He'd never admit it out loud but he cares
My favorite lying liar

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He'd never admit it out loud but he cares
My favorite lying liar
look we do lose the homoeroticism of the sword fights and that is tragic dont get me wrong but also. take my hand. yoo joonghyuk pointing his gun at kim dokja, hands sure but mind unsteady, as kim dokja walks closer until the gun kisses his forehead. cocks his head a little. brings his hand up to wrap around the barrel of yoo joonghyuk's gun. are you really going to shoot me, joonghyuk-ah? didn't you promise we would be companions?
I raise you the inevitable comedy of high school girl Lee Jihye with a giant AR. Strapping it to her back like an oversized fanny pack.
If I found out someone was sexually attracted to me I would kill myself in front of them
EXTREMELY funny Chuuya frame in retrospect
The fact that mid speech chuuya was like “alright that’s enough of that” and shoots Dazai is hilarious in retrospect lmao
I love opening tumblr everyday to find another post from someone watching spn for the first time & realizing destiel is actually THAT homoromantic from the start
I love when people watch supernatural for the first time and find it gayer than some fanfic they’ve read. Like I’m sorry, how was I supposed to interpret Dean comparing himself and Cas to a gay couple and immediately following up with “you are not gonna die a virgin”?? I wouldn’t have batted an eye if the next scene was graphic gay sex!! And this is season 4!! They keep doing homoerotic stuff for another eleven seasons.
Me and my friends actually made a little sliding scale of “holy shit that’s so canon” to entirely fanmade
Three guesses as to which side destiel was one and the first two don’t count.
you can't comprehend how much this image means to me... my beautiful darling wizard. he is broken and dirty and grizzled and furious. he got crushed by a washing machine. his robe is ruined, his thighs are out. shit just got REAL. this has derailed my entire day
SPOILERS FOR STOLEN CENTURY AND STORY AND SONG
It’s super interesting in contrast with the other arcs because the d20 is always up in the air or out of reach, like the characters are subject to the whims of fate or anything else (or anyone *ahem* Lucretia) pulling the strings.
However, the suffering game is where they finally start to fill those gaps, and they take back control!!
It is so important that it’s taako holding the dice too!! He doesn’t know it yet, but his sister, his heart, had been taken from him, and he’s about to get her back.
How does it feel to be doomed by the narrative huh loser
Castiel was really just one of a kind. They tried to get rid of him, yet they couldn't. They tried to make him straight, yet they couldn't. They tried to keep him away from Dean, yet they couldn't. They tried to erase him from the surface of the show, yet they couldn't. They tried to make him irrelevant, yet they couldn't. He's become Supernatural's legacy. King shit.
It’s so funny because the writers went through the same shit as Chuck. Like trying to be rid of him so many times but Dean wouldn’t be the same without him and they needed Dean so they have to bring him back. Fucking wild.
Ranting about orv cus family issues...
Dokja sacrificing himself for his companions is so poetic in my opinion. There's this line I think about a lot and it's the line that Jihye says and its like "If we're all just characters then why did you still die for us?" I think was the gist (I forgot the exact wording bc it changes with each translation.) I think that's such a complex thing because obviously Jihye didn't understand that they were not just characters to Dokja, even back then. They were in fact his motivation to live and keep going. He loved those characters (especially Yoo Joonghyuk) before the day he met them (except of course for exceptions to this like Anna Croft and Kim Namwoon because he hated those guys). For a while, he was the only one who loved them. He loved their stories so much it inspired him to keep going. "A story made for that one reader." Knowing this context the answer to Jihye's question is pretty clear. They were the ones who kept him living. He's just doing the same for them. The price of his life for the lives of those who saved it.
I don't think Kim Dokja really understands why that's so bad. Dokja's a character hasn't been loved too much in his life. His mother was either absent or in prison for more than half of it, his father was abusive, and he had no friends or other family who cared for him. I don't think that he knows that people love him. I don't think he can even comprehend the love of his own mother. All he knows is that he loves the story and will do anything to achieve the better ending. Even if it leads to his own end. Maybe he didn't quite expect that his companions would love him so much. In my op he's a pretty easy guy to love and get along with. He probably thinks the opposite.
Orv is so tragic in that way. A man who loves the story so much he'd give his life up over and over and his companions who love him so much who have to bear seeing him die again and again not being able to do much about it. It's so Yoo Joonghyuk of him which makes sense because that's who his role model is. It's tragic in that sense but more tragic when you look at everyone else's individual povs. Dokja's mother, Heewon, Sooyoung, Gilyoung, Yuseung, and Yoo Joonghyuk are only some who I can pinpoint to have pretty gloomy povs.
This especially with the dkos ending where Kim Dokja ( in the webtoon i should mention) says that he will save yoo joonghyuk this time. Reading yjh story has kept him alive and helped him to survive through a lifetime of torment. So now he will give his life to save yoo joonghyuk, over and over again. He can finally repay his favorite character
Daily reminder for everyone that Lee Jihye thinks that Yoo Joonghyuk and Kim Dokja had a kid together.
