Anderson, was probably even less socially adept than I was, and he was a great and somewhat unconventional performer. Chris joked that we should have called the band the Autistics.
David Byrne (How Music Works)
Performance is ephemeral. Some of my own shows have been filmed or have appeared on TV and as a result they have found audiences that never saw the original performances, which is great, but most of the time you simply have to be there. Thatâs part of the excitement; itâs happening in front of you, and in a couple of hours it wonât be there anymore. You canât press a button and experience it again. In a hundred years it will be a faint memory, if that. Thereâs something special about the communal nature of an audience at a live performance, the shared experience with other bodies in a room going through the same thing at the same time, that isnât analogous to music heard through headphones. Often the very fact of a massive assembly of fans defines the experience as much as whatever it is they have come to see. Itâs a social event, an affirmation of a community, and itâs also, in some small way, the surrender of the isolated individual to the feeling of belonging to a larger tribe.
David Byrne (How Music Works)
poems from sentences by robert grenier. sentences was originaly prepared in the 1970âs, as 500 notecards with no specified order. now itâs available to view in a random order online