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@koralatov
11th Annual Paperwork Clear-Out Day
Five simple steps for getting rid of paperwork:
keep it if it’s a legal document
keep it if it’s treasured letter or postcard from a friend or family member
keep it if it’s financial and less than a year old
shred any other paperwork
repeat the process on April 2nd every year
11th Annual Book Clear-Out Day
Six simple steps for getting rid of books:
keep it if it’s a treasured gift
keep it if it’s unread and you bought less than three months ago
keep it if it’s a favourite you re-read often
return it if you borrowed it from someone more than three months ago
send the rest of the books to the charity shop
repeat the process on March 1st every year
Four years ago. (Previously.)
15(!) years ago today, Fallout: New Vegas was released.
Unlike its immediate predecessor, I haven’t actually written about it, but I consider it an equally important generational lodestone. Together, they make up the second of the two Fallout duologies that I consider canonical: Fallout ends, for me, with Fallout: New Vegas.
Mirroring the original Fallout/Fallout 2 pairing, the second game is from the perspective of a born-wastelander who is thrown into action by others. New Vegas, though, is even messier that Fallout 2: the inciting event is a gunshot to the head, delivered first-person. From there, you, the Courier, wake up seeking revenge and get caught up in a regional war.
New Vegas manages, using basically the same engine, to build a completely distinct, different world from Fallout 3. A lot of this is in the delicate balancing act of the major factions in the story and the way they’re gradually introduced as the world rolls out – all throughout, there’s never one clearly ahead of the others and your actions have measurable, lasting impact on events. In a way that feels more organic, more natural than in Fallout 3, you become a power player in the Strip, a perfectly captured place of grimy, post-apocalyptic glamour filled with opportunities and intrigues and petty plots.
The endings of New Vegas really are a Rorsarch test for the player. They are affected by and reflect the compound effect of your choices throughout the game and then, finally, the choice you make at the end when presented with one. Arguably, interestingly, while one is definitely bad, none of them are an unalloyed good: each and every variation of the two “good” endings are a compromise somehow. Your choice reflects you in a way that previous games didn’t. (Which did you choose?)
This milestone anniversary is as good a time as any to share the soundtrack. I listen to New Vegas’ soundtrack nearly as often as the soundtrack of the game before.
It manages to repeat Fallout 3’s rare feat of assembling an endlessly enjoyable soundtrack that perfectly captures and communicates the feel of the world you’re exploring.
It’s not hard to think of games that have incredible, original scores that ground you completely, but the list of games that do it with a collection of existing songs is far shorter. Creating not one but two in a row shows a rare combination of high skill and taste – something that seems to be in short supply in the games industry a decade and a half later.
Perhaps part of ageing is developing a feeling of nostalgia for devices you never owned that played formats you never liked.
Tenth Annual Paperwork Clear-Out Day
Five simple steps for getting rid of paperwork:
keep it if it’s a legal document
keep it if it’s treasured letter or postcard from a friend or family member
keep it if it’s financial and less than a year old
shred any other paperwork
repeat the process on April 2nd every year
If you’ve been following along for the last ten(!) years, you’ll see this list is a little different. I’m not the person, nor the writer, I was when I first started this tradition, and the tenth anniversary seemed a good time to rewrite it.
In revising it, I followed UK Government Digital Service style guide on bullet points and steps, which I find to give generally excellent advice on most matters of writing.
Tenth Annual Book Clear-Out Day
Six simple steps for getting rid of books:
keep it if it’s a treasured gift
keep it if it’s unread and you bought less than three months ago
keep it if it’s a favourite you re-read often
return it if you borrowed it from someone more than three months ago
send the rest of the books to the charity shop
repeat the process on March 1st every year
If you’ve been following along for the last ten(!) years, you’ll see this list is a little different. I’m not the person, nor the writer, I was when I first started this tradition, and the tenth anniversary seemed a good time to rewrite it.
In revising it, I followed UK Government Digital Service’s style guide on bullet points and steps, which I find to give generally excellent advice on most matters of writing.
The Royal Tenenbaums is Wes Anderon’s best film. It’s as close to perfect as he ever got: stylised, warmly colourful, with every shot carefully composed, and a great soundtrack that isn’t on Apple Music in its entirety. It manages to be very ‘Andersonian’ without being too Andersonian as many of his later films are.
Biblioklept has a great post with 20 frames from the film – each of them stunning and showing just how much care and thought went into making it. The one accompanying this post is my favourite: funny, slightly incongruous, with a richly packed background, the frame cut in half by the centred pull-switch.
I saw it in the cinema twice during its original run. £3.25 for a student ticket,* back then, and it was so totally, unexpectedly good that I went back and gave the Vue another £3.25 to watch it again – something I’ve done less than a handful of times in my life.
The first time, by chance and on a whim. I was so taken with the film that I can’t now remember who I saw it with. (I’m certain there was someone with me.) The second with a friend who said, afterwards, “Mike really must have liked that; he hasn’t criticised it at all” – an astute observation.
It’s my favourite partly beause it was the first Wes Anderson film I saw, and partly because, even amongst a knockout cast, Gene Hackman steals the film as Royal Tenenbaum. The film is, as my friend said at the time, so good I couldn’t criticise it at all: I could simply enjoy it.