Extra reminder that technically, *they do*
I’ve been deliberating for a couple days now and have decided to discuss in-depth about Kim Dokja and the tendencies of putting his life on the line. For most of the novel, I was split on whether I should view KDJ as a self-sacrificial bastard or a suicidal character. And by the end, I’ve reached the conclusion that he is both.
Before I elaborate further, it should be noted that while we all meme about KDJ’s dying count, he actually isn’t that careless with his life. What I mean is he sacrifices himself usually as a last resort, plans A to F didn’t work and it’s the only option left to hope for kimcom’s safety-ditch effort. Usually. We’ll circle back to that when we bring up OD. But his sacrifices are always done as granting his companions salvation, utterly blind to how they feel about it. But to understand his constant need to do this you have to first start with where he learned how to love. Lee Sookyoung’s love was sacrificial, she’d take the brunt of her husband’s rage to shield KDJ, she’d take on blame for his death and be incarcerated for years so Kim Dokja won’t discover the truth. All of this, in my opinion, unbeknownst to KDJ, imprinted onto him this interpretation of love. As nobody else until the scenarios began had loved him (Yes HSY technically but he doesn’t know that). Which gives the irony that multiple characters KDJ resent in the story such as Kim Namwoon, his mother, the constellations are ultimately revealed to be reflections of himself.
Another component to his self-sacrificing is “Kim Dokja the reader”. I’m not going to dive deep into how orv interweaves dissociation and escapism into its narrative, I’ll do that some other day. But KDJ views himself as the reader, an outsider, the sole member in the audience watching the story unfold before him. Yes he grants commentary, the players notice and acknowledge his existence, but he isn’t part of the play. So if he decides to step out of the auditorium for a while, if he decides to leave a bookmark where he left off and close the book, nothing should change. The story will continue in his absence, the characters cannot possibly miss him because Kim Dokja was not a character. He was not part of their world so even if he’s gone, the ending will still happen. And that is something I want to stress here.
KDJ says “he wants to see a certain story’s epilogue”. Specific choice of words, “see”. He doesn’t say he’ll be part of it,that he’ll be with them, or any close variation of those phrases.
This is where I want to diverge to talk about KDJ's suicidality. You can say “Ok then, KDJ has a clear goal in mind to reach the ending he desires. Yes he may feel the need to step out of the story every now and then, but he does so reluctantly. So obviously, he doesn’t want to die.” And you wouldn’t be wrong really but that simplifies it to an overwhelming degree. That’s how I initially thought of it until I realized how complicated it actually is. Because most people who deal with suicidal thoughts aren’t searching for death but rather feel there’s no other choice. It often isn’t as clear cut as 1863 YJH who, anyone that read this arc will say with certainty that he was suicidal. Yes KDJ isn’t chanting in his mind over and over that he wants to die but why does he want to live? To see the proper ending of a web novel that stopped him from attempting again to begin with. Over the course of orv he finds people he loves and who love him back deeply. People he longs to live for but despite that because of the disconnect between them, his self-loathing, accompanied with what I said before, believing he has no other way out of these threatening situations. Yeah it’s to save his companions but in the end Kim Dokja still feels the need to die. Even if you do not see KDJ as a suicidal character, it is undeniable that so much revolving him, the impact it has on those who care for him, and the visceral descriptions used to convey their thoughts, is a direct metaphor for that.
Or in a few cases, straight up what’s going on and now we arrive at what I think was the final straw for Kim Dokja. Meeting the Oldest Dream. For me, this is THE scene of orv. The biggest twist and what finally irreparably broke KDJ. Prior to this, Kim Dokja had become the “Enemy of the story” but it was unlike his previous dances with death. This time he truly had no intention of dying, he wants to be a part of the ending with his companions, he understands now that his sacrifices do hurt them. That according to him “I, someone of no redeeming quality, could be loved by the others.” That he is a character and that just maybe, he does deserve to live happily ever after with them. And then Kim Dokja meets a 15-year old boy with the same face as his, doodling in a notebook his ideas for Ways of Survival and a notification tells him to ‘Please end the Oldest Dream’. All of that progress is shattered in an instant.
KDJ tries to excuse himself by recalling his promise to SP to kill OD but we all know if that was any other kid, he would not have tried to kill them. He would’ve hesitated much more, he’d look for a loophole, he would’ve tried talking which is his biggest strength for every corner he gets into. Killing them would not be the first option but now it is. Because this isn’t an instance of sacrifice anymore, KDJ is sick of himself. OD is a presence that confirms KDJ’s worst fears. That he’s meant to be weak and pitiful and alone, that he was always an outsider, that he unintentionally causes pain and misfortune to people he loves, that everyone would be perfectly fine and better even without him. And Kim Dokja is the physical manifestation of them: a monster. And there’s only one way to get rid of this monster.
The chain of events from him swinging his sword at OD, trying to stab himself with the blade only for YJH to stop it desperately with his hand, everyone restraining and begging him to stop, KDJ crying and screaming for SP + the other Outer Gods to kill OD. Everyone else is forgiving him and KDJ is only thinking of getting a blade.
