Untitled

[albarrancabrera]

Albarran Cabrera   —–   Instagram

The Mouth of Krishna

2025, #1061 Pigments, gampi paper and gold leaf.

[oformat]

[krispynachoturtle]

Tear. Naomi. Prada

[misterpoet333]

from coffee

to chocolate

from dawn

to dusk

we find the

treasure

in these seas

of comfort

📸Tron Le

[naser1963]

في دروب الحياة نتبادل الكلمات

ونزرع بذور المحبة بكل الأوقات

ونسعد كلما هبت نسائم اللقاءات

ونرسل مشاعرنا في ثوب الأمنيات

In the paths of life we exchange words.

And we plant the seeds of love at all times.

And we are happy whenever the breezes of the meetings blow.

And we send our feelings in the dress of wishes.

[ava11waywardmuse2]

◽️

HABLA CON ELLA

portrait photo A V A

[ava11waywardmuse2]

◽️

PUSH THAT SKY AWAY

photos A V A

[fravery]

Kaoru Yamada

[fravery]

Gustav Klimt Malcesine on Lake Garda, 1913 oil on canvas

[stanford-photography]

Dancing Petals on the Wind By Jeff Stanford, 2026 Buy prints of this image at: https://fineartamerica.com/featured/dancing-petals-on-the-wind-jeff-stanford.html   or more of my images at: https://jeff-stanford.pixels.com/

[stanford-photography]

Whispers of the Sunlit Abbey By Jeff Stanford, 2026 Buy prints of this image at: https://fineartamerica.com/featured/whispers-of-the-sunlit-abbey-jeff-stanford.html   or more of my images at: https://jeff-stanford.pixels.com/

[waiting-eyez]

What really matters is what you do with what you have.

(H. G. Wells)

[waiting-eyez]

To enjoy the things we ought and to hate the things we ought has the greatest bearing on excellence of character.

(Aristotle)

[waiting-eyez]

Civilization is in a race between education and catastrophe. Let us learn the truth and spread it as far and wide as our circumstances allow. For the truth is the greatest weapon we have.

(H. G. Wells)

[zemagltd]

Everyday Poetry - "People will do anything, no matter how absurd, in order to avoid facing their own souls. One does not become enlightened by imagining figures of light, but by making the darkness conscious." Carl Jung

[the--framed--maelstrom]

Auguste Rodin (1840–1917), The Gates of Hell, modeled 1880–1917, bronze cast after the artist's death from the original plaster model. Musée Rodin, Paris. Commissioned in 1880 for a proposed Museum of Decorative Arts in Paris, the monument remained unfinished throughout Rodin's lifetime. Conceived after Dante Alighieri's Inferno, the composition ultimately expanded beyond its literary source, incorporating references to Charles Baudelaire's Les Fleurs du mal and developing into an independent sculptural program. More than 180 figures are organized within a continuous, high-relief field that rejects Renaissance compositional hierarchy in favor of an unstable, expressive surface. Many of Rodin's most celebrated sculptures—including The Thinker, The Kiss, The Three Shades, and Ugolino and His Sons—originated as figures first modeled for this monumental portal before being enlarged and exhibited as autonomous works.

[usoilsarcasmo]

- Ciao, di dove sei?!

- Abito appena fuori Londra!

- Wowo, che figata!

Dove di preciso?!

- A Monza!