The same goes for Hackman’s performance in this and in nearly everything else I’ve seen him in. With all the uncertainty around his death, I think it’s time I stopped reading the news and rewatched The Royal Tenenbaums. While Hackman might be gone, this film isn’t – it remains as good as it as the first time I sat in those plump, velvet seats a quarter century ago.
* Assuming that the UK’s rate of inflation is roughly comparable to America’s over the period, it turns out that the Vue’s tickets have actually gone down in price. £3.25 with 76.7% inflation comes to £5.74; at time of writing, a non-student ticket for the ‘worst’ seats – near the front – costs £5.99 if bought at the counter. (A quid cheaper bought online.)
Ninth Annual Paperwork Clear-Out Day
Five Simple Steps for Getting Rid of Paperwork
If it’s a legal document, keep it;
If it’s a treasured letter or postcard from a friend or family member, keep it;
If it’s related to your finances and less than a year old, keep it;
Everything else, shred and recycle;
On April 2nd every year, repeat the process.
Ninth Annual Book Clear-Out Day
Six Simple Steps for Getting Rid of Books
If it’s a treasured gift, keep it;
If it’s unread and bought less than three months ago, keep it;
If it’s a favourite you re-read often, keep it;
If it’s borrowed from someone else, return it;
Everything else, send to the charity shop;
On March 1st every year, repeat the process.
Sealed green.
Goodnight, G3
Last weekend, on my first Saturday off in too many weeks, two iMacs G3 disintegrated in my hands. There was nothing I could do; they were too old, too frail, too well-travelled to survive even this most delicate of handling.
Both had given good service to their original owners, countless hours of the peaceful, fanless computation that ultimately doomed them. In the end, more than twenty years after they were made, even my gentlest touch unleashed a snowstorm of beige flakes, painfully visible through cracking candy plastics.
When it became apparent that neither could be saved – as the fruit-colour shells themselves split apart along hairline cracks and precision-moulded stress points – I salvaged what I could. It wasn’t much: a couple of speaker housings, a 700 MHz motherboard, the small Apple logos from the top. The CRTs went to “e-cycling”; the rest, landfill.
As I swept up grains of plastic from the laminate, I realised that this didn’t so much mark the end of an era as mark my acceptance that the era had long ended. It had happened already, some years ago, and I was just slow to acknowledge it.
As sad as it is, I realise it’s past time to concede that these computers are long past their usefulness as anything other than objets d’art or retro-computing curiosities. The internet has long left them behind, even despite the Herculean efforts of one dedicated fan.
Any task that can be accomplished on them is either one done using abandoned software, done to use abandoned software,1 or done on the nerd-equivalent of a masochism. Once a common trope, I haven’t seen a blog-post about using a PowerPC Mac exclusively for a month2 in probably ten years. (Demonstrating how far these beautiful, useless machine have fallen from the cultural memory, googling “using a g3 for one month” returns videos about some LG OLED TV.)
Even as I consign them to memory and retirement as attractive curios, it feels important to mount one last defence of the iMac G3 and its contemporaries. It was, on a public note, the Computer That Saved Apple. (Others – many, many others – have written about this so I won’t go into detail; Six Colors does a good job.)
But I can write about these personally, from my own perspective. These were machines of startling longevity. They remained useful, productive computers, with current software, for over half a decade in an era when an 18 month lifespan wasn’t unusual. A writer and academic I knew wrote on his original iMac (no G3; they were just “iMac” when he got his) for nearly 20 years before it died and was retired.
A close contemporary of these machines, my own 466 MHz iBook G3, in its original graphite livery at that point, was my primary computer until mid 2008 when I eventually switch to an Intel MacBook Pro. The MacBook was a much better computer but a far worse object.
That iBook, now in Lime thanks to a friend’s dexterous transplant, existed alongside an iMac G4. The G4 was my first Mac, and one about which I’ve written about before, but it was on a TV stand in the living room, relegated mostly to media-watching and disc-burning.
The iBook, in contrast, was everywhere that I was: my first ever laptop, and the computer that transformed computing from a desk-and-chair activity to an everywhere activity. That old G3, at times pokey and with an increasingly whiny hard-disk, prefigured the current era of ubiquitous, totally connected computing that the iPhone took to its logical conclusion less than a decade later.
These G3 machines, for those of us who had the enterprise to find them late, and lacked the budget to abandon them early, spanned the era from intermittently connected to always connected. They carried me and others from the past into the present, and did so reliably, elegantly, and mostly silently.
And now that we’re delivered into the present, and they are no longer fit to carry us, it’s time to treasure the few that remain intact, functional, and beautiful. There’s no shame in retirement when so much has been achieved.
Even I’m not immune to this. I would like, one day, to replay the first two Fallout games again on my beautiful Blue Dalmatian iMac. It seems appropriate to re-play them on a computer that could almost have existed in-game and resembles the one on which they were first played: projected at me as slightly ionised light from a deadly, high-voltage tube of glass and phosphor. ↩︎ ↩︎
A Saturnian Trio: listen.
Sunkissed.
Split greens.
Whenever an institution makes the decision to start taking anonymous accusations seriously, you can bet the bureaucracy of that institution has already been captured by precisely the sort of people who are eager to abuse such a system. To anybody else without such a malicious intent, the hazards of anonymous accusations should be obvious. Be very careful when seeking to reform such a system, because those you are trying to disarm will use those very same bureaucratic weapons to stop you.
cld8483, on Hacker News, in a comment responding to this WSJ story.