This is Kim Dokja’s relapse. It’s real, it’s harrowing, and he never recovers from it. He reaches the conclusion that he has to be alone, it’s his atonement, it's what he deserves. So he splits himself 49-51. I interpreted this when I first read it as presenting 49% of what you believe people want to see. More real than a facade but it’s not the true you. The true, fucked up version of who you are is trapped in a prison of your making, trapped in a darkness you feel you don’t deserve to escape. Which is why it’s so powerful that KimCom went after that 51%. They didn’t want just their version of KDJ, they wanted everything KDJ is including the larger side of him that he wishes didn’t exist. But the plan fails, they managed to turn that full stop into a comma but they couldn’t save KDJ. Because you can’t drag someone out of that train, out of that mentality, you can’t force someone to love themself. All you can do is reach out to any corner, every worldline you can and let them know you’ll always love them. That you’ll always love every aspect of their story and hope that perhaps one day, they’ll accept your hand and believe it.
[ID: Omniscient Reader's Viewpoint art by Blackbox: first of Kim DOkja smiling, seen through a space in a bookshelf, and second of astronaut Yoo Joonghyuk floating upside down as letters float around him. End ID]
Could not word this better if I tried. When we talk about Kim Dokjas suicidal tendencies we mostly talk about the actions he takes but his mindset and views of himself are what is really telling. In so many parts of the story where we see him comfortable with himself it is because of change, everytime he remembers who he was before the apocalypse that progress almost disappears.
He’s able to grow through the love of his companions and that is powerful but not nearly as strong as the sheer power of his self hatred.
Because that’s what it boils down to, without the fourth wall and his skills and companions Kim Dokja despises himself. Whatever, jumping into traffic actually.
I read little mushroom in a day and bawled my eyes out so here’s some of my favorite parts in a desperate bid to get people to read it
An Zhe creating a perfect sex doll replica of the most feared man in society and facing it away from him as he sleeps
An Zhe interacting with others and monologuing about how Lu Feng isn’t a bad guy saying shit like “he seemed very considerate” and then actually interacting with him again and thinking “no actually fuck this guy”
The parallels between the main characters as both of them are viewed as fundamentally not human (An Zhe actually isn’t human whereas Lu Feng had to sacrifice so much of his humanity to keep people safe)
The one line between Lu Feng and the doctor where he says “I’ve thought about what you’ve asked me. Who he is to me.” And he stares of into space before going to An Zhe “he judges me” and the way this references not only that he views An Zhe as a moral and human guideline but also with his job as the arbiter being to decide if people are human. He lets An Zhe make the judgement of him, even knowing he isn’t human. The question fundamentally becomes “how important is he to you” and Lu Feng places him at the highest authority “he judges me”
Mpreg kink??
“I am a law-abiding mushroom”
Lu Feng fixing An Zhe’s tap while the world is slowly crumbling around them
Lu Feng giving An Zhe his gun, his mark of status that he is never allowed to lose or give away.
Truly don’t
Oh chuuya i love you
once again thinking abt ORV as one of the most brilliant and self-aware genre commentaries ever, cus' isekai/transmigration is-- in my experience-- a deeply lonely genre. the yearning to be plucked from the stress and apparent dead spiral of real life and dropped into a setting where you matter somehow. the fact that this transmigration is often by way of death, completely abandoning the real world, is particularly telling and... bleak. but whether it's a recognition of being 'the most baddass dude', the narrative satisfaction of trying to 'fix' the plot of a doomed story, or even just befriending characters we've laughed and cried for, we want so badly to be a part of something more.
and the way ORV recognizes that and doesn't mock it, but gently reminds us that... real life isn't removed from that. it may not be as straightforward and 'narratively' satisfying as a constructed story, but we can enact change in the world around us, and we can find connection and solidarity in others. the things we want from escapism are things we often can achieve in real life, at least on a small scale. if only we recognize the inherent depth and complexity of others as, y'know, fully-realized human individuals. hell, if we recognize ourselves as more than simple characters with set paths and tropes.
ORV takes every opportunity to remind us that we are not alone, no matter how bleak and isolated we feel. our lives are constantly touching others and vis-versa, and we leaves marks on the world we can't possibly predict. we matter, we always always matter
I love characters that are always leaving, always with their suitcase in hand, one foot out the door. They love you, they love so desperately and they will save you, but they won’t stay. They love you enough to move the heavens and earth, but they can’t stay. They won’t stay.
You were supposed to save him, you were made to save him
[ID: Black and white Omniscient Reader's Viewpoint fanart of Han Sooyoung and Yoo Joonghyuk. Sooyoung is shouting at Joonghyuk, who is sinking against her with one hand at her shoulder as she holds him by the collar. Sooyoung looks pained and angry, and she's crying. Joonghyuk's face is lowered and obscured by his collar. End ID] (Thank you to @/princess-of-purple-prose for writing it!)
“You were made to save him” crying screaming throwing up carving out my organs crashing my car